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Suray Agung Nugroho
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East Asian Review
Published by Universitas Gadjah Mada
ISSN : -     EISSN : 29879817     DOI : https://journal.ugm.ac.id/v3/ear
Core Subject : Religion, Economy, Humanities, Education, Art, Social,
Religion Arts Humanities Economics, Econometrics & Finance Languange, Linguistic, Communication & Media Social Sciences
East Asian Review is a scientific journal platform publishing articles on East Asian studies with a current focus on Japan and South Korea. East Asian Review publishes articles discussing linguistics, literature, culture, and history. Contributors are encouraged to submit either empirical, methodological, theoretical, or conceptual articles on East Asia from an interdisciplinary perspective. Contributors can also focus on individual country analyses (Japan or South Korea) or comparative case studies involving Japan and/or South Korea.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 5 Documents
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Search results for , issue "Vol 3 No 2 (2025): Second Half-Year" : 5 Documents clear
Framing the Forgotten: Beauty, Innocence, and Religiosity in the Representation of Indonesian Comfort Women Az-Zahra, Nur Aisyiah
East Asian Review Vol 3 No 2 (2025): Second Half-Year
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/ear.23498

Abstract

This research examines the documentary *Because We Were Beautiful* (2010), which focuses on the testimonies of Indonesian *juugun ianfu* (military comfort women) who experienced sexual violence during the Japanese occupation of the Netherlands East Indies (present-day Indonesia) from 1942 to 1945. Framed through a feminist lens, this study utilizes Cockburn's concept of "war as a continuum" to explore how the documentary portrays the "post-war" lived realities of *ianfu*. The main research questions are: (1) What dominant themes emerge in *Because We Were Beautiful* (2010) that frame the testimonies of the former *ianfu*? (2) How does the documentary represent how these former *ianfu* remember and forget their "post-war" experiences? This study employs documentary film analysis with a constructionist approach to examine how *Because We Were Beautiful* represents the narratives of former Indonesian *ianfu*. This article argues that the documentary serves as a redemptive effort by the Western colonizer (the Netherlands) toward its colonized subjects (Indonesia), while simultaneously vilifying its Eastern colonizer counterpart (Japan). Furthermore, the documentary reflects the Dutch perspective on Indonesian comfort women "under Western eyes"—borrowing from Mohanty's term—by reproducing Western stereotypes of colonized Third World women as physically beautiful, sexually innocent, and religiously devout. This research highlights how postcolonial narratives of gender, memory, and violence intersect in the screen representation of wartime trauma.
Analisis Kecenderungan Gangguan Kepribadian Ambang (BPD) pada Tokoh Utama Novel Jugigo Sipeun Ai Karya Lee Kkoch-Nim Amala, Az Zahra Ahsana; Rosyadi, Alfiana Amrin
East Asian Review Vol 3 No 2 (2025): Second Half-Year
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/ear.24432

Abstract

This study analyzes the tendency toward borderline personality disorder (BPD) in Ji Ju-yeon, the main character in Lee Kkoch-Nim's novel Jugigo Sipeun Ai (죽이고 싶은 아이) (2021). The research employs a qualitative approach with descriptive analysis and applies the theory of abnormal psychology developed by Durand, Barlow, and Hofmann as outlined in Essentials of Abnormal Psychology (2019). The study aims to describe the symptoms of BPD shown by the character and identify the underlying causes of her psychological condition. The findings reveal that Ji Ju-yeon exhibits several prominent symptoms of borderline personality disorder, including: (a) strong obsession to avoid abandonment, (b) intense but unstable relationships, (c) unstable self-image, and (d) emotional instability shown by self-harm and intense anger, or difficulty controlling anger. The analysis also identifies key contributing factors to the development of these tendencies. The contributing factor here is dysfunctional parenting that leads to emotional neglect and a lack of emotional validation. This study emphasizes that the portrayal of abnormal psychological traits in literary characters can reflect complex mental health issues rooted in interpersonal and environmental factors. It also highlights how literature can serve as a medium for exploring and understanding psychological disorders more deeply.
Pengaruh COVID-19 terhadap Perkembangan Minat Bahasa dan Sastra Korea di Indonesia Putri, Ajeng Adinda
East Asian Review Vol 3 No 2 (2025): Second Half-Year
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/ear.24808

Abstract

The COVID-19 pandemic, which began in late 2019, significantly changed daily life and learning behaviors worldwide. In Indonesia, lockdown policies and extended periods of home confinement led many individuals to engage with digital entertainment and online learning platforms. One notable trend during this time was the increased interest in Korean popular culture (Hallyu), including K-pop, dramas, and webtoons. This exposure sparked a growing enthusiasm for learning Korean, often as a means to access and better understand Korean literature and cultural content. This study aims to examine how the COVID-19 pandemic influenced Indonesian society's heightened interest in learning Korean and exploring Korean literature. Using a descriptive quantitative method, data was collected through an online survey of 40 respondents. The study analyzes various aspects of Korean language learners and their interest in Korean literature. The results indicate that the pandemic has played a significant role in fostering interest in both the Korean language and literature. These findings are consistent with Ryan and Deci's (2000) theory of learning motivation, Krashen's (1982) second-language acquisition theory, and Vygotsky's (1978) sociocultural theory. Furthermore, 80% of respondents expressed interest in Korean literature, supporting Lee's (2020) view of a reciprocal relationship between language and literature. Consequently, the increased focus on language learning during the pandemic has also led to a greater interest in Korean literature.
Antara Rasisme dan Xenofobia di Korea Selatan: Studi Hermeneutika pada Lagu Black Happiness Yoon Mi-rae Utami, Gita
East Asian Review Vol 3 No 2 (2025): Second Half-Year
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/ear.24464

Abstract

South Korea is one of the countries with an advanced education system and robust industrial development. This stands in stark contrast to the numerous deep-rooted social issues, which have led to global social criticism of South Korea. Social problems such as xenophobia, racism, and discrimination currently lack adequate legal frameworks to support minority groups. This study aims to explore the meaning of Yoon Mi-rae's song "Black Happiness" from a hermeneutic perspective. The methodology employed in this research is a complementary approach to hermeneutics as proposed by Paul Ricoeur and Hans-Georg Gadamer. The findings of this study reveal that the meaning of "Black Happiness" emphasizes healing wounds and self-acceptance. This research concludes that every individual has the right to live freely, to be accepted, and to be valued. Every person is entitled to an inclusive life and to live without being judged based on their background.
Analisis Perbandingan Elemen Magis dalam Dongeng Korea ‘Ureong Gaksi (우렁 각시)’ dan Dongeng Indonesia ‘Keong Emas’ Nadhira, Rizqi Hauna; Samsudin, Didin; Azizah, Asma
East Asian Review Vol 3 No 2 (2025): Second Half-Year
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/ear.24848

Abstract

Numerous folktales across global literature exhibit notable parallels, such as the Korean story Ureong Gaksi (우렁각시) and the Indonesian legend Keong Emas. This study examines the structural features of both narratives by analyzing their intrinsic elements through Claude Lévi-Strauss’s structuralism and classifying their magical components using Wendy B. Faris’s framework of magical realism. The primary sources are the picture-book versions of Ureong Gaksi by Han Seong-ok (한성옥) and Keong Emas by Tira Ikranegara. A descriptive–qualitative comparative method facilitates an in-depth examination and comparison of the two texts. Data are collected through library research and analyzed to identify structural similarities and differences. Findings indicate that both tales share a central theme but differ in character portrayal, setting, and plot development. Through Lévi-Strauss’s structuralist approach, six fundamental mythemes related to magical elements are identified and subsequently mapped onto Faris’s five features of magical realism: (1) irreducible element, (2) phenomenal world, (3) merging of realms, (4) unsettling doubt, and (5) disruptions of time, space, and identity. The analysis demonstrates that, while both stories incorporate supernatural figures and magical motifs, they display distinct structural patterns, particularly in their characters, supporting figures, and types of conflict. Nevertheless, each narrative fulfills all five of Faris’s criteria for magical realism.

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