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Dyah Ayu Anggraheni Ikaningtyas
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Jurusan Pendidikan Sejarah, Fakultas Ilmu Sosial dan Hukum, Jl. Ketintang Kampus Unesa, Surabaya, Kode Pos: 60231
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INDONESIA
KRONIK: Journal of History Education and Historiography
Published by Universitas Negeri Surabaya
ISSN : -     EISSN : 2580653X     DOI : -
Core Subject : Humanities, Art, Social,
Arts Humanities Environmental Science Law, Crime, Criminology & Criminal Justice Social Sciences
KRONIK is open acces journal (free acces) for every reader and is managed to be issued twice in every volume. The Scope of KRONIK journal are: Indonesian History Indonesian Archeology History of Education Social, Antropology, etc in a historical perspective
Arjuna Subject : Seni dan Humaniora - Sejarah
Articles 7 Documents
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Search results for , issue "Vol 6 No 2 (2022): Desember" : 7 Documents clear
REPRESENTASI BUDAYA PATRIARKI DALAM FILM YUNI (2021) KARYA KAMILA ANDINI dianfatiha rohmah
KRONIK : Journal of History Education and Historiography Vol 6 No 2 (2022): Desember
Publisher : Universitas Negeri Surabaya

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Abstract

The film "Yuni" is a film released in 2021 directed by Kamila Andini, and written by Kamila Andini and Prisma Rudi. The film “Yuni” really highlights the existence of a patriarchal culture in a community group. Patriarchal culture is a culture that has a structure by placing the role of men as the main, central, and everything ruler. In a patriarchal culture, the role of women is limited so that women are shackled and discriminated against. This study aims to analyze the patriarchal culture in the film "Yuni". This research uses a qualitative approach with a descriptive type of research. The data used are sourced from the Yuni film and literature study. The data obtained were analyzed using the theory of liberal feminism, where the theory aims to explain the problems discussed using a women's perspective. The results of this study indicate that in the film Yuni highlights the existence of a patriarchal culture in the village. This patriarchal culture causes social problems, in the film, there are many stories about early marriage and domestic violence as well as discrimination in education for women. Keywords: Film, Patriarchal Culture, Discrimination
REPRESENTASI TEORI KELAS KARL MARX PADA FILM SERIAL THE HUNGER GAMES (ANALISA SEMIOTICA MODEL JOHN FISE): Semiotika, Karl Max, Konflik Kelas, The Hunger Games Navita Fayola Frihanggrahita
KRONIK : Journal of History Education and Historiography Vol 6 No 2 (2022): Desember
Publisher : Universitas Negeri Surabaya

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Abstract

Film The Hunger Game diadaptasi dari novel Trilogi The Hunger Game oleh penulis berdarah Amerika yaitu Suzanne Collins. Film yang rilis pertama kali di Indonesia pada 22 Maret 2021 ini adalah film bergenre fiksi ilmiah yang memuat isu-isu sosial yang sering kita jumpai di masyarakat, salah satunya yaitu konflik sosial. Pada film ini menggambarkan bagaimana kaum proletariat berjuang untuk keluar dari penindasan dan kemiskinan, sedangkan kaum borjuis merasakan hidup yang sangat sejahtera dengan gaya hidup mewah tanpa memiliki rasa peduli terhadap kaum bawah. Tradisi yang dibuat oleh kaum petinggi adala kompetisi yang mengharuskan pesertanya untuk saling membunuh dan bertahan hidup, dimana hal tersebut hanya digunakan sebagai hiburan reality show oleh kaum-kaum tinggi tanpa merasa keputusasaan yang dirasakan oleh kaum-kaum proletariat. Bedasarkan hal tersebut, peneliti memilih film ini unutk di teliti dan dianalisis dengan menggunakan konsep teori kelas Karl Max. Tujuam penelitii mlakukan analisis ini ialah untuk menganalisis dan mengetahui scene-scene yang mempresentasikan konflik sosial pada film The Hunger Games melalui analisa representasi, ideologi, dan realitas. Methode yang peneliti gunakan pada penelitian ini ialah deskriptive serta pendekatan kualitatif dengan analisis semiotica model Jonh Fiske. Teori Kelas Karl Marx yang digunakan sebagai acuan dasar teori pada penelitian ini. Teori tersebut yang mengemukakan 2 kelas dalam masyarakat kapitalis yaitu kaum buruh (proletaria) dan pemiliki modal (borjuis). Teknik analysis data dalan penelitian ini menggunakan analysis descriptive. Hasiil dari analisis ini menunjukan pada adegan yang ada di film The Hunger Games mampu mempresentasikan konflik sosial melalui scene-scene perbedaan tempat tinggal dan konflik-konflik yang dialami oleh pemeran utama yaitu Katniss Everdeen. Adegan, setting tempat, setting latar, karakter, hingga lighting dan pemilihan music dapat mewakili apa yang ingin disampaikan, sehingga makna-makna tersirat maupun tersurat dapat sampai kepada penonton dengan jelas. Kesenjangan sosial yang dialami oleh kaum buruh (penduduk distrik) mengakibatkan memicu pemberontakan yang dilakukan oleh kaum buruh kepada kaum borjuis (Capitol) untuk menuntut revolusi. Digambarkan perjuangan kelas teersebut tidak akan berhenti hingga salah satu dari kelas tersebut mengalami kekalahan.
WRITING A HISTORY OF RESEARCH INSTITUTE AND COMMUNITY SERVICE UNESA: STRENGTHENING THE COUNTRY THROUGH RESEARCH AND COMMUNITY SERVICE R.N. Bayu Aji; Arifah Kaharima; Ms Kisyani
KRONIK : Journal of History Education and Historiography Vol 6 No 2 (2022): Desember
Publisher : Universitas Negeri Surabaya

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Abstract

The State University of Surabaya (Unesa) as a leading university in Indonesia, always contributes to building the country through the tridharma of higher education, namely education, research and community service. Unesa's research and community service (PKM) footprint has now reached the age of 58 years. Therefore, these steps must be well documented through historical narratives, so that LPPM Unesa in the future remains a sustainable institution without having to forget its historical roots. Writing the history of the Unesa Research and Community Service Institute (LPPM) will pass through 4 important periods. First, the period when Unesa was still an IKIP. Second, the wider mandate period in which Unesa will spread its wings and this will definitely affect the strategic policy direction of LPPM Unesa. Third, when Unesa was in the form of a Public Service Agency (BLU). Fourth, is Unesa towards a Legal Entity State University (PTNBH). Through this history book, the gold ink of LPPM Unesa in the process of building the country through research and community service in Indonesia for a better life of the nation will be documented.
FILOSOFI URIP IKU URUP PADA MASYARAKAT JAWA: PENDORONG KOHESIVITAS KELOMPOK PENGUAT KEHARMONISAN MASYARAKAT PERUMAHAN KABUPATEN KEDIRI Nadya Ratu Amala
KRONIK : Journal of History Education and Historiography Vol 6 No 2 (2022): Desember
Publisher : Universitas Negeri Surabaya

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Abstract

Urip Iku Urup Javanese philosophy has a value that builds social interaction between individuals and other individuals. So that in this social interaction solidarity is established in building community harmony, especially in a community group in the Housing environment. This study aims to examine the cohesiveness of groups strengthening the harmony of residential communities through Javanese philosophy. This study was conducted using a descriptobe qualitative method by conducting observation and community interviews in Kediri Regency, especially in the housing of Sukorejo Indah located in Katang Village, Ngasem Distric, Kediri Regency. The results of this study show that Javanese philosophy can be the driving force behind the cohesiveness of community life, Java has not implemented Javanese philosophy in community life, there are still many housing units whose people still apply the Javanese philosophy “Urip Iku Urup” in community activities. Although in Javanese philosophy practice every region in Kediri Regency has a difference, some still uphold that philosophy. Teherefote, awareness in establishing harmony between neighbors is still maintained so that harmony can be achieved of every community in Sukorejo Indah Housing.
RIJSTTAFEL DI JAWA MASA KOLONIAL BELANDA (1900-1942) Fadilla Putri Nurlitasari; Dyah Ayu Anggraheni Ikaningtyas
KRONIK : Journal of History Education and Historiography Vol 6 No 2 (2022): Desember
Publisher : Universitas Negeri Surabaya

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Abstract

Current culinary developments can’t be separated from culinary history itself. One of the culinary developments during the Dutch colonial period was the existence of Rijsttafel. Rijsttafel is the result of the acculturation of two cultures, namely Indigenous culture and European culture. Rijsttafel is unique because it is the result of two very distinct cultures. Until now, we can still find rijsttafel dishes in restaurants or homes, even though they are not as popular as they used to be. This study aims to determine the role of nyai in the development of rijsttafel. Apart from that, it is also to study the etiquette in the risjttafel. The method used is the historical method which includes 4 stages, heuristics (source gathering), source criticism, source interpretation, and finally historiography (history writing). The results of this paper show that the role of nyai in cultural acculturation is very large, especially in the context of rijsttafel. Nyai play an active role in the household where this culinary cultural exchange takes place. Rijsttafel itself has also experienced significant development so that it can attract the attention of tourists which is the main attraction of the Dutch East Indies. It should also be noted that in rijsttafel dishes there are some etiquette differences with ordinary indigenous dishes. From this paper it can be seen that Europe not only had a bad impact on the Dutch East Indies, but also had a good impact. This good impact is manifested by the existence of the rijsttafel dish which introduces the indigenous people to the processing of dishes and modern cooking utensils.
KULI PEREMPUAN INDIA DI PERKEBUNAN TEMBAKAU DELI 1883-1930 Enggar Istiyana
KRONIK : Journal of History Education and Historiography Vol 6 No 2 (2022): Desember
Publisher : Universitas Negeri Surabaya

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Abstract

The expansion of private plantations in Deli which focuses on tobacco plants requires a large number of workers. Jacob Nienhuys had difficulty finding workers to manage the plantation, so he had to bring in coolies from various regions outside the Dutch East Indies. In historical studies, the theme is about coolies imported from China and Java. Even though the Deli tobacco plantations also brought in coolies from India. In this way, this study aims to identify in detail about Indian coolies, especially female coolies whose role is no less important than coolies imported from China and Java. Using the method of interpreting primary sources obtained from the Digital Collections Leiden University Libraries, this research is a piece of writing capable of addressing the role and position of Indian women coolies in the Deli tobacco plantations, East Sumatra. This research resulted in the fact that Indian coolies also played a role in the Deli tobacco plantations. They decided to migrate to Deli tobacco plantations because of the economic crisis that occurred in India. Hoping to change the fate of the Deli tobacco plantations, the Indian coolies are actually getting back into misery due to the oppression given by the plantation authorities. Keywords: Indian female coolies, East Sumatra Deli, tobacco plantations
Merekonstruksi Peristiwa di Surabaya Tahun 1945 melalui Narasi Foto Wisnu Wisnu; Sumarno; Esa Patridina
KRONIK : Journal of History Education and Historiography Vol 6 No 2 (2022): Desember
Publisher : Universitas Negeri Surabaya

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Abstract

Penelitian ini membahas tentang perspektif baru penulisan sejarah Indonesia dengan memanfaatkan foto sebagai sumber sejarah. Foto-foto yang akan dijadikan bahan kajian dalam penelitian ini diambil dari peristiwa-peristiwa awal kemerdekaan di Surabaya pada bulan Agustus sampai Desember tahun 1945. Dari gambar foto-foto tersebut dicoba untuk direkonstruksi peristiwa-peristiwa sejarah di Surabaya dari segala segi. Beberapa yang akan diperhatikan adalah sekitar peristiwa-peristiwa reaksi setelah di beritakan pernyataan proklamasi kemerdekaan oleh Sukarno Hatta di Jakarta hingga berkecamuknya perang 10 November. Foto adalah catatan yang direkayasa secara canggih, hasil dari hubungan sekilas antara orang yang difoto dengan juru foto. Sebagai bahan sejarah, foto dapat dimanipulasi secara selektif seperti halnya sumber-sumber sejarah yang lainnya. Fokus penelitian ini ada pada isi foto, apa atau siapa yang penting menurut juru foto untuk diabadikan melalui proses teknologi digital yang dapat memberikan informasi terkait dengan peristiwa-peristiwa di Surabaya. Penelitian ini mencoba menggabungkan narasi dokumen dengan narasi foto dalam satu rekonstruksi historiografi. Kata kunci : narasi foto, dokumen historis, rekonstruksi, Surabaya

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