cover
Contact Name
Febriansyah Kulau
Contact Email
febriansyah.kulau@uai.ac.id
Phone
+6282135238554
Journal Mail Official
commline@uai.ac.id
Editorial Address
Jl. Sisingamangaraja, RT.2/RW.1, Selong, Kec. Kby. Baru, Kota Jakarta Selatan, Daerah Khusus Ibukota Jakarta 12110
Location
Kota adm. jakarta selatan,
Dki jakarta
INDONESIA
CommLine
ISSN : -     EISSN : 29638615     DOI : http://dx.doi.org/10.36722/cl.v8i2.1930
Core Subject : Social,
Mencakup penelitian seputar isu – isu kontemporer di bidang media & journalism, media & gender, new media, advertising, public relations, media & religion, political communication, development communication, intercultural communication; semua bentuk komunikasi termasuk interpersonal, group, organization, dan public; serta semua subkultur religi yang berkaitan dengan praktik komunikasi).
Articles 2 Documents
Search results for , issue "vol 11, no 2 (2026)" : 2 Documents clear
Gentle Parenting as a Social-Class-Based Practice: An Analysis of Audience Comments on Instagram Mazda Radita Roromari; Purnama Ayu Rizky
CommLine Vol 11, No 2 (2026)
Publisher : Universitas Al Azhar Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36722/cl.v11i2.5719

Abstract

Instagram content often juxtaposes two contrasting parenting styles, gentle parenting and VOC parenting, thereby sparking debates about parenting practices linked to social class. This study aims to explain how audiences construct gentle parenting through Instagram comments as an expression of class identity and a meaning negotiation. This research employs Pierre Bourdieu’s theoretical framework, specifically the concepts of capital, habitus, distinction, symbolic power, and the struggle over classification, to explain the relationship between digital communication practices and the reproduction of class structures. This research employs an interpretive qualitative approach with discourse analysis of comments on 30 Instagram posts that juxtapose Nikita Willy’s gentle parenting style and Lek Damis’ VOC parenting style during the 2024–2025. Of the 1,007 comments reviewed, 83 were analyzed based on Bourdieu’s concepts. The results show that the audience interprets gentle parenting as a practice dependent on economic capital, social capital, and cultural capital. The audience primarily debates the distribution of privilege that enables the implementation of these parenting practices. The audience also actively evaluates, negotiates, and rejects the legitimacy of parenting narratives through comment sections. This study concludes that social media comment sections are digital communication arenas where the meaning of gentle parenting is produced, negotiated, and contested through class identity, and serve as spaces for a struggle over classification in both the establishment of and resistance to the legitimacy of parenting practices.
A Bibliometric Research Trends in Korean Popular Music Wihda Qorri Ain; Filosa Gita Sukmono
CommLine Vol 11, No 2 (2026)
Publisher : Universitas Al Azhar Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36722/cl.v11i2.5382

Abstract

 Starting as a local music genre, popular culture, particularly K-Pop, has evolved into a global phenomenon that defines social dynamics, collective identity, and cultural diplomacy in the 21st century. In addition to boosting the economy, K-Pop also influences the psychosocial health of fans through trans-parasocial interactions and cross-cultural communication on digital platforms. Academic attention to K-Pop continues to increase as it evolves into its fifth generation, covering aspects of sociology, semiotics, and global media studies. However, to understand how this literature has developed, a comprehensive mapping is needed. The purpose of this study is to conduct a bibliometric analysis to find publication patterns, identify the most significant authors, and describe shifts in thematic focus in international academic discourse from year to year. The results of this study are expected to help other researchers understand K-Pop's position as a global cultural force.

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