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Runtas: Jurnal Fesyen dan Wastra Nusantara
Published by Institut Seni Indonesia Surakarta
ISSN : -     EISSN : 29886546     DOI : -
Core Subject : Art,
Arts
Runtas: Jurnal Fesyen dan Wastra Nusantara its contributions from academics and practitionerresearchers at the interface of new visual and performing arts. It acts as a forum for critical scholarship, innovative practice, and creative pedagogy, addressing themes that may be domainspecific (e.g. theatre, dance, music, live art, visual arts) or situated at the convergence of two or more disciplines. Scope of the journal includes: • Cultural, historical, and anthropological studies of Nusantara textiles • Contemporary fashion design inspired by traditional textiles • Techniques, innovation, and technology in fabric and clothing manufacturing • Creative economy, entrepreneurship, and locally-based fashion industry • Analysis of local and global fashion trends related to Nusantara culture • Preservation, revitalization, and documentation of traditional fabric • Sustainable fashion and ethics in the textile industry • Identity, gender, and representation in traditional fashion and fabrics • Cross-disciplinary collaboration in the development of Nusantara fashion and textiles
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 14 Documents
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Search results for , issue "Vol. 1 No. 1 (2023)" : 14 Documents clear
JAYA STAMBA MOTIF NGANJUK REGENCY FOR BESKAP AND JARIK CLOTHING ON MILLENNIAL KEBAYA Aldi, Muhamad
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 1 No. 1 (2023)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i1.5260

Abstract

Creation of Final Project Work entitled Jaya Stamba Motif, Nganjuk Regency for Beskap and Jarik Clothing on Millennial kebaya. This final project aims to make beskap and kebaya dresses the newest models so that they are more attractive to the millennial generation by applying the Jaya Stamba motif, Nganjuk regency. The main source of ideas that form the basis for the creation of this work are various forms of Jaya Stamba motif ornaments and agricultural products of Nganjuk Regency. Jaya Stamba is an artifact originating from Nganjuk Regency, now it is a hallmark and was built in the middle of the city. The scope of the Jaya Stamba motif in Nganjuk Regency and agricultural products gave rise to the idea to be developed in the creation of batik. The creation process in making the work starts from observing the forms of Jaya Stamba and various things related to the natural wealth of Nganjuk Regency such as agricultural products and existing heritage sites. Observations through site surveys and print media were then carried out in the form of batik motifs and then poured into alternative patterns to be selected as batik motifs that would be applied to kebaya and beskap clothing. The results of the work amounted to 4, namely 2 beskap clothes and 2 kebaya clothes. Each is given a title according to the character and appearance and philosophy in it. 
A SOURCE OF INSPIRATIONS FOR BATIK MOTIFS IN CASUAL CLOTHING: PEARL OYSTERS Silvie, Aldina
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 1 No. 1 (2023)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i1.5261

Abstract

The Pearl Oyster theme is brought up in this work's final project as a potential source of inspiration for the design of batik motifs for casual wear. One type of marine life that has practically all of their bodily parts is the pearl oyster. has a selling point, including the shells themselves, pearls, and shells. The goal of this final project is to design a batik motif that may be used to decorate casual garments using the inspiration provided by pearl oysters. The author chose this theme in an effort to highlight the value involved in the pearl-creation process and to promote the worth of natural cultivation. The author develops works of art through multiple stages, including exploration, the design stage, and the embodiment of the work, using a variety of reference materials. Five pieces of casual batik apparel, including two for men and three for ladies, were produced as a result of the work's realization. Careful experimentation is required when using uncommon fabrics, such as denim fabric, for batik. Each work is given a title that reflects the plot of the pearl it depicts and the value it contains; for example, work 1 is called Bawono, work 2 is Lelono, work 3 is Murco, work 4 is Kahono, and work 5 is Mustiko. This design is an example of industrial innovation that gives motives priority.
WOMEN CASUAL CLOTHES WITH TEACHING BATIK MOTIF PRINCE OF SAMUDRA AT MOUNT KEMUKUS Wati, Bintang Kusuma; Andini, Bertha Galuh
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 1 No. 1 (2023)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i1.5328

Abstract

Prince Samudra teachings on Mount Kemukus covering agriculture, culture, martial arts and Islamic religious knowledge are works of art that are applied to adult women's casual clothing, with this final project the author wants to bring and introduce to the general public through fashion trends. The process of creating a work starts from the exploration stage (searching for sources of ideas, concepts, and the basis for creation), design (the design of the work), and embodiment (making the work). The process of making works of art goes through the initial stages of making designs, making patterns, preparing tools and materials, scraping, printing, dyeing colors. sewing and finishing. The technique used in this work is hand-drawn batik using night wax as the main tool, canting, primisima cloth " Golden chariot" and naptol dye. The results in the creation of this work are 5 adult women's casual clothing which are titled according to the symbolic philosophy and meaning implied in each motif, namely work 1 with the title Pulun, work 2 with the title Anacara, work 3 with the title Adisaktiman, work 4 with the title Smara Religion, and 5 works entitled Kaharep. Each of the works created reflects the storyline of Prince Samudra's teaching on Mount Kemukus with the appearance of characters spreading agricultural science, cultural science, martial arts and religious knowledge.
CEPROTAN TRADITIONAL CEREMONY PROCESSION IN BATIK MOTIFS FOR CASUAL CLOTHES Ningsih, Nadia Puspita; Lestari, Rizki
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 1 No. 1 (2023)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i1.5334

Abstract

Ceprotan traditional ceremonial procession, Sekar Village, Pacitan Regency is a tradition that contains many cultural, social, artistic and economic values. The final project of this work aims to describe ideas and create casual clothing by applying the ceprotan traditional ceremonial procession motif as the basic idea in creating works with an aesthetic approach. The scope of the Ceprotan traditional ceremonial procession gave rise to ideas to be developed into the creation of batik motifs. The process of creating works starts from the exploration stage, namely witnessing the procession of the Ceprotan traditional ceremony which is then poured into the design stage of batik motif designs on casual clothing . The last stage is the embodiment stage, in this process starting from making dress patterns, cutting, coloring cloth, pelorodan , producing, sewing to finishing. The technique used in the process of creating works is the dab and wipe technique. The materials and tools used are candles, canting, remasol, silk cotton fabrics, lurik fabrics, brocade fabrics and organza fabrics. The results of the work amounted to 5 clothes. Each work is titled according to the procession, namely work 1 entitled Balangan Cengkir, work 2 entitled Kirab Panjang Ilang, work 3 entitled Tabur Sekar, work 4 entitled Arak-arakan Jolen, and work 5 entitled Arak-arakan cengkir. This design resulted in an innovation to preserve the traditional Ceprotan ceremonial tradition and batik art in the fashion sector .

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