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Terob : Jurnal Pengkajian dan Penciptaan Seni

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Published by sekolah tinggi kesenian wilwatikta surabaya

ISSN : 2087314X EISSN : 27214869 DOI : https://doi.org/10.20111/terob.v12i1

Core Subject : Art,

Arts

jurnal terob merupakan jurnal dari Sekolah Tinggi Kesenian Wilwatikta Surabaya, adapun fokus dari jurnal terob pada pengkajian dan penciptaan seni. kami menerima berbagai macam artikel yang memiliki latar belakang seni tari, seni teater, seni musik dan seni rupa

Arjuna Subject : Seni dan Humaniora - Klasik

Articles 49 Documents

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Maskulinitas Gaya Dan Karakter Tari Remo Sri Utami Tri Rusianingsih
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 13 No. 1 (2022): October
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Rebellion against the function and role of women in dance has given rise to cases of transgender and travesti. The role of men in dance activities was gradually replaced by women. Women no longer only act as presenters in performances, but also place themselves in the status of choreographers in a work. This study aims to describe the choreograph structure, style and character of the Remo Sri Utami dance moves. To identify and analyze various data findings in the field, the study uses the concept of masculinity as well as style and character. Research that uses descriptive qualitative method with masculinity style and character approach, focuses more on data collection techniques by observation, interviews, literature studies and documentation through triangulation techniques. Aspects of motivation, spontaneous instincts, honesty, respect for self-potential, as well as cross-value experiences in art are strong reflections to form the masculinity of the Sri Utami style Remo dance.

Sandur Manduro From Ritual To Tourism Art Trinil Windrowati; Suwandi Widianto
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 13 No. 1 (2022): October
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

The traditional theater performing art, Sandur Manduro which originated from the people’s spontaneity of Manduro Village, Kabuh District, Jombang Regency, is formed by their life cycle. Numerous artistic components, including Fine Arts, Literary Arts, Musical Arts, and Dance arts, may be found in Sandur Manduro. However, the ritualistic purpose of Sandur Manduro's art is currently experiencing a decline in performances. Three (3) issues need to be addressed, including 1) Its performing duration lasts for about roughly eight hours, 2). Sandur Manduro, whose initial acts as a ritual function of Ngudari Kata may turn into a performance/entertainment function, 3) there is no regeneration for the older players of Sandur Manduro. Through the Community Partnership Program (PKM), it is expected to be an independent performance by revitalizing it into an art of tourism and training it to the younger generations of Manduro Village. To revitalize this, the authors adopted Adolph S. Tomars's conceptual framework of Tourism Art that is: 1) Compaction, 2) copy of the original, 3) elimination of sacred and symbolic values for glamorous, 4) diversity, and 5) affordability.

Reinterpretasi Teater Tradisi Dalam Perspektif Patronase Heny Purnomo
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 13 No. 1 (2022): October
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Traditional art theatre that is owned and attached to a community can be used to understand the culture of a society. This is true because traditional arts and theater reflect the personality and way of life of the broader community. Traditional theatrical productions that are held live and move from one location to another (tobong) are becoming increasingly rare and are currently on the verge of extinction. Additionally, every performance is always in competition with other arts that have been transformed by other technological media television. Many forms of presentation produced using stage visuals were influenced by ludruk tobong, which had its peak in the 1970s and 1980s. Ludruk Tobong, a traditional populist-based theater, was born and raised in a society that has served as its primary patron. Every staging of a play incorporates "actors and patrons" as a representation of life, and this is also true of the ludruk tobong performance. When entertainment in multiple media can alienate an audience, the ludruk tobong packaging is now regarded as outmoded and does not offer market benefits, making it more difficult to carry out regeneration, which causes a gradual fall in both supporters and perpetrators. It's interesting to investigate social dynamics that affect the continued existence of traditional populist arts or theater through a patronage-based reinterpretation. This qualitative study aims to describe various supporting factors and explain the reinterpretation and patronage perspectives in ludruk tobong performances as traditional theater. To analyze the results of the study, the concept of traditional art and the analogy of Goffman's performance or dramaturgy were used as well as the concept of patronage and various other concepts that were also supported by the results of interviews in the field.

Dramaturgy of Sila Dance Hari Ghulur Ahmad Faishal
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 12 No. 1 (2021): October
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

This article is a study of Sila Dance by Hari Ghulur using Dramaturgyapproach, namely Socio Dramatic aspect. The theory used in thisarticle is semiotics theory of Roland Barthes with descriptiveinterpretative method. Sila dance showis understood as art and culturaldocument that represent the cultural identity of a society, namelyMadurese society. Madurese context is the basis for this researchbecause Hari Ghulur comes from Madura. In this case, there is a closecultural context between the choreographer, dancer, researcher and thetext of Sila show. The result of the analysis in this study isatdenotative meaning level describing dancer identity who is tough andstrong, while at connotative meaning level it represents Maduresecultural aspect

An Analysis of The City Meaning in Three Paintings by Agung Tato (Semiotics Approach Of Charles Sanders Peirce’) Indra Tjahyadi
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 12 No. 1 (2021): October
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

A painting is not just a meaningless manifestation of human artisticcreation. A painting is also a manifestation of a meaningful signcreated by a painter. This article focuses its study on the meaning ofthe city that is represented in three paintings by Agung Tato entitledSecond Level, City of Tommorow, and B…..The theory that it is usedto reveal the meaning of the three paintings by Agung Tato is CharlesSanders Peirce's semiotics theory. The method which used in thisstudy is an interpretive qualitative method. The interpretation factorof the sign which the basis of the analysis work is the factor that leadsthe choice of this method in this article. Based on the analysis that hasbeen done, it was found that in Agung Tato's painting of the city isinterpreted as an inhumane geography. Human is no longer as asubject who becomes central to the development or growth of a city.The city exists as a city itself, apart from the various living things inthe universe.

The Existence of Ludruk Show Behind The Popular Art Industry Heny Purnomo
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 12 No. 1 (2021): October
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

The presence of popular art is described by the rapid growth anddevelopment of television medium influence the life of performingarts and the production activityin the show. Covid-19 and postpandemic activity also have an impact on art performance. Thecreative activity of traditional theater community are stagnating now,so that affecting the existence of show and leaving many problems.The development of popular art in ludruk show as a traditional theaterhas created a transformation of space and time as well as the aestheticvalue in it. When the institution as a "patron" no longer synergizeswith the art community, there is a clash of artistic process. Aestheticvalue present through the artistic process is used to get economicvalue only, in the end "beauty" is often interpreted as something thatonly produces commercial profit. Live ludruk show is difficult to findnow, and many events are often commodified into show. Televisionmedium, which grows rapidly and never leaves idle time, it hasinfluence the growth of entertainment industry which is orientedtoward commodity and financial gain. Gradually, the audieneces ofthe people traditional theater begin to decrease, and this socialphenomenon also gives an impact on the behavior of the audiencesand the existence of traditional theater show on the stage, so that thisissue is encouraging and interesting to be analyzed in a research.This study wants to describe the supporting aspect, form of change,and the existence of traditional theater show in the context of popularart industry.In analyzing the result, the theory of popular art industryis used supporting by the concept of dramaturgy by Guffman andother concepts as well as the result of interview on the spot. This studyusesqualitative descriptive method and popular art approach, itfocuses on data collection technique, namely; observation, interview,literature study, documentation, and triangulation as data validation.The target of the study is to provide information to academics.

Theather As an Awakening Vaccine (Brechtian Concept) Warih Witjitra Wening
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 12 No. 1 (2021): October
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

As soon as this article discusses the theateropportunity as anawakening vaccine in Indonesian society during the Covid 19pandemic. Art has become the most powerful medium to reach thepublic area in the middle of a fairly tension and uncertain nationalsituation. This discussion will present Bertolt Brecht concept ofthinking in a different form of thought, but the author believes that inthe social condition that occurs in the middle of Indonesian peoplewho are panicking, theater is the right solution. Brechtian concept hasthe idea that allapparatus of performance, including audiences arerequired to stay apart nowadays, this is a reality that examines artistsand audiences due to physical distancing from the actual theater.Nobody realizes that the concept of verfremdungsefekt which isdefined as isolation, distance, or alienation is now becoming morepowerful in the middle of the pandemic. The basic thinking makes thewriter believe that to create a healthy physical condition, theatervaccineis the answer as awareness both conceptually in performanceand in presentational performance fragment, the author thinks that it isa strategy in the social condition nowadays

Entity of Behavioral Arts Performing Music Tradition Jaranan Pogogan During Pandemic Yunanto Tri Laksono
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 12 No. 1 (2021): October
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Changes in art and culture require a period of interrelated change withthe existence of a virtual-based creative industry during the pandemic.These changes occur because of the community's efforts to adapt tonew needs, conditions, and conditions that arise in line with thegrowth of society. The government's policy is to carry out all activitiesat home, in order to cut the chain of the spread of the COVID-19pandemic, which is a tough test for art and cultural actors. Thecondition of the performers of arts and culture is not far from the twothings that must be canceled or postponed. However, the actors stillsurvive by holding virtual shows. Performers of arts and culture invitethe audience to donate to communities affected by the COVID-19pandemic through the holding of the virtual show. The unfavorableimpact of changing the virtual performing arts culture is changingthings that are abstract to concrete, and vice versa, namely fromconcrete to abstract. Making creative industry players of traditionalperforming arts, in this case the owners of capital, can easily savevarious costs of the production process. Another impact is that itmakes the appreciator, in this case humans, no longer able to interactwith fellow humans because they spend more of their timeappreciating the show virtually

Student-Centered Learning In ‘The School of Rock’ Movie Directed By Richard Linklater Iwan Pranoto
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 12 No. 2 (2022): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

One of the teachers in the ‘School of Rock’ movie is characterized uniquely compared to the others. Instead of being like a teacher normally does, the main character of this movie is a member of a band who disguises himself as a teacher. He once pretends to be his friend who applied as a teacher in that certain school. Categorized as a comedy movie, it does not have a serious plot but is a lot of fun. Nevertheless, an interesting thing pops up about how the main character, Deway, teaches art through his ‘own way of teaching’. To analyze this movie deeper, the researcher used a literature review as a data collection. This article was then presented by using a narrative method that is by breaking down each element thoroughly and educational approach through Herbert Read’s art. By completing this article, it is expected to see the interrelation between the elements building the art with its comprehensive meaning

The Analysis of Moral Value In The Cockroach Opera Script By N Riantiarno Nuris Imam Sholihin
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 12 No. 2 (2022): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Drama script is anelement that forms theatrical performances. A good quality script certainly has a moral value to be conveyed by the author to the reader or the appreciator of the show when it is staged in a performance. Talking about art nowadays, it can be seen in the expression of human creativity. Art is very difficult to both explain and judge since each artist selects his or her rules and parameters guiding them into their works. It can be inferred that art has three points: a process and product of choosing a medium, a set of rules to use a medium, and a set of values determining what is appropriate to be conveyed by expression through that medium, in order to deliver either a belief, idea, sensation or feeling effectively. Moral value is a message in a story or other works that the author wants to convey to the reader. The message to be conveyed is usually in the form of good values that can be used as an example for the readers. In this study, an analysis of the cockroach opera by N. Riantiarno will be conducted based on the study of moral value.

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koko hari pramono

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Jawa timur

INDONESIA

Abstract

Abstract

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Abstract

Abstract

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Abstract

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name koko hari pramono

Contact Email kokoharipramono88@gmail.com

Phone +6285655454121

Journal Mail Official jurnalterobstkws@gmail.com

Editorial Address Perumahan Wisma Mukti, Jl. Klampis Anom II, Klampis Ngasem, Kec. Sukolilo, Surabaya 60117

Location Kota surabaya, Jawa timur INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
koko hari pramono

Contact Email
kokoharipramono88@gmail.com

Phone
+6285655454121

Journal Mail Official
jurnalterobstkws@gmail.com

Editorial Address
Perumahan Wisma Mukti, Jl. Klampis Anom II, Klampis Ngasem, Kec. Sukolilo, Surabaya 60117

Location
Kota surabaya,

Jawa timur

INDONESIA