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Terob : Jurnal Pengkajian dan Penciptaan Seni
Published by sekolah tinggi kesenian wilwatikta surabaya
ISSN : 2087314X     EISSN : 27214869     DOI : https://doi.org/10.20111/terob.v12i1
Core Subject : Art,
Arts
jurnal terob merupakan jurnal dari Sekolah Tinggi Kesenian Wilwatikta Surabaya, adapun fokus dari jurnal terob pada pengkajian dan penciptaan seni. kami menerima berbagai macam artikel yang memiliki latar belakang seni tari, seni teater, seni musik dan seni rupa
Arjuna Subject : Seni dan Humaniora - Klasik
Articles 5 Documents
 1 
Search results for , issue "Vol. 12 No. 1 (2021): October" : 5 Documents clear
Dramaturgy of Sila Dance Hari Ghulur Ahmad Faishal
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 12 No. 1 (2021): October
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (389.521 KB) | DOI: 10.20111/terob.v12i1.18

Abstract

This article is a study of Sila Dance by Hari Ghulur using Dramaturgyapproach, namely Socio Dramatic aspect. The theory used in thisarticle is semiotics theory of Roland Barthes with descriptiveinterpretative method. Sila dance showis understood as art and culturaldocument that represent the cultural identity of a society, namelyMadurese society. Madurese context is the basis for this researchbecause Hari Ghulur comes from Madura. In this case, there is a closecultural context between the choreographer, dancer, researcher and thetext of Sila show. The result of the analysis in this study isatdenotative meaning level describing dancer identity who is tough andstrong, while at connotative meaning level it represents Maduresecultural aspect
An Analysis of The City Meaning in Three Paintings by Agung Tato (Semiotics Approach Of Charles Sanders Peirce’) Indra Tjahyadi
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 12 No. 1 (2021): October
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (481.855 KB) | DOI: 10.20111/terob.v12i1.25

Abstract

A painting is not just a meaningless manifestation of human artisticcreation. A painting is also a manifestation of a meaningful signcreated by a painter. This article focuses its study on the meaning ofthe city that is represented in three paintings by Agung Tato entitledSecond Level, City of Tommorow, and B…..The theory that it is usedto reveal the meaning of the three paintings by Agung Tato is CharlesSanders Peirce's semiotics theory. The method which used in thisstudy is an interpretive qualitative method. The interpretation factorof the sign which the basis of the analysis work is the factor that leadsthe choice of this method in this article. Based on the analysis that hasbeen done, it was found that in Agung Tato's painting of the city isinterpreted as an inhumane geography. Human is no longer as asubject who becomes central to the development or growth of a city.The city exists as a city itself, apart from the various living things inthe universe.
The Existence of Ludruk Show Behind The Popular Art Industry Heny Purnomo
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 12 No. 1 (2021): October
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (244.52 KB) | DOI: 10.20111/terob.v12i1.26

Abstract

The presence of popular art is described by the rapid growth anddevelopment of television medium influence the life of performingarts and the production activityin the show. Covid-19 and postpandemic activity also have an impact on art performance. Thecreative activity of traditional theater community are stagnating now,so that affecting the existence of show and leaving many problems.The development of popular art in ludruk show as a traditional theaterhas created a transformation of space and time as well as the aestheticvalue in it. When the institution as a "patron" no longer synergizeswith the art community, there is a clash of artistic process. Aestheticvalue present through the artistic process is used to get economicvalue only, in the end "beauty" is often interpreted as something thatonly produces commercial profit. Live ludruk show is difficult to findnow, and many events are often commodified into show. Televisionmedium, which grows rapidly and never leaves idle time, it hasinfluence the growth of entertainment industry which is orientedtoward commodity and financial gain. Gradually, the audieneces ofthe people traditional theater begin to decrease, and this socialphenomenon also gives an impact on the behavior of the audiencesand the existence of traditional theater show on the stage, so that thisissue is encouraging and interesting to be analyzed in a research.This study wants to describe the supporting aspect, form of change,and the existence of traditional theater show in the context of popularart industry.In analyzing the result, the theory of popular art industryis used supporting by the concept of dramaturgy by Guffman andother concepts as well as the result of interview on the spot. This studyusesqualitative descriptive method and popular art approach, itfocuses on data collection technique, namely; observation, interview,literature study, documentation, and triangulation as data validation.The target of the study is to provide information to academics.
Theather As an Awakening Vaccine (Brechtian Concept) Warih Witjitra Wening
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 12 No. 1 (2021): October
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (244.099 KB) | DOI: 10.20111/terob.v12i1.28

Abstract

As soon as this article discusses the theateropportunity as anawakening vaccine in Indonesian society during the Covid 19pandemic. Art has become the most powerful medium to reach thepublic area in the middle of a fairly tension and uncertain nationalsituation. This discussion will present Bertolt Brecht concept ofthinking in a different form of thought, but the author believes that inthe social condition that occurs in the middle of Indonesian peoplewho are panicking, theater is the right solution. Brechtian concept hasthe idea that allapparatus of performance, including audiences arerequired to stay apart nowadays, this is a reality that examines artistsand audiences due to physical distancing from the actual theater.Nobody realizes that the concept of verfremdungsefekt which isdefined as isolation, distance, or alienation is now becoming morepowerful in the middle of the pandemic. The basic thinking makes thewriter believe that to create a healthy physical condition, theatervaccineis the answer as awareness both conceptually in performanceand in presentational performance fragment, the author thinks that it isa strategy in the social condition nowadays
Entity of Behavioral Arts Performing Music Tradition Jaranan Pogogan During Pandemic Yunanto Tri Laksono
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 12 No. 1 (2021): October
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (196.747 KB) | DOI: 10.20111/terob.v12i1.29

Abstract

Changes in art and culture require a period of interrelated change withthe existence of a virtual-based creative industry during the pandemic.These changes occur because of the community's efforts to adapt tonew needs, conditions, and conditions that arise in line with thegrowth of society. The government's policy is to carry out all activitiesat home, in order to cut the chain of the spread of the COVID-19pandemic, which is a tough test for art and cultural actors. Thecondition of the performers of arts and culture is not far from the twothings that must be canceled or postponed. However, the actors stillsurvive by holding virtual shows. Performers of arts and culture invitethe audience to donate to communities affected by the COVID-19pandemic through the holding of the virtual show. The unfavorableimpact of changing the virtual performing arts culture is changingthings that are abstract to concrete, and vice versa, namely fromconcrete to abstract. Making creative industry players of traditionalperforming arts, in this case the owners of capital, can easily savevarious costs of the production process. Another impact is that itmakes the appreciator, in this case humans, no longer able to interactwith fellow humans because they spend more of their timeappreciating the show virtually

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