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Interiority
Published by Universitas Indonesia
ISSN : 26146584     EISSN : 26153386     DOI : https://doi.org/10.7454/in
Core Subject : Humanities, Art, Social, Engineering,
Arts Humanities Civil Engineering, Building, Construction & Architecture Social Sciences
The journal presents the discourses on interiority from multiple perspectives in various design-related disciplines: architecture, interior design, spatial design, and other relevant fields. The idea of interiority emphasises the internal aspects that make and condition the interior, which might be understood and manifested through the users’ inhabitation, through the materiality of objects and built environment as well as through specific methods and approaches of design practice. The journal addresses the idea of interiority as both experienced and practised, which might be examined through theoretical discussion, spatial design practice and empirical interior research. Authors are invited to submit articles that address the questions of interiority in a wide range of interior context, which may include but not limited to: domestic and urban interior, personal and collective interior, contemporary and historic interior, global and indigenous interior. The journal also provides an open forum for discussing various aspects of localities that celebrate interior in specific socio-cultural contexts where particular ideas of interiority might originate and further extend. Submissions are also invited in the forms of reviews of books, projects and exhibition that are intended to challenge and extend the ideas of interiority.
Arjuna Subject : Teknik (semua kategori) - Arsitektur
Articles 114 Documents
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Interior Decoration to Exterior Surface: The Beleaguered Relief Hedges, Susan
Interiority Vol. 2, No. 1
Publisher : UI Scholars Hub

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Abstract

Surface articulation is a critical issue for interior architecture, and this paper sees the wall as a point of intersection where art and structure may converge and collide. A place of experimentation and a site of performance, built volumes and surface embellishments blur and reinforce edge conditions and ornament as embellishment and essential structure merge. This paper explores a sculptural relief Copper Crystals (1965) constructed by Jim Allen for the ICI (Imperial Chemical Industries) House (1964) situated at 61 Molesworth Street in Wellington, New Zealand. Following the building's failure, due to a 7.8 magnitude earthquake, the sculptural relief survived a five thousand tonne demolition. Construction, size and position of the work have contributed to its survival, partly because the relief shifted from surface activation to structural member. This paper investigates the relief as it protrudes from the surface of the building’s interior. Surface, layer and structure extend beyond the planar, producing a range of complicated effects. Visible and invisible incrustations, geometric forms and structural matrices, transform and become linked to depth, substance, mass and thickness (Papapetros, 2013). The demarcation of the essential and inessential is blurred, and the perception of ornament as dangerous during earthquakes is subverted. This paper focusses on material mediation and points to new ways of interrogating the materiality and functionality of surface and places over time.
Performative Interiors: Terminological and Theoretical Reflections on the Term 'Performative' Kassem, Ayman
Interiority Vol. 2, No. 1
Publisher : UI Scholars Hub

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Abstract

‘Performative’ is an emerging term in architectural discourse. The word ‘performative’ is able to describe spatial qualities and design approaches. The term is mostly linked to the concepts of open-form, and flexibility which are characters that give the spatial design a strategic aspect as the ability to anticipate and host predicted and unpredicted occurrences, and to adjust to future changes, which also gives architecture the character of an unfolding ‘event’ in time and in space. This paper seeks to investigate the terminological and the theoretical dimensions of the term ‘performative.’
Breaking the Binary Oppositions of the Interior: A Momentary Permanence Adams, Roderick; Marlor, Lucy
Interiority Vol. 2, No. 2
Publisher : UI Scholars Hub

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Abstract

The previously static view of the interior is changing, as social, economic and cultural factors produce a new requirement for building flexibility and potentially forcing a change to the normal spatial paradigms. There is an emerging altered dynamic between building, interior and user, posing the question – when does architecture become the interior? Conceptions of the future interior give renewed focus to the more flexible void space, over the opposing static architectural shell. By adjusting the realms of contact within a space and limiting the influence of architecture, the user is re-envisioned as a central adjudicator of spatial experience. Provocatively, conceiving the interior as a more temporal or fluid entity, we may liberate its relationship with its immovable and constant architectural keeper. This paper will argue the dynamic city structure is driving a new conception of the interior and its place within society and architecture.
House, Street, City: Le Corbusier’s Research Towards a New Urban Interior Martinelli, Patrizio M.
Interiority Vol. 2, No. 2
Publisher : UI Scholars Hub

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Abstract

Le Corbusier’s investigations, conducted between the 1910s and the 1930s, were focused on a new relationship between street and building. This research started from texts about the city, in particular, the writings of Eugène Hénard’s. These essays, dating back to 1903-1909, dealt with the necessity of a renewed strategy for the urban street, breaking down the monotony and the problems related to the sequence of buildings and creating a series of places as squares, gardens, and open courtyards: actual urban rooms between streets an buildings. Learning from those texts, Le Corbusier worked on a series of polemical writings about the rue corridor, collected in particular in The City of Tomorrow, Precisions and The Radiant City. A series of projects explored to the extreme consequences the topic: the Dom-ino building principle used for collective housing evolved to the redent, detached from the infrastructure, and the immeuble villa, with its inhabited façades. Finally, the curved redent for the Plan Obus in Algiers transformed the street itself into a "building as city" flowing in the landscape. The essay follows how Le Corbusier transforms the street and its traditional urban components in interior elements inside the buildings.
Tokyo’s Kyōshō Jūtaku: Nature through the Inside, Outside and the In-Between Klasto, Cathryn
Interiority Vol. 2, No. 2
Publisher : UI Scholars Hub

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Abstract

Born out of conversations with Japanese architects, as well as intimate spatial encounters with small houses (kyōshō jūtaku) in Tokyo, this paper discusses the way in which nature emerges and functions within fourth generation small housing design. Japan’s relationship with nature has generated many interconnecting architectural layers over centuries, arising out of culture, religion and the practicalities and consequences of the country’s economy, climate and experiences of natural disasters. These layers have fostered a deep and complex connection to land, and as a result, there is still a high value placed on owning one’s own plot, no matter how small. Despite how most city-based plots are often accompanied by high taxes and complicated building regulations; the lure of the land prevails. Due to domestic plot sizes rapidly reducing after the burst of the Bubble Economy in 1992, kyōshō jūtaku became a reality for those wanting to remain within the greater Tokyo area. A consequence of this reduction was that Tokyoites had less domestic contact with nature, as gardens became a luxury that most could not afford. Therefore, architects designing kyōshō jūtaku began to creatively consider new and innovative ways nature could be reclaimed and experienced through design. Through discussing examples of Tokyo’s kyōshō jūtakuin relation to inside, outside and the in-between, this paper traces how current connective and fluid manifestations of nature contribute to the destabilisation of the public-private boundary. It demonstrates how nature plays a fundamental role in building more open relationships with the city, relationships which in turn allow small houses to function as critical micro-spaces within Tokyo’s thriving urban ecology.
Rationality and Creativity Interplay in Research by Design as Seen from the Inside Harahap, M. Mirza Y.; Tregloan, Kate; Nervegna, Anna
Interiority Vol. 2, No. 2
Publisher : UI Scholars Hub

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Abstract

While research by design is critical in the development of architecture and design knowledge, there is still a need to deeply understand the design knowledge about the interplay between rationality and creativity in research-by-design projects. This paper attempts to address this issue by illustrating, rather than conceptualising, the inside process of a research by design project. The inside process will be discussed from three different points of view: (1) research or design interest tendency, (2) the performance of reflective attitude, and (3) a combination of views (1) and (2). The study resulted in an illustration of the interplay that suggests a dynamic forward-backwards act of thinking and making of a research-by-design project.
From Interior to Interiority: Locating Key Historical Moments in the Relationship between Spaces and Individuals Petit, Bruno Cruz
Interiority Vol. 2, No. 2
Publisher : UI Scholars Hub

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Abstract

We spend increasingly more time in architectural interiors, spaces that can give us quality of life and interesting scenarios for the growth of identity and interiority. However, both spatial interior and psychological interiority faces difficulties inherent to contemporary life. This text proposes a critical review of the literature on the socio-spatial archeology of the subject in order to see possible paths of realisation of interiority in the present. The document presents several stages in the sociocultural evolution of an interior space that needs to be described with different adjectives (spiritual, hedonistic, promiscuous) and groups the most relevant contributions of the literature according to this proposal.
The Visual Mechanisms of Seeing in Experiencing the Interior Sengke, Maria M. C.; Mustikawati, Triandriani
Interiority Vol. 2, No. 2
Publisher : UI Scholars Hub

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Abstract

This paper discusses the visual mechanisms of seeing and their significance in experiencing an interior space. The discussion investigates what the observers can obtain from seeing activities. The aim is to emphasise on the role of seeing as a way of constructing the relation between human and the interior environment. The paper explores the mechanisms of seeing by focusing on two different ways, which are seeing in a static position from a point of observation, and seeing while moving through a path of observation. The exploration in a hospital setting finds out that seeing from a point of observation gave a visual range determined by the body's shaft motion, head motion, and eye movement. This way of seeing produces visual information on interior space, which consists of vertical and horizontal fields. Seeing while moving will create a path of observation that gave an optical flow containing dynamic and continuous visual information. The understanding of seeing mechanisms in interior environment can generate a design with better human-interior relation.
Slashed Interiors: Text/Space Siddiqui, Igor
Interiority Vol. 3, No. 1
Publisher : UI Scholars Hub

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Abstract

This essay explores the relationship between text and space by considering the notion of writing interiors as a form of creative practice. The research focuses on the textual and spatial uses of the punctuation mark slash (/), as evidenced in a range of text-based works by Barbara Kruger, Glenn Ligon, Dom Sylvester Houédard, Anni Albers, and other artists. The first part of the essay surveys the typographic character’s varied uses in written language; the second part considers its role within artwork titles, namely how its presence shapes spatial interpretations of each artwork in question; in the third part, preceding the conclusion, the focus is on the use of the slash as a mark that is both material and graphic. The resulting interpretations support a call for a change in the conversation about the relationship between writing and interiors.
The Local Festival of Kampos: A Fictional Narrative of Place, Space and Interiority Vidali, Maria
Interiority Vol. 3, No. 1
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Abstract

This article is created out of the architectural space and narratives of village life. The narratives concern the interiority of life in Kampos, a farming village on the Greek Cycladic island of Tinos, on the day when the village celebrates the Holy Trinity, its patron saint. The village area on this festive day is depicted in the movement of the families from their houses to the church, the procession from the patron saint’s church to a smaller church through the main village street, and, finally, in the movement of the villagers back to speci!c houses. Through a series of spatial and social layers, the meaning of the communal table on the day of the festival, where food is shared, is reached. A series of negotiations create a different space, where the public, private and communal blend and reveal different layers of “interiority” through which this community is bounded and connected. In this article, I follow the revelation and discovery of truth through fiction, story or myth, as argued by the French philosopher Paul Ricoeur.

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