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Jumantara: Jurnal Manuskrip Nusantara
Published by Perpustakaan Nasional
ISSN : 20871074     EISSN : 26857391     DOI : https://doi.org/10.37014/jumantara
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences
Jumantara: Jurnal Manuskrip Nusantara menyajikan informasi mutakhir hasil kajian literatur dan penelitian bidang ilmu filologi dan pernaskahan Nusantara, yang mencakup: Kajian kodokologis, Teori-teori filologi, Edisi teks naskah kuno dan analisisnya, Kajian historis kepengarangan naskah kuno dan karyanya, Kajian multidisiplin berbasis naskah nusantara. Objek yang dijadikan kajian secara khusus bersumber pada naskah-naskah kuno Nusantara baik yang tersimpan di wilayah Nusantara maupun di luar wilayah Nusantara. Jumantara: Jurnal Manuskrip Nusantara membuka kesempatan seluas-luasnya bagi peneliti naskah kuno Nusantara dari seluruh wilayah di dunia untuk turut berpartisipasi dalam penulisan artikel ilmiah yang sesuai dengan focus dan scope jurnal.
Arjuna Subject : Seni dan Humaniora - Klasik
Articles 3 Documents
 1 
Search results for , issue "Vol 11, No 2 (2020): Desember" : 3 Documents clear
Sepak Terjang Bagus Rangin dalam Surat Dipati Natadireja Kepada Daendels (1808) Titin Nurhayati Ma'mun; Hazmirullah Hazmirullah
Jumantara: Jurnal Manuskrip Nusantara Vol 11, No 2 (2020): Desember
Publisher : Perpustakaan Nasional RI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (717.327 KB) | DOI: 10.37014/jumantara.v11i2.957

Abstract

In this article, we discuss a letter from a local official, named Raden Dipati Natadireja, to Governor-General Franco-Dutch Herman Willem Daendels (1808-1811). The letter written on 5 Jumadil akhir year of Dal 1223 AJ (July 25th, 1808) is a collection of the National Archives of the Republic of Indonesia and is coded ID-ANRI K66a, File 3569, Folio 39-42. Through the letter, Natadireja reported that many officials in Cirebon, especially low-ranking officials, joined the revolters. He also reported that the revolts were led by three respected figures, namely Kulur, Rangin, and Draham. In this research, the manuscript firstly was studied by using the philology theory that contain the method of manuscript study (codicology) and the method of text study (textology). Furthermore, the manuscript content was dialogued to the historical fact in the Cirebon Sultanate so that we obtained a complete understanding about context of writing the manuscript. The result shows that the wave of revolt had occurred since at least 1806 as the people of Cirebon could no longer stand the tyrannical treatment of colonial administration. On the other hand, the Chinese people actually get special treatment, especially in terms of land management.
Menapak Jejak Seni Gambuh dalam Naskah-Naskah Panji Melayu Priyo Joko Purnomo; Wahyudhi Wahyudhi
Jumantara: Jurnal Manuskrip Nusantara Vol 11, No 2 (2020): Desember
Publisher : Perpustakaan Nasional RI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (929.776 KB) | DOI: 10.37014/jumantara.v11i2.1004

Abstract

Gambuh as the performing art in Malay area became one of the cultural transformation evidences of the close relation between Java and Malay. The history of gambuh performance in Malay area recorded in the archipelago’s manuscripts, one of them is a manuscript entitled Surat Gambuh which is being the collection of Leiden University Library. This paper attempts to examine the contents of the manuscript in order to reconstruct the gambuh performance art in Malay and also trace the historical aspects. As far as the research had been done, there have been no studies of this manuscript so it is necessary to first transliterate it using a critical method. Furthermore, the historical aspects are explored using a historical approach by adding data from other texts of Panji. The analysis result of the reflection of Malay gambuh performance rules and historical aspects show that there is a transformation of work from oral tradition to written tradition, the cultural acculturation between Java and Malay, and the Islamic influence behind Malay gambuh.
Konsep Raja Ideal pada Masa Sriwijaya Berdasarkan Bukti-Bukti Tertulis Muhamad Alnoza
Jumantara: Jurnal Manuskrip Nusantara Vol 11, No 2 (2020): Desember
Publisher : Perpustakaan Nasional RI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (676.755 KB) | DOI: 10.37014/jumantara.v11i2.1041

Abstract

The king in the Hindu-Buddhist era had such a big role for his people. The ideal king is needed by the people so that the country becomes prosperous. The concept of an ideal king has been known for a long time in the archipelago, even since before Hindu-Buddhist culture developed. In Java and Bali the ideal king is described in the Astabrata Concept. The concept of an ideal king in Srivijaya has never been discussed by researchers, even though Srivijaya was one of the ruling kingdoms in Indonesia during the early Hindu-Buddhist era. This study discusses about concept of the ideal king that developed in Srivijaya based on written data in the form of inscriptions scattered in several conquered Srivijaya areas. The concept of the ideal king of Srivijaya needs to be known to reconstruct how much acceptance of Hindu-Buddhist culture in Indonesia, especially during the Srivijaya era. In answering these problems, research was conducted with archeological methods, which consisted of data collection, analysis and interpretation. Based on this research, it can be seen that the concept of the ideal king of Srivijaya was much influenced by Buddhism, especially the Vajrayana school. The king in Srivijaya depicted as an excellent person, born as a man, diplomat and wealthy.

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