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Erna Meiliana
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INDONESIA
Jurnal Dimensi Seni Rupa dan Desain
Published by Universitas Trisakti
ISSN : 25275666     EISSN : 25497782     DOI : https://doi.org/10.25105/dim
Core Subject : Humanities, Art,
Arts Humanities
Jurnal Dimensi Seni Rupa dan Desain diterbitkan oleh Fakultas seni Rupa dan Desain. Jurnal ini terbit 2 (dua) kali dalam setahun, yaitu Februari dan September. Jurnal Dimensi Seni Rupa dan Desain merupakan jurnal bidang seni dan desain yang terbilang aktif sejak pertama kali diterbitkan dari tahun 2003 sampai sekarang. Menjadi salah satu jurnal seni dan desain yang banyak diminati oleh para penulis dari berbagai perguruan tinggi di Indonesia
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 8 Documents
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Search results for , issue "Vol. 4 No. 2 (2007)" : 8 Documents clear
IMPLEMENTASI GAYA DAN TEMA KONTEKSTUAL DALAM PERANCANGAN INTERIOR ERA PASCA MODERN Aghastya Wiyoso
Jurnal Dimensi Seni Rupa dan Desain Vol. 4 No. 2 (2007)
Publisher : Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1877.35 KB) | DOI: 10.25105/dim.v4i2.1239

Abstract

AbstractDesign is still growing relatively as a new discipline. Now Design has already left its old paradigm, as an ornament embellishment of the product or space, to gain a new responsibility to solve advanced and complex needs of humankind behind a designed object. This change, also in the field of inten~or design, acted its design process which must combine both aesthetical and rational ability. Design concept, included a theme in it, is one important step of the design process and play a role as a problem solving anticipation that can direct the whole design process to the right goal or criteria which already stated in early phase. Styles must response physically the theme establls"lzed before. In the age of pluralism with a more complex growlh of space categories and thetr~ requirements, determim'ng themes creatively and recombim"ng and recontextualizing styles are needed to achieve a close relationship between space structures and their meam'ng or content.Ke ywords . design, interior design, design concept, implementation theme and style AbstrakDesain kini terus berkembang sebagai disiplin ilmu yang relatif baru. Hingga saat ini desain telah meninggalkan paradigma lama sebagai suatu penghias dan ruang atau produk untuk memperoleh suatu peran baru, yaitu memecahkan masalah kebutuhan manusia yang kian kompleks yang berada di bank suatu obyek desain. Perubahan ini juga terasa dalam desain interior, pengaruhnya pada proses desain mengkombinasikan kepekaan  estetis dan kemampuan rasional. Konsep desain, termasuk didalamnya tema merupakan salah satu langkah penting dalam proses desain dan memainkan peran sebagai antisipasi pemecahan masalah yang dapat mengarahkan keseluruh
TRANSFORMASI KRIYA TENUN SUTERA GARUT Farid Abdullah
Jurnal Dimensi Seni Rupa dan Desain Vol. 4 No. 2 (2007)
Publisher : Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1757.928 KB) | DOI: 10.25105/dim.v4i2.1240

Abstract

AbstractIndonesia silk craft industry just one of national products that very high in local contain. Transformations of Carat silk craft industry, start from Ins-tory of sericulture, silk cocoom'ng process, weaving, andfinishing. Producing silk craft is a lengthy process and demands constant close attention. Development of Garut silk weaving industry today entering the stage to production coexistency and the third generaton management .AbstrakKriya sutera Indonesia merupakan produk nasional yang memiliki kandungan lokal yang tinggi. Perkembangan kria tenun sutera Garut, terkait dari sejarah kegiatan seri kultur kokon suterapenenunan hingga penyelesaian akhir (finishing) telah terjadisejumlah transformasi, balk transformasi pelaku usaha, alat, bahan, hingga proses yang dilakukannya. Untuk menghasilkan kriya sutera, memerlukan proses yang panjang dan perhatian pelaku secara erat. Perkembangan tenun sutera Garut pada saat ini memasuki tahap mempertahanan eksistensi produksi dan pengelolaan oleh generasi ketiga. 
SIFAT MEKANIS LAMINASI LENGKUNGAN BAMBU BETUNG (Dendrocalamus asper (Schulters f.) Backer ex Heyne) dan TALI (Gigantochloa apus (J.A. & J.H. Schultes) Kurz). Noermalicha Noermalicha
Jurnal Dimensi Seni Rupa dan Desain Vol. 4 No. 2 (2007)
Publisher : Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (996.164 KB) | DOI: 10.25105/dim.v4i2.1241

Abstract

AbstractPreface study shows a possibility of bamboo to be bent and also proves that species affects to the results of mechanical properties. Bamboo was bent with the radius of curvature of 28 CM, as an example, used PVAc (industrial specification), and _formed manually in cold pressed at pressure setting at room temperature for 24 hours. In order to examine the best composition of optimal laminate effect, influence of node existing, and effect of shape; 24 samples of 2 cm x 2 cm x 30 cm were made and three replicates were prepared. In order to compare species influence were selected Dendrocalamus asper (Schultes f) Backer ex Heyne and Gigantochloa apus (J.A. & Schultes) Kurz that have different anatomical structure.Results indicate that node presence not significantly affects mechanical properties of Betting bamboo but significantly for Tali bamboo. To get the optimum mechanical properties, thickness of laminate is about 4 mm to 5 min. Decreasing of mechanical properties of laminated bended bamboo is not caused by node presence but by shape influence. The modulus of elasticity (MOE) value of Belling bamboo is decreasing almost 50% from the mechanical properties. Meanwhile, the MOE value of laminated straight bamboo of Tali decreases until 5 times from its mechanical properties, and the MOE value of laminated ['ended bamboo of decreases until 25% from laminated straight bamboo. Conversely, the modulus of rupture (MOR) of both of laminated bamboo is not significantly.
POTENSI TERSEMBUNYI KEKAYAAN "ARSTEKTUR HERITAGE" DI KOTA PEKALONGAN Sri Puji Astuti
Jurnal Dimensi Seni Rupa dan Desain Vol. 4 No. 2 (2007)
Publisher : Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1023.864 KB) | DOI: 10.25105/dim.v4i2.1242

Abstract

AbstractAs every Indonesians know, Pekalongan is the one of batik's Indonesian producers. The batik of Pekalongan has a special charateris tic, therefore this makes the Pekalongan's batik famous in all over the world. But, this is not such the only one cultural product in Pekalongan. Based mi the history background. Pekalongan was a big harbour town in past, so that many merchants in over the world came to this town for trading. In the period of Dutch colonialist, Many government buildings had built by Dutch. Dutch government buildings in Pekahmgan as we know as well today as heritage architectures. Dutch heritages architectures in Pekalongmt not just government buildings, there are also public buildings and residences. But, there is no enough attention from us, especially Pemerintah Kota Pekalongan, that the heritage architectures in Pekalongan have a hidden potential as a cultural tourism. By reading this article there will be a new awareness of us about one of our cultural products, especially architecture. This article also gives the image of Dutch heritages architectures in Jakarta and Malang, as a comparison.AbstrakSetiap orang Indonesia pasti tahu bahwa Pekalongan adalah salah satu kota penghasil batik di Indonesia. Batik Pekalongan memiliki ciri khusus, hal ini menjaciikan Batik Pekalongan terkenal di seluruh dunia. Tetapi batik hukanlah satu-satunya produk budaya yang ada di Pekalongan. Berdasar latar belakang sejarahnya ciahulu Pekalongan adalah sebuah kota pelabuhan besar sehingga banyak pedagang di seluruh dunia melakukan perdagangan di kota tersebut. Dalam masa penjajahan Belanda, banyak gedung pemerintahan yang clibangun oleh Belanda pada masa itu. Bangunan-bangunan pemerintahan Belanda tersebut sekarang kita kenal sebagai arsitektur heritage. Arsitektur heritage di Pekalongan tidak hanya berupa gedung-gedung pernerintahan, tetapi juga gedung-gedung
PRINSIP SKETSA DAN VISUALISASI PADA PROSES DESAIN Artini K R
Jurnal Dimensi Seni Rupa dan Desain Vol. 4 No. 2 (2007)
Publisher : Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2074.814 KB) | DOI: 10.25105/dim.v4i2.1243

Abstract

AbstractAny design task requires a very complicated process of searching for an aesthetic as well as functional solution that can be reached in a practical and effective way. Designing involves various elements that must be considered and related to each other within the constraints, in order to create a satisfying solution. According to Michael Angello's analysis, the design process consist of two basic types of activity ; problem­structu ring and problem-solving. They argued that the ill-structured nature of the design-task environment influences the extensive use of problem- structuring during design sketching and visualization. Design is an iterative process in which solutions emerge gradually as a process of structuring, composing and decomposing the problem as a basic of sketching.Keywords: design process, problem-solving, sketchnisAbstrakUntuk menyiapkan suatu tugas desain dibutuhkan proses yang sangat kompleks dan rumit untuk mencari pemecahan dalam segi keindahan maupun dalam segi fungsional baik secara praktis maupun efisien. Desain mencakup berbagai macam elemen yang merupakan satu kesatuan yang saling berkaitan, bahkan terkadang sating bertentangan dalam usaha mendapatkan solusi yang terbaik serta menyenangkan. Menu rut analisa Michael Angello, proses desain mencakup dua jenis kegiatan dasar, yaitu penyusunan problema dan pemecahan problema. Ada pendapat bahwa lingkungan desain yang tidak terstruktur dengan balk akan mempengaruhi proses penyusunan problerna selama proses sketsa desain dan visualisasi. Desain adalah suatu proses interaktif, di mana pemecahan masalah muncul secara bertahap dalarn proses menyusun serta mengubah berbagai problema sebagai dasar sketsa.
PERHIASAN DI INDONESIA FUNGSI, TEKNOLOGI, DAN PERKEMBANGANNYA Gihon Nugrahadi
Jurnal Dimensi Seni Rupa dan Desain Vol. 4 No. 2 (2007)
Publisher : Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1980.298 KB) | DOI: 10.25105/dim.v4i2.1244

Abstract

AbstractThis is not a new matter of the human hobby to °liniment is new one but it started since since the ancient era in also in lndonesk.thgre are'various usages of bead and gold ornaments since prehistoric era. Higli..civilization yields to the best value and technique and gives influences to get best products..This article as a presentation of function, Usage, teehnOlogy and the growth also the understanding of the people to the concerning ornaments role. By taking a sample of the usage of ornaments of the Bali society, which'the development of thefunctional objects.are also applied to the design elethents to.be accesories that become.        Abstrak    Kesukaan manusia sejak masa purba terhadap perhiasan bukan sesuatu , hal yang baru. Dan i berbagai temuan di Indonesia Menunjukkan bahwa penggunaan perhiaSan errias dan manik-manik sejak zaman prasejarahtelah ada, ditandai dengan semakin tinggi peradabannya, semakin tinggi pula teknik dan mutu perhiasan yang dihasilk‘annya.Tulisan ini mencoba mengetengahkan fungsi, penggunaan, perkem­bangan dan teknologi serta pemahaman manusia terhadap peranan perhiasan. Dengan mengambil contoh dari perhiasan masyarakat Bali, yang dalarn perkembangannya kemudian, benda-benda tersebut secara fungsional dipadukan dengan unsur kegunaan sehingga menjadi benda pakai
PERANAN KAYU SEBAGAI MATERIAL PADA DESAIN PRODUK DAN DESAIN INTERIOR Arijanto Salmoen Wargadinata
Jurnal Dimensi Seni Rupa dan Desain Vol. 4 No. 2 (2007)
Publisher : Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1389.588 KB) | DOI: 10.25105/dim.v4i2.1245

Abstract

AbstractAs you know wood is natural material as acomposite material is usingfor construction building, interior need, household equipment and (Act; that's way we are talking about wood. We were descript ing woods for a tropical wood as tropical hard wood and tropical soft wood. The process production of it's are variaties, many of processes like's tradi timid processes and modern process style has been knew and now we are talking about the type of wood, the characteristic of wood and special properties of wood. I hope the discription above can opened mind of the product designer for looking more deeply to wood material's. Therefore a professional ity thinking and practice skill for material matters especially wood material's are very importance and should be decided for the future .Abstrak.Seperti kita ketahui kayu adalah bahan alami non komposit, yang banyak digunakan untuk berbagai kebutuhan, antara lain: konstruksi bangunan, kebutuhan interior, peralatanrumah tangga clan sebagainya. Tulisan mi membahas mengenai keberadaan kayu tropis, jenis hard wood clan soft wood. Proses produksi / pengolahan kayu sangat bervariasi, yaitu dengan cara tradisional dan cara modern. Disamping itu juga dibahas jenis, karakter kayu clan manfaatnya. Tulisan ini diharapkan dapat rnembuka wawasan bagi para perancang interior dan perancang produk dalam memanfaatkan bahan kayu untuk kepentingan masa depan.
SENIKERAJINAN BATIK DI INDONESIA Julius Andi Nugroho
Jurnal Dimensi Seni Rupa dan Desain Vol. 4 No. 2 (2007)
Publisher : Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1806.607 KB) | DOI: 10.25105/dim.v4i2.1246

Abstract

AbtractBatik is one of the hzdonesian indentities which is diHerwzt from othercountries long time ago. Batik used to be wom by sultmz, his family and friends- Nozu, everyone can wear batik to go to work and special event it proves that people have been loving the beauty of Batik for hundred of year. All we have to do is preserving the existence of batik so that our generation will not lose Batik as one of the Indonesian identities.AbstrakBatik Lelah lama dikenal sebagai kesenian khas Indonesia yang merupakan salah satu identitas bangsa Indonesia yang berbeda dengan Negara-negara lain. Batik pada awalnya dipakai oleh kerabat dan keluarga Sultan, saat ini batik banyak dipakai untuk pergi bekerja dan pada acara-acara pesta, hal ini membuktikan bahwa orang telah tertarik akan keindahan batik sejak ratusan tahun. 

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