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Contact Name
Regina Veronica Edijono
Contact Email
wacana@ui.ac.id
Phone
+6221 7863528
Journal Mail Official
wacana@ui.ac.id
Editorial Address
Faculty of Humanities, University of Indonesia Gd 2 , Lt 2 , Depok 16424, Indonesia
Location
Kota depok,
Jawa barat
INDONESIA
Wacana: Journal of the Humanities of Indonesia
Published by Universitas Indonesia
ISSN : 14112272     EISSN : 24076899     DOI : https://doi.org/10.17510/wacana
Wacana, Journal of the Humanities of Indonesia is a peer-reviewed, open-access journal published by the Faculty of Humanities, University of Indonesia. It invites original articles on various issues within humanities, which include but are not limited to philosophy, literature, archaeology, anthropology, linguistics, history, cultural studies, philology, arts, library and information science focusing on Indonesian studies and research. Wacana seeks to publish a balanced mix of high-quality theoretical or empirical research articles, case studies, review papers, comparative studies, exploratory papers, and book reviews. All accepted manuscripts will be published both online and in printed forms. The journal publishes two thematic issues per year, in April and October. The first thematic issue consists of two numbers.
Articles 11 Documents
Search results for , issue "Vol. 4, No. 1" : 11 Documents clear
Representamen Kebudayaan Jawa; Teknik komparatif referensial pada teks "Wedhatama" Rahyono, F. X.
Wacana, Journal of the Humanities of Indonesia Vol. 4, No. 1
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Abstract

W dhatama is one of the most famous Javanese literary works. It was written in early 19 th century by K. G. P. A. A. Mangkunagara IV. Its influence in Javanese culture permeates not only the language but also the way of life. The focus of this research in on how, what form and why K. G. P. A. A. Mangkunagara IV conveys his moral message. The study argues that comparative referential technique is used to send a message which is full of moral and lige values, particularly in the concept pf leadership. Furthermore, W dhatama can be seen as a representation of Javanese way of life. This study is paramount in understanding why W dhatama is still relevant for some elements of Javanese society.
Membaca Sitor, Membaca batu dan bunga Christomy, Tommy
Wacana, Journal of the Humanities of Indonesia Vol. 4, No. 1
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Media budaya, pascamodernisme dan ideologi; Suatu kajian lintas disiplin Budianto, V. Irmayanti
Wacana, Journal of the Humanities of Indonesia Vol. 4, No. 1
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Contemporary postmodern culture is characterized by a diversity of cultural forms, the intensive use of high technology, and the multiple identities of its members. The representation of which can be seen in cultural media as in print and electronic media. This study questions the ideological implications of these media and the construction of identities in contemporary society. By analyzing different ads in various Indonesian media with multi-perspective approach, the findings demonstrate how the ideological implications are constructed in imagination, information, technology and figures. In addition, cultural media also involves a network of cultural, social, philosophical and economic aspects in their operations which in turn can cause identity shifts for their users.
Masyarakat dan kebudayaan Cina Gondomono, Gondomono
Wacana, Journal of the Humanities of Indonesia Vol. 4, No. 1
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This paper attempts to trace the identity construction of the Chinese from cultural anthropology perspective. It argues that the constructed identity is always changing and very much influenced by socio, economic, political and cultural aspects. By looking at the society, the language, the kinship and belief system, it comes to a conclusion that the identity is not as simple as it looks. In fact, it often embodies a misperception of what it this to be Chinese. In this context, emphasises the needs for further development of Chinese studies in Indonesian universities.
The year is 2000: What is it to be British Junaidi, Junaidi
Wacana, Journal of the Humanities of Indonesia Vol. 4, No. 1
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Identitas adalah isu sentral dalam perjalanan sebuah bangsa, tidak terkecuali bangsa Inggris. Dengan melihat perjalanan konstruksi identitas bangsa Inggris dari abad ke-18 th, tulisan ini mencoba memahami proses budaya yang membentuk identitas. Berbagai faktor internal dan eksternal mempengaruhi proses ini dan meyakin kan bahwa identitas bangsa Inggris sedang diperdebatkan. Berbagai makna seputar identitas Inggris juga dibahas untuk menunjukkan adanya negosiasi dalam proses pembentukan identitas. Pada akhir pembahasan dilihat bahwa identitas lebih bersifat majemuk namun masa depan Inggris sebagai sebuah komunitas imajiner, ketika semua elemen masyarakat merasa dihargai, memiliki kesempatan yang sama dalam mengaktualisasi diri dan menikmati persahabatan dalam semangat keberagaman, masih perlu dilihat kemudian.
Membaca ulang sajak surat cinta Rendra Kurnia, Fabiola D.
Wacana, Journal of the Humanities of Indonesia Vol. 4, No. 1
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By deconstuctiong a text as proposed by Derrida, the text can reveals its meanings. To do this, re-reading a text is needed. For this purpose, the study attempts to understand the meanings behind Rendra;s Surat Cinta and Surat kepada Bunda by discussing the use of metaphors. Both poems are read, re-read and discussed to get their meanings. It is argued that the re-readings show opposite meanings as understiood it the first readings. Power, sex and love are among the issues explored in the two poems. Furthermore, the metaphors reflect what sort of person the "I" is.
Cilacap dalam Masa Kolonial: Siklus konjungtral Leirissa, R. Z.
Wacana, Journal of the Humanities of Indonesia Vol. 4, No. 1
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Film dan politik di Indonesia 1957-64; Hambatan peredaran "Pagar kawat berduri" dan "Anak perawan di sarang penjamun" Syahdu, Mahda Sofa
Wacana, Journal of the Humanities of Indonesia Vol. 4, No. 1
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Abstract

This study attempts to discuss the offensive policy taken by Partai Komunis Indonesia (Indonesian Communist Party) in cultural sphere, especially in film during the period of Demokrasi Terpimpin (1957-64). One of the implementation of the policy was the decision to stop the circulation of two films, Pagar Kawat Berduri and Anak Perawan di Sarang Penyamun, written by Asrul Sani and Usmar Ismail. By analyzing varios written and audio-visual sources, this study concludes that the reason were more political. Film was not seen as a form of art, but was suspected as a threat to the political power of the party.
Buku seribu kutu buku Ayatrohaedi, Ayatrohaedi
Wacana, Journal of the Humanities of Indonesia Vol. 4, No. 1
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Hegemoni budaya dalam politik Orde baru Safrina, Safrina
Wacana, Journal of the Humanities of Indonesia Vol. 4, No. 1
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