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BAJU: Journal of Fashion and Textile Design Unesa
Published by Universitas Negeri Surabaya
ISSN : 27472574     EISSN : 27472574.     DOI : https://doi.org/10.26740/baju
Core Subject : Humanities, Social,
Humanities Social Sciences
BAJU mempublikasikan artikel-artikel dari mahasiswa, dosen, guru, para peneliti dan profesional yang berisi hasil penelitian, penciptaan, gagasan pemikiran, dan kreasi atau inovasi lain dibidang desain mode dan tekstil, baik dalam bahasa Indonesia maupun bahasa Inggris. Diterbitkan setahun empat kali, memberikan kesempatan artikel anda untuk segera publish. BAJU menyediakan forum ilmiah untuk topik penciptaan atau praktik busana maupun tekstil. BAJU mendorong penelitian interdisipliner dan pengembangan komunitas akademik yang akan berbagi teori, teknologi, dan teknik yang baru di industri fashion dan tekstil, termasuk: - inovasi dalam desain dan praktik mode - keberlanjutan dan etika dalam industri mode - teknologi mikro dalam konteks fashion dan tekstil - smart and digital fashion dan tekstil - konsumsi dan produksi fashion - materials, design, concepts and process Kontribusi yang sesuai untuk jurnal ini terbagi dalam kategori berikut: - Research papers menyajikan temuan baru yang penting - Technical papers yang menjelaskan perkembangan atau inovasi baru - Academic discussion papers yang membahas tren dan prediksi jangka menengah hingga panjang.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 6 Documents
 1 
Search results for , issue "vol 7 no 1 (2026)" : 6 Documents clear
DARI LINI KE LINGKAR: EKSPLORASI CIRCULAR FASHION DALAM DESAIN MERCHANDISE SEBAGAI STRATEGI GREEN BRANDING UNIVERSITAS Silmy Fadhilah; Irma Russanti; Fadlilah Indira Sari; Yuhri Inang Prihatina
BAJU: Journal of Fashion and Textile Design Unesa Vol 7 No 1 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

Circular fashion is a concept that emphasizes sustainable fashion by utilizing waster materials to create new higher value product through upcycling. This upcycling principle has a positive impact on the environment by reducing waste and enhancing ther green branding of D4 Tata Busana study program. This study aims to evaluate the implementation of circular fashion in a merchandise prototype that represents the identity of the D4 Tata Busana study program. The ADDIE model, comprising Analysis, Design, Development, Implementation, and Evaluation, was employed to assess how circular fashion designs strengthen the institution's identity. The development object consists of fashion miniature merchandise made from patchwork fabric waste generated through Teaching Factory (Tefa) practical activities. This study developed four merchandise prototypes for the D4 Fashion Design Study Program, with one prototype selected, earning a score of 37.5%. The evaluation involved 56 respondents and focused on two criteria: (1) originality and novelty, and (2) production needs feasibility. The evaluation results suggest that the chosen merchandise design is suitable for production, as 66% of respondents see the product as innovative. This study demonstrates the potential to develop an income-generating product with efficient production practices costs.
PENGEMBANGAN PACKAGING FASHION SEBAGAI IDENTITAS VISUAL FASDEVA: STUDI PENCIPTAAN KEMASAN PRODUK FASHION BERBASIS ELEMEN MOTIF BATIK KONTEMPORER Fadlilah Indira Sari; Silmy Ni’mah Fadhilah; Irma Russanti
BAJU: Journal of Fashion and Textile Design Unesa Vol 7 No 1 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

This design creation study seeks to develop fashion packaging that incorporates contemporary batik motifs as a visual identity strategy to enhance the appeal and professionalism of TEFA products. Employing a practice-led design research approach, the study comprised a sequence of activities including needs analysis, motif exploration, alternative design development, prototype production, and preference testing with a sample of 59 respondents. The results demonstrate that the integration of contemporary batik motifs across three packaging media box, totebag, and hangtag significantly reinforces brand visual identity and elevates product aesthetic value. Respondents favored the first box design (54.2%) and the first totebag design (61%), indicating a predominant preference for minimalist compositions featuring stylized batik elements. The findings further reveal that fashion packaging functions not merely as a marker of perceived product quality but also as a medium for cultural continuity through the reinterpretation of batik within a modern visual framework. This study concludes that contemporary batik-based fashion packaging effectively strengthens the visual identity of FASDEVA and enhances the marketability of TEFA fashion products. The research contributes to the discourse on culturally embedded packaging design and underscores its relevance for fashion vocational education and the broader creative industries.
Eksperimen Teknik Tile Trapping pada Perca Brokat Ni Luh Nila Febrianti; I Nyoman Artayasa; Gede Pasek Putra Adnyana Yasa
BAJU: Journal of Fashion and Textile Design Unesa Vol 7 No 1 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

The increasing amount of brocade and lace scrap waste in the kebaya industry in Bali has become a major environmental problem and an opportunity for sustainable textile material innovation. This study aims to develop textile materials through innovative fabric manipulation techniques with tile trapping techniques and exploration in the use of color combinations, namely analogous, complementary, and monochromatic colors. This study uses a descriptive qualitative approach with an experimental method consisting of three main stages: observation is carried out by identifying the type of brocade, fabric thickness, fabric motif, and size of the brocade scrap. The experiment produced three material prototypes based on the color scheme, then conducted a final evaluation which was carried out visually to assess the appearance aspects of color harmony, motif, texture, neatness of stitching, and material strength. The results show that the tile trapping technique is able to combine brocade scraps with various sizes and fabric motifs into a new textile material that is stable and functional. The analogous color scheme produces a harmonious impression, the complementary color scheme provides a strong visual contrast, while the monochromatic color scheme creates a unified and soft impression. This research contributes to the development of sustainable textile material innovation and supports environmentally friendly fashion practices based on Bali's local potential.
INTERPRETASI ZELLIGE BAHIA PALACE MELALUI TEKNIK ANYAMAN PADA BUSANA AVANT-GARDE Laura Intan Prasyono; Urip Wahyuningsih
BAJU: Journal of Fashion and Textile Design Unesa Vol 7 No 1 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

The objectives of this study are to (1) describe the process of applying weaving techniques inspired by Zellige Bahia Palace to avant-garde fashion, and (2) determine the results of weaving techniques inspired by Zellige Bahia Palace in avant-garde fashion. Zellige Bahia Palace was chosen as the source of inspiration because it has geometric shapes and repetitive patterns typical of Morocco that are relevant to explore through weaving techniques. The type of research used is quantitative descriptive with Double Diamond method, which consists of four stages: Discover, which collects information about Zellige Bahia Palace and weaving techniques; Define, which formulates exploration in a moodboard; Develop, which designs five concept and then selects one design, explores materials, and creates prototype; Deliver, which assesses the results of avant-garde clothing by three fashion experts through an observation sheet. The results show the application of Zellige Bahia Palace elements in avant-garde fashion design is considered excellent, as demonstrated by the accuracy of translating geometric motifs into woven structures. The quality of the weaving technique received an excellent rating for its neatness, precision, and proportionality. However, the finished garments still need further development so that their experimental and innovative avant-garde character can be displayed more strongly.
EKSPLORASI BATIK KONTEMPORER DENGAN TEKNIK PENDULUM PADA BUSANA CASUAL WANITA Rizqiah Nurida Aini; Urip Wahyuningsih
BAJU: Journal of Fashion and Textile Design Unesa Vol 7 No 1 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

Batik has undergone a shift and transformation from its traditional values that influence various designs, media, and functions, resulting in the emergence of contemporary batik. The research aims to explore the creation of contemporary batik motifs with the pendulum technique and its application to women’s casual wear. The pendulum technique is an innovate motif making technique by ultilizing the force of gravity using a pendulum swinging with hot wax to produce a unique spiral pattern. The method in this research uses the Double Diamond Model which consist of four stages: Discover, exploring ideas, the pendulum movement is interpreted as a representation of the galaxy; Define, compiling a moodboard; Develop, creating basic design and their development and exploring pendulum technique motifs until the product is made into a garment; Deliver, the final stage where input from experts is collected. This reserch produces women’s casual wear with the application of contemporary batik using the pendulum technique. Responses from fashion experts regarding clothing realized with the application of the pendulum technique are classified as very good. Aspects assessed include creativity and originality, color and visuals, motif composition, and functionality. This researh shows that batik is not only traditional cultural heritage but also a creative medium in the world of contemporary fashion.
Penciptaan Busana Pesta Malam dengan Sumber Ide Palazzo Dandolo Venesia Nura Muhaimin; Yuhri Inang Prihatina
BAJU: Journal of Fashion and Textile Design Unesa Vol 7 No 1 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

The purpose of this research is to create evening party wear with the idea of ​​Palazzo Dandolo Venice as the source of inspiration, especially for the masquerade ball event. Through the application of gothic ornamental motifs in the room and furniture, manipulation techniques of draping and embroidery, S, I and A silhouettes, the use of gold champagne and dark purple, as well as sequins and masks as clothing decoration. This research is motivated by the need for innovation in evening party wear design that not only emphasizes the aesthetic aspect, but also has cultural and historical value. The research method uses the Double Diamond Method which consists of four stages. In the discover stage, data related to Palazzo Dandolo is collected and explored, including historical, cultural, and visual aspects. The define stage is carried out by analyzing data in the form of colors, materials, silhouettes, and techniques such as draping and embroidery which are outlined in a moodboard. In the develop stage, alternative designs are created, the best design is selected, and a prototype is developed. Deliver the prototype refinement and presented in a fashion show. The novelty of this research lies in the use of Palazzo Dandolo as a source of ideas combined with the iconic Venetian masquerade ball culture. Originality or added value of technical innovation research through the application of embroidery and draping manipulation, which enriches the texture, visual dimension, and artistic details of clothing. The result of this research is a pair of mysterious yet elegant evening gowns typical of Palazzo Dandolo. Keywords:: evening wear, palazzo dandolo, Venice

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