cover
Contact Name
Hadrianus Tedjoworo
Contact Email
htedjo@unpar.ac.id
Phone
+6222420476
Journal Mail Official
melintas@unpar.ac.id
Editorial Address
Department of Philosophy, Parahyangan Catholic University, Jl. Nias 2, Bandung 40117, Indonesia
Location
Kota bandung,
Jawa barat
INDONESIA
Melintas An International Journal of Philosophy and Religion
ISSN : 08520089     EISSN : 24068098     DOI : https://doi.org/10.26593
The aim of this Journal is to promote a righteous approach to exploration, analysis, and research on philosophy, humanities, culture and anthropology, phenomenology, ethics, religious studies, philosophy of religion, and theology. The scope of this journal allows for philosophy, humanities, philosophy of culture and anthropology, phenomenological philosophy, epistemology, ethics, business ethics, philosophy of religion, religious studies, theology, dogmatic theology, systematic theology, theology of sacrament, moral theology, biblical theology, and pastoral theology.
Articles 12 Documents
Search results for , issue "Vol. 33 No. 2 (2017)" : 12 Documents clear
Chronicles - August 2017 Tedjoworo, Hadrianus
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 33 No. 2 (2017)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (683.984 KB) | DOI: 10.26593/mel.v33i2.2962.228-239

Abstract

'Chronicles' is a journal column of "MELINTAS" which contains information about the various events, congresses, conferences, symposia, necrologies, publications, and periodicals in the fields of philosophy and theology.
Fenomenologi Imaji dalam Seni: Sebuah Pergeseran Peran Subjek menuju Saksi Tedjoworo, Hadrianus
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 33 No. 2 (2017)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (801.128 KB) | DOI: 10.26593/mel.v33i2.2958.130-156

Abstract

Art seems to always deal with subjects, both the artist and the spectator. The awareness that an image is not a concept may provoke those doing and experiencing art to reposition themselves as appreciators of the image. This article shifts the focus from concept to image. Art event is a sort of lectio imaginem, an experience of reading and not merely interpreting the image. Each artwork is transcendent, since every time it will speak differently when reencountered. Yet it might even frightfully reinterpret the audience differently, recreating the identity as a different figure in its eyes. Phenomenologically, the spectators are looked upon by the image through the works of art. The subject is assessed and transformed from I into me, that it becomes a witness in the presence of an image revealing itself. This article is an invitation to maintain the equilibrium between critical and appreciative atitudes, between theory and image, within the world of art. All individuals, without exception, are assessed by art. Perhaps they only need to forbear, to let themselves deluged in the surface, to become the witnesses fascinated before and moved by the saturation of the image.
Kapan Allah Membuat Segalanya Indah: Misteri Waktu dalam Kitab Pengkhotbah 3:11 Nursantosa, Andre Putranto
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 33 No. 2 (2017)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (778.781 KB) | DOI: 10.26593/mel.v33i2.2959.157-184

Abstract

“God makes each thing beautiful in its time.” This quote has somewhat found its common usage in social media. People have some habit of quoting this expression whenever they encounter difficulties so as to comfort themselves. Through these words, a person might hope earnestly that “God will help me or provide me with the ‘beautiful’ time someday.” But the question that immediately follows is “When?” What if the burden stays and life remains unchanged? Not many of the fans of these wise words know that the saying originates from the Book of Ecclesiastes (3:11), which in itself is a form of ancient Hebrew literature. In the complete verse of the Book, the clause “He hath made every thing beautiful in his time is followed by another clause, “also he hath set the world in their heart, so that no man can find out the work that God maketh from the beginning to the end.” The later part of the verse (3:11b) is often ignored. However, by accepting the words that “God hath set the world in their heart”, one realises that he or she cannot fathom God’s mind, but might make peace and accept that divine question. Hence, one might realise that both good times and the not-so-good times could be but “beautiful times” for oneself.
Keselamatan Kini dan Nanti dalam Konsep Ayii dan Mobu serta Korelasinya dengan Konsep Keselamatan Paulus Keiya, Benyamin
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 33 No. 2 (2017)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (686 KB) | DOI: 10.26593/mel.v33i2.2960.185-205

Abstract

Salvation is hoped by all people. Salvation is the purpose of human being to have a good life not only in the world but also in the afterlife. The question of whether it is historical or eschatological salvation as the most important in life comes up among the different religions and cultures. Culturally, people seek to find  salvation inn the world and hopefully in the hereafter. Ayii and mobu are concepts of salvation of the Ekagii tribe in Papua, Indonesia. These concepts want to give answers to the Ekagii people needing salvation in this world and in the afterlife as well. Mobu is an understanding of how a person survives in this world, but especially with regards of the material as well as the spiritual needs. Ayii is an understanding of how salvation could be experienced after death. The Ekagii people are trying to find the eternal life, ayii, in their life. This article correlates these concepts of salvation with that of Saint Paul especially in his escathology. Paul’s tension between the terms ‘already’ and ‘not yet’ is different, but in some sense similar to the cultural concepts of the Ekagii people. Paul is also providing some answers to the Christians concerning their need of salvation in the world and in the world to come. The author underlines the focus of both concepts on the process of salvation that is experienced historically and dinamically in the world.
Ritual Brobosan Sebagai Penghormatan Terakhir dalam Liturgi Pemakaman Jawa-Kristiani Wimbodo Purnomo, Agustinus
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 33 No. 2 (2017)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (858.835 KB) | DOI: 10.26593/mel.v33i2.2961.206-227

Abstract

The Catholic Church provides occasions for funeral rites so as to illuminate the death of the faithful within the paschal mystery of Christ. The Church administers the funeral and offers prayers for its departing members to escort them to the afterlife. Funeral ceremonies are held to comfort the bereaved family, but also to strengthen the faith of the people. Therefore, the funeral ceremony could be seen as a pastoral means to foster the faith of the believers and at the same time to evangelise the gospel. Inculturation could be seen as a process to help the faithful experience God’s saving presence in the liturgy from their respective cultures. In this article, the author views the funeral of the faithful as an entrance for inculturation, bringing Christian liturgy towards the local culture, which in this paper is the Javanese culture, and vice versa. The Javanese culture has its own philosophy in escorting the departing souls through its rituals. This article attempts to integrate what has been a ritual of death in the Javanese culture, i. e. brobosan, which shows a gesture of giving respect to the departed, in the Catholic funeral liturgy, particularly in the last part of the rite.
Homo Economicus Herry Priyono, B.
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 33 No. 2 (2017)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (717.176 KB) | DOI: 10.26593/mel.v33i2.2957.103-129

Abstract

Human being is driven by many factors, but in trading activities, an individual is driven primarily by self-interest rather than other encouragement. This is the point which then develops into the core of the image of an economic being. However, the whole of human self is never driven only by self-interest. Through the history of the idea of homo economicus, what was originally a particular point of view about humans turned into a claim about the whole of human nature. The actions and behaviours of homo economicus were still driven by self-interest, but what was meant by self-interest was no longer in its classical sense. Its meaning has been much more extensive. This article shows the ambiguity of the idea of homo economicus: what was originally a certain point of view about human being, was applied to human nature and then became an agenda of how human beings and society should be. Humans must be homo economicus, but the latter is definitely not the whole picture of human nature. The image of an economic being is not the real description of the nature of human self, for it has its own territory. It is not the economic beings that gave birth to economics, but the economics that created economic beings.
Homo Economicus Herry Priyono, B.
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 33 No. 2 (2017)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v33i2.2957.103-129

Abstract

Human being is driven by many factors, but in trading activities, an individual is driven primarily by self-interest rather than other encouragement. This is the point which then develops into the core of the image of an economic being. However, the whole of human self is never driven only by self-interest. Through the history of the idea of homo economicus, what was originally a particular point of view about humans turned into a claim about the whole of human nature. The actions and behaviours of homo economicus were still driven by self-interest, but what was meant by self-interest was no longer in its classical sense. Its meaning has been much more extensive. This article shows the ambiguity of the idea of homo economicus: what was originally a certain point of view about human being, was applied to human nature and then became an agenda of how human beings and society should be. Humans must be homo economicus, but the latter is definitely not the whole picture of human nature. The image of an economic being is not the real description of the nature of human self, for it has its own territory. It is not the economic beings that gave birth to economics, but the economics that created economic beings.
Fenomenologi Imaji dalam Seni: Sebuah Pergeseran Peran Subjek menuju Saksi Tedjoworo, Hadrianus
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 33 No. 2 (2017)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v33i2.2958.130-156

Abstract

Art seems to always deal with subjects, both the artist and the spectator. The awareness that an image is not a concept may provoke those doing and experiencing art to reposition themselves as appreciators of the image. This article shifts the focus from concept to image. Art event is a sort of lectio imaginem, an experience of reading and not merely interpreting the image. Each artwork is transcendent, since every time it will speak differently when reencountered. Yet it might even frightfully reinterpret the audience differently, recreating the identity as a different figure in its eyes. Phenomenologically, the spectators are looked upon by the image through the works of art. The subject is assessed and transformed from I into me, that it becomes a witness in the presence of an image revealing itself. This article is an invitation to maintain the equilibrium between critical and appreciative atitudes, between theory and image, within the world of art. All individuals, without exception, are assessed by art. Perhaps they only need to forbear, to let themselves deluged in the surface, to become the witnesses fascinated before and moved by the saturation of the image.
Kapan Allah Membuat Segalanya Indah: Misteri Waktu dalam Kitab Pengkhotbah 3:11 Nursantosa, Andre Putranto
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 33 No. 2 (2017)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v33i2.2959.157-184

Abstract

“God makes each thing beautiful in its time.” This quote has somewhat found its common usage in social media. People have some habit of quoting this expression whenever they encounter difficulties so as to comfort themselves. Through these words, a person might hope earnestly that “God will help me or provide me with the ‘beautiful’ time someday.” But the question that immediately follows is “When?” What if the burden stays and life remains unchanged? Not many of the fans of these wise words know that the saying originates from the Book of Ecclesiastes (3:11), which in itself is a form of ancient Hebrew literature. In the complete verse of the Book, the clause “He hath made every thing beautiful in his time is followed by another clause, “also he hath set the world in their heart, so that no man can find out the work that God maketh from the beginning to the end.” The later part of the verse (3:11b) is often ignored. However, by accepting the words that “God hath set the world in their heart”, one realises that he or she cannot fathom God’s mind, but might make peace and accept that divine question. Hence, one might realise that both good times and the not-so-good times could be but “beautiful times” for oneself.
Keselamatan Kini dan Nanti dalam Konsep Ayii dan Mobu serta Korelasinya dengan Konsep Keselamatan Paulus Keiya, Benyamin
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 33 No. 2 (2017)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/mel.v33i2.2960.185-205

Abstract

Salvation is hoped by all people. Salvation is the purpose of human being to have a good life not only in the world but also in the afterlife. The question of whether it is historical or eschatological salvation as the most important in life comes up among the different religions and cultures. Culturally, people seek to find  salvation inn the world and hopefully in the hereafter. Ayii and mobu are concepts of salvation of the Ekagii tribe in Papua, Indonesia. These concepts want to give answers to the Ekagii people needing salvation in this world and in the afterlife as well. Mobu is an understanding of how a person survives in this world, but especially with regards of the material as well as the spiritual needs. Ayii is an understanding of how salvation could be experienced after death. The Ekagii people are trying to find the eternal life, ayii, in their life. This article correlates these concepts of salvation with that of Saint Paul especially in his escathology. Paul’s tension between the terms ‘already’ and ‘not yet’ is different, but in some sense similar to the cultural concepts of the Ekagii people. Paul is also providing some answers to the Christians concerning their need of salvation in the world and in the world to come. The author underlines the focus of both concepts on the process of salvation that is experienced historically and dinamically in the world.

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