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Hadrianus Tedjoworo
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Melintas An International Journal of Philosophy and Religion
Published by Universitas Katolik Parahyangan
ISSN : 08520089     EISSN : 24068098     DOI : https://doi.org/10.26593
Core Subject : Religion, Humanities, Education, Art, Social,
Religion Arts Humanities Languange, Linguistic, Communication & Media Social Sciences
The aim of this Journal is to promote a righteous approach to exploration, analysis, and research on philosophy, humanities, culture and anthropology, phenomenology, ethics, religious studies, philosophy of religion, and theology. The scope of this journal allows for philosophy, humanities, philosophy of culture and anthropology, phenomenological philosophy, epistemology, ethics, business ethics, philosophy of religion, religious studies, theology, dogmatic theology, systematic theology, theology of sacrament, moral theology, biblical theology, and pastoral theology.
Arjuna Subject : Seni dan Humaniora - Filsafat
Articles 16 Documents
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Search results for , issue "Vol. 27 No. 3 (2011)" : 16 Documents clear
‘Battle of Evermore’: A Treatise on the Theater of Transcendence Osai, Jason O
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 27 No. 3 (2011)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v27i3.295.275-290

Abstract

The paper studies the essence and doctrinaire interpretation of ‘transcendence’ from the religious perspective covering the creeds of Judaism, Hinduism, Buddhism, Christianity, Islam, Sikhism and Baha’i. The paper also reviews the philosophical roots of ‘transcendence’ discussing its original definition, the medieval usage, colloquial usage, transcendent theosophy and the Kantian and modern philosophy of transcendence within which the views of Socrates, Plato, David Hume, Mulla Sadra, Jean-Paul Sartre and Stephen Palmquist, were brought to bear on the discourse. Essentially, the paper contends that there is an eternal scuffle that is taking place between higher and lower forces and the main arena of this struggle is in the human mind as encased in the human body. The paper furthers that in every individual, there is the tri-unity of the senses, the soul and the spirit. The senses are as imbedded in the human body with the sense of touch, taste, sight, sound and smell; the soul is the essence of man’s existence here on earth while the spirit is a spark of God in human. In its journey on earth, the soul continually utilizes the mind in choosing between the essence of the soft whispers of the spirit and the compelling demands of the senses. The soul is, therefore, constantly caught between these two forces; and this is what is dubbed the Battle of Evermore. The author holds that this second-by-second non-violent eternal conflict takes place in all human beings irrespective of color or creed and station or location on earth. Ascendancy in the single super consciousness of the ethereal is a direct product of the cumulative of the degree to which the soul defeats the compulsions of the senses. That, the paper concludes, is the essence of transcendence. Key Words:*Transcendence, *Human mind, *Senses, *Soul, *Spirit, *Philosophical perspective, *Religious perspective, *Transcendent theosophy, *The end of transcendence, *Personal enterprise, *Universal phenomenon.
Mystagogy in Daily Experiences: A Spiritual-Theological Understanding of Mystagogy Budi Wibowo, Antonius
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 27 No. 3 (2011)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v27i3.296.291-310

Abstract

Mystagogy has been recognized as an archaic word which was revived and developed after the Second Vatican Council. The Council begins to facilitate some pastoral concerns on the baptism for adults. The meaning of mystagogy is even more enlarged not only in the scope of liturgical teachings and rites of initiation. It also covers daily life of the faithful in every age and society. This article will present how the dynamic application of the mystagogical process helps clarify the connection between mystagogy and daily experiences of the faithful. Mystagogy is still ‘at work’ and continues to develop in the praxis of faith. Inspired by some theological approaches, the second part of this writing will discuss the connection between mystical sense and daily experience. The author will portray the relations ‘between the mystagogue and the myste’ and ‘between the myste and God’ towards the mystery of faith, before exploring mystagogy in daily experiences within the contexts of mystery and self-transcendence. An extended application of this reinterpretation will be offered in the last section to lead towards transformation through the daily experiences. Key Words:*Mystagogy *Catechesis *Pedagogy *Discipleship *The myste *Mystical experience *Daily life experience *Transformation *Self-transcendence *Spiritual journey.
Dekonstruksi Identitas (Neo)Kolonial: Sebuah Agenda Teologi Postkolonial Putranto, I. Eddy
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 27 No. 3 (2011)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v27i3.297.311-324

Abstract

One of the main projects of postcolonial critique has been the recovery of losing or forgotten identity surpassed by colonial power. Postcolonial discourses urge to rescue the colonialized subjects from the trap of colonialized identity. The belief of racial defect lived out by the colonized subjects, for instance, is one of the colonial products  accomplished during the time of colonialism.  Therefore, deconstruction of colonized identity needs to be done in order to bring the colonized subjects to live in their own history. This postcolonial project should become one of theological agendas today that helps individuals to live confidently in post-colonial time. The urgency of Postcolonial Theology is inevitable especially when we realize that our world is recolonizing, taking in a new way: neocolonialism. Key Words:*Alienation *Boundary *Deconstruction *Home *Hybridity*Imperialism *Inferior *Colonialism *Neocolonialism *Postcolonialism *Subaltern.
Film Reviews - "Keindahan di Luar Galeri" Bawono, Haryo Tejo
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 27 No. 3 (2011)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v27i3.298.325-332

Abstract

Ketika keindahan dipindahkan kedalam galeri dalam bentuk apapun, ia memang menjadi sesuatu yang terbaca agak jelas, ternikmati, namun tetap saja ia adalah keindahan yang bisa diperdebatkan. Hanya keindahan yang dibiarkan berserakan di luar galeri, dalam bentuk arkhaiknya, ia adalah keindahan yang tak terdebatkan. Film ini mencoba untuk setia pada sumber keindahan itu sendiri: hidup, tak peduli betapa muram, suram, dan ganjil geliat hidup itu sendiri. Itulah mengapa film ini diberi judul “Biutiful”, yaitu menuliskan “Beautiful” sebagaimana kata ini diucapkan. Keindahan hidup, sebuah keindahan sebagaimana adanya, sebagaimana dirasakan, sebagaimana diucapkan.
Film Reviews - "Dongeng setelah Dongeng" Bawono, Haryo Tejo
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 27 No. 3 (2011)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v27i3.299.325-332

Abstract

Natalie Portman berakting dan menari dalam kondisinya yang dasyat. Lawan mainnya, Mila Kunis dan Vincent Cassel, memberikan respon yang juga tak kalah memukaunya. Bahkan pemeran pembantu (Wynona Rider), memberikan kilasan-kilasan akting yang membuat penonton menghasrati: “berikan durasi dan spasi yang lebih!”. Darren Aronofsky memang sutradara yang dikenal piawai berurusan dengan para aktor film-filmnya, ditangannya sebuah batu bisa menjadi sebuah berlian (ingatlah lagi akting Ellen Burstyn dalam “Requiem for a Dream” dan “The Fountain” atau Mickey Rourke dalam “The Wrestler”). Koreografinya tidak menciptakan gerakan-gerakan yang tidak perlu. Mise-en-scene nya pun tertata dengan apik dan efektif. Kamera berhasil menciptakan atmosphere mencekam dan tak terduga. Namun ada sebuah pertanyaan yang tersisa: apakah semua itu bisa menyelamatkan cerita?
Chronicles - December 2011 Tedjoworo, Hadrianus
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 27 No. 3 (2011)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v27i3.300.333-364

Abstract

'Chronicles' is a journal column of "MELINTAS" which contains information about the various events, congresses, conferences, symposia, necrologies, publications, and periodicals in the fields of philosophy and theology.'Chronicles' is a journal column of "MELINTAS" which contains information about the various events, congresses, conferences, symposia, necrologies, publications, and periodicals in the fields of philosophy and theology.

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