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Wacana: Journal of the Humanities of Indonesia
Published by Universitas Indonesia
ISSN : 14112272     EISSN : 24076899     DOI : https://doi.org/10.17510/wacana
Core Subject : Humanities, Science, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences
Wacana, Journal of the Humanities of Indonesia is a peer-reviewed, open-access journal published by the Faculty of Humanities, University of Indonesia. It invites original articles on various issues within humanities, which include but are not limited to philosophy, literature, archaeology, anthropology, linguistics, history, cultural studies, philology, arts, library and information science focusing on Indonesian studies and research. Wacana seeks to publish a balanced mix of high-quality theoretical or empirical research articles, case studies, review papers, comparative studies, exploratory papers, and book reviews. All accepted manuscripts will be published both online and in printed forms. The journal publishes two thematic issues per year, in April and October. The first thematic issue consists of two numbers.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 8 Documents
 1 
Search results for , issue "Vol. 17, No. 2" : 8 Documents clear
A tale of narrative annexation; Stories from Kisar Island (Southwest Maluku, Indonesia) van Engelenhoven, Aone; Nazarudin, Nazarudin
Wacana, Journal of the Humanities of Indonesia Vol. 17, No. 2
Publisher : UI Scholars Hub

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Abstract

This paper discusses strategies of appropriation of narrative heritage in literate and narrative histories on the island of Kisar. It shows that notwithstanding their sometimes literate characteristics, storytelling in competitive contexts still follows strategies that are typical for oral performances. This paper questions in how far literate and narrative historiographies can and ought to be separated from each other in Southwest Maluku.
Why do they (still) sing stories? Singing narratives in Tanjung Bunga (eastern Flores, Lamaholot, Indonesia) Rappoport, Dana
Wacana, Journal of the Humanities of Indonesia Vol. 17, No. 2
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Abstract

In eastern Flores, on the Tanjung Bunga peninsula (among Western Lamaholot speakers), several times a year, ritual narratives (opak) are performed on a square dancing area, where all the clans of the same ceremonial land meet. Three types of narrative are sung, according to three kinds of rituals. The article explains the context, content and performance details of these stories, performed all night long. Why do the various clans continue to sing all these narrative? What values do these long poems have for people who sing them? Until now, studies on this subject have been remarkably few, and not even a partial transcription or translation of these narratives is available. This article offers a preliminary insight into these sung narratives, to show how vital they still are in eastern Flores.
"Hul Topol" - Fall of the Moon A narrative of etiologies from the Bunaq of Lamaknen Schapper, Antoinette
Wacana, Journal of the Humanities of Indonesia Vol. 17, No. 2
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Abstract

This article makes a contribution to the documentation of the genre of oral literature known as zapal amongst the Bunaq, a Papuan-speaking group of central Timor. I present an annotated and translated version of the elaborate zapal entitled Hul Topol or Fall of the Moon. Hul Topol is a lengthy, multi-event story which gives etiologies spanning the realms of subsistence, cultural practice and natural order including animal behaviour and appearance.
The "Sugi sakit" Ritual storytelling in a Saribas Iban rite of healing Sather, Clifford
Wacana, Journal of the Humanities of Indonesia Vol. 17, No. 2
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Abstract

This paper describes a Saribas Iban rite of healing called the Sugi sakit. What distinguished this rite from other forms of Saribas Iban healing was that it incorporated within its performance a long narrative epic concerned with the adventures and love affairs of an Iban culture hero named Bujang Sugi. Here I explore the language used by Iban priest bards both in telling the Sugi epic and in performing the larger ritual drama in which it was set, and look, in particular, at how the Sugi epic, which was otherwise told for entertainment, was integrated into this drama and recast by the priest bards as they performed the ritual, so that it not only entertained their listeners, but also served as a serious instrument of healing.
Dairi storytelling and stories in the Batak Reader of Herman Neubronner van der Tuuk Papenhuyzen, Clara Brakel
Wacana, Journal of the Humanities of Indonesia Vol. 17, No. 2
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In this article I first discuss how texts of Dairi stories collected in the nineteenth century by Herman Neubronner van der Tuuk relate to storytelling, and question whether the development of written versions of stories necessarily endangers the practice of storytelling. Then I investigate how written versions of Dairi stories in Van der Tuuk's Batak Reader relate to each other and to the printed text, based on texts in manuscripts collected by Van der Tuuk. In conclusion I discuss the possible aim of Van der Tuuk's Batak Reader, focussing on the Dairi section, which has not been dealt with in earlier publications.
Images of God in Toba Batak storytelling Angerler, Johann
Wacana, Journal of the Humanities of Indonesia Vol. 17, No. 2
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Abstract

This paper examines the ways in which God the Creator, the High God, is described in Toba Batak folk-tales. The sources for this investigation are stories recorded in pre-colonial (around 1850), colonial and post-colonial times (up to 2014). In different stories the High God can appear under various names, forms and gender, and resides in various places never inhabited by humans. Unlike a Deus otiosus, the Toba Batak High God is not "inactive" after creation, but continues to be involved in the life of mankind through local or supra-local manifestations. Although he rules the realm of death, he is nevertheless regarded as the source of life, fertility, health and prosperity. There are also stories about manifestations of God in which he shares the experience of suffering with human beings. The main Toba Batak community rituals in pre-colonial times were addressed to a manifestation of the High God.
Uli Kozok, A 14th century Malay Code of Laws; The N tis rasamuccaya. Singapore: Institute of Southeast Asian Studies Hoogervorst, Tom
Wacana, Journal of the Humanities of Indonesia Vol. 17, No. 2
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The pig story "tiboi sakkoko"; Storytelling of kinship, memories of the past, and rights to plots of ancestral land in Mentawai Tulius, Juniator
Wacana, Journal of the Humanities of Indonesia Vol. 17, No. 2
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Abstract

This paper examines some significant elements of the pig story (tiboi sakkoko). This tale contains crucial information about the collective identity, ancestors and historical events affecting particular Mentawai kin-groups. As families do not preserve their culture and traditions in written form, storytellers of kin-groups have narrated the pig story from generation to generation so as to preserve it carefully. In the course of time, storytellers establish particular ways of telling their stories so as to remember the content and plot of the stories easily. Through the pig story, members of kin groups also recollect their ancestral place of origin and plots of ancestral lands. The role of human memory is indispensable to recalling all these important elements. Therefore, this paper analyses memories of the past of different family generations. To achieve its aims, this paper also evaluates the roles of family stories in the culture and traditions of Mentawai society.

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