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Erna Nurmalinda
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Kampus IV Universitas Pasundan Jomantara Journal,Kantor Fakultas Ilmu Seni dan Sastra Jalan Setiabudhi No.193 Bandung
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Jomantara International Journal of Art and Culture
Published by Universitas Pasundan
ISSN : -     EISSN : 27987272     DOI : http://dx.doi.org/10.23969/jijac.v1i1
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences Other
Journal Jomantara is a peer reviewed International e-Journal written in English. It is published in two issues per year (January and July). The purpose of the journal is to bring a wide spectrum of participants to disseminate research findings of academicians, national and local government units, non-governmental organizations, heritage conservation practitioners and planners, tourism organizations, and the media. Specifically, Journal Jomantara intends to discuss and exchange knowledge on preservation and revitalizing art and culture in the world. Journal Jomantara also caters to recent challenges and opportunities for saving treasured art and culture. Its scope encompasses the thematic as follows: art and culture.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 5 Documents
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Search results for , issue "Vol. 1 No. 2 (2021): Vol. 1 No. 2 July 2021" : 5 Documents clear
Bloom’s Taxonomy in Viewing Sakola Kautamaan Istri’s Educational Conception (A Historical Cultural Study of Sundanese Women Empowerment Concept in 1904) Restu Dessy Maulida
JOMANTARA Vol. 1 No. 2 (2021): Vol. 1 No. 2 July 2021
Publisher : Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (576.259 KB) | DOI: 10.23969/jijac.v1i2.5984

Abstract

This research is intended to analyse Sundanese women empowerment concept that put into practice in Sakola Kautamaan Istri (Women Proficiency School) –formerly Sakola Istri- that proposed by Rd. Dewi Sartika in 1904. The school she founded was the first women's fomal and legal educational institution for common civilian class to be established in the Dutch colonialism era when the education for women was considered unnecessary. Bloom’s taxonomy is chosen as the utensil for viewing the educational objective concept and lessons learned at school. The research is included into qualitative descriptive research that employed document analysis approach. The discussion result reveals that cageur, bageur, pinter, wanter (vigorous, kind-hearted, intelligent, courageous) philosophy and the lessons learned at Sakola Kautamaan Istri in 1904 had accomplish the Bloom’s taxonomy domains theory, namely: cognitive, affective, and psychomotor. Keywords: Bloom’s taxonomy, Historical-cultural Study, Sakola Kautamaan Istri, Sundanese Women Empowerment
Development of SWOT Method with Additional Elements of Aspirations and Results in Music Industry Kanggep Andrijana Kusuma
JOMANTARA Vol. 1 No. 2 (2021): Vol. 1 No. 2 July 2021
Publisher : Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (375.543 KB) | DOI: 10.23969/jijac.v1i2.4331

Abstract

The development of strategies to win the music industry business competition is growing and is becoming one of the most important and a mainstay in companies engaged in the music industry in planning strategies for achieving organizational goals both now and in the future. From that thought, the authors combined the well-known SWOT methodology with several complementary elements which are expected to make this method more effective in analyzing and providing valuable inputs for the progress of a music industry. We hereby include the elements of Aspiration and result taken from the SOAR methodology to be combined with the SWOT design so that it is hoped that it will become a method that can provide better results. Keywords: SWOT, SOAR, Analytical, Business, Method, Planning, Strategic Planning,
Study of the Form and Meaning of the Nawa Gapura Marga Raja as an Artefact of the Cirebon Cultural Community: Form and Meaning Nawa Gapura Marga Raja Fadhly . Abdillah; Setiawan Sabana; Imam Santosa
JOMANTARA Vol. 1 No. 2 (2021): Vol. 1 No. 2 July 2021
Publisher : Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (844.116 KB) | DOI: 10.23969/jijac.v1i2.4371

Abstract

A work of traditional culture by the geniuses of Cirebon's past, named Nawa Gapura Marga Raja, is one of the historical buildings that are still sacred. There are 9 doors or gates, each of which is gathered in one area of ​​the building. The form and meaning of the number of gates for the author is a very interesting phenomenon to study, its relation to cultural expressions that allow so many symbolic values ​​to be interpreted. This study of form and meaning aims to analyze and gain knowledge related to the form and visual meaning of the gates in this building. To find out the meaning of the physical form of Nawa Gapura Marga Raja, this study uses an art criticism approach from Edmund Burke Feldman with the visual narration method of Gerard Genette. In the process, the research goes through the following stages; literature study, observation, and conducting interviews with related parties. From the results of the analysis, it is understood that the structure of the form and layout of the building is heavily influenced by the spatial concept of primordial culture mixed with a new culture, so that it represents a myth, also has meanings that are closely related to religious teachings, culture and leadership values. Keywords: form, art criticism, visual narrative, meaning, nawa gapura marga raja
Visual Studies: Identification of Cangkuang Temple As a Heritage Relic of Ancient Sunda Kingdom with Juxtaposing Technique Rahmadi Rahmadi; Aldi M Fitrah
JOMANTARA Vol. 1 No. 2 (2021): Vol. 1 No. 2 July 2021
Publisher : Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1084.056 KB) | DOI: 10.23969/jijac.v1i2.4446

Abstract

West Java has various relics of buildings and ancient artifacts that have the characteristics of buildings based on Hinduism, Buddhism and other older cultures. One of these remains is the Cangkuang Temple (8M) located in Garut, West Java. This temple is a Hindu-style temple, and is believed to be a relic of the Ancient Sundanese Kingdom. However, what is interesting about this Cangkuang Temple building is that it has quite different building characteristics from other sacred buildings of the ancient Sundanese people that were around the same era and in the surrounding area. This Cangkuang Temple has some similarities from the characteristics of the buildings generally from Ancient Sundanese, but has quite a few different distinct building features. This makes the question of whether Cangkuang Temple is really a relic from Ancient Sundanese Kingdom or by another kingdom in the different era. Therefore, in this research, the writer tries to raise the issue of these characteristics and differences. In the process, the writer compares the photo of the temple and the comparator with the Diptych and Triptych technique to identify the similarities and differences of the temples as objects. The research methodology used in this reseras is a descriptive qualitative visual study, with the data collection methods used are field observations, literature reviews and interviews. The objects that are observed are the sacred buildings of the Sundanese people of the same era and those in the surrounding area. In the end, after the photos are juxtaposed, they will be further validated to get the final conclusion. This research also includes comparisons with Gedong Songo Temple which complements the existing comparisons between the buildings of the Tarumanegara (Batujaya), Ancient Sundanese (Bojongmenje) and Galuh / Kalingga / Medang (Gedong Songo) era’s building to see their characteristics comparison.
Mixed Cultural Representation of Stuart's Character in Minions As a Symbol of Strength and Protection: Mixed Cultural Representation of Stuart's Character in Minions As a Symbol of Strength and Protection Zaini Ramdhan
JOMANTARA Vol. 1 No. 2 (2021): Vol. 1 No. 2 July 2021
Publisher : Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (882.039 KB) | DOI: 10.23969/jijac.v1i2.4382

Abstract

The myth of the one eye symbol is a symbol of the symbolism of symbols that are still unclear and hidden visual signs. Interpretations can be unclear and varied, Connecting with the sign of the Illuminati, the sun god with the eye symbol depicted single or one will have a psychological impact on the one who reads it. History records of artifacts made about the shape of the eye symbol and other forms. It is in ancient religious symbols of worship and leadership. The Sumerians demonstrated the sanctity of certain sculptures, the shape of the eyes enlarged by an abnormal size gave the impression, the message of sensation from the statue. Making performances of religious ceremonies, artists seek to bring sculptures to life in the way they do eye openings. The ancient Egyptian civilization was the originator of the disembodied eye as a symbol of the single eye. One of the well-known symbols of Egypt is the eye of the sun god in Pharaoh's mythology. The image is a mixture of the image of a human eye combined with an eagle's eye, with eyebrow markings, dark cheek markings of a bird. And also various forms of the relics of the modern era associated with the shape of the image of the one eye. In this case, Semiotics is a branch of science that studies a sign. Semiotics comes from the Greek word: semeion, which means sign. Sign as something that represents something; metaphor. The process of a sign as a representative occurs when the sign is reinterpreted concerning what it represents, in the form of visual forms, colors in works of art. It can be said that Semiosis is a process in which the sign becomes a function as a representative of the signified. The focus of researchers in the study of semiotics here is a visual sign of combining entities that are used as representations of the represented entities. This representation process is often called signification. This research is how the visual sign of the one eye on the animated minion character named Stuart can be a representation of the one eye symbol in the past and modern era that represents it both in shape and color.

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