Journal of Indigenous Culture, Tourism, and Language
Journal of Indigenous Culture, Tourism and Language (JICTL) is an international, peer-reviewed scholarly journal published in an online format, dedicated to advancing research and knowledge in the interconnected fields of indigenous culture, tourism, and language. The journal provides an academic platform for researchers, academicians, and practitioners to disseminate high-quality scholarly works that explore cultural heritage, linguistic diversity, and sustainable tourism practices from local, national, and global perspectives. JICTL publishes original research articles, short communications, correspondence, and well-documented case studies that address theoretical, empirical, and applied issues related to indigenous knowledge systems, cultural preservation, language use and revitalization, tourism development, and socio-cultural dynamics. In addition, review articles of current relevance and high academic standard may be considered for publication, particularly those offering critical insights and directions for future research. The journal encourages interdisciplinary approaches and comparative studies that contribute to a deeper understanding of indigenous cultures and their roles in contemporary society. By fostering scholarly dialogue across disciplines, JICTL aims to bridge academic research, cultural practice, and policy development, while supporting ethical, inclusive, and sustainable engagement with indigenous communities. All manuscripts submitted to JICTL must be original works that have not been previously published and are not under consideration by other journals. Submissions are evaluated through a rigorous double-blind peer-review process to ensure academic quality, originality, methodological rigor, and ethical integrity.
Articles
11 Documents
Nurali Kabul and the artistic expression of imagery in his short stories (“The Patient” and “The Trial”)
A. M. Talipova
Journal of Indigenous Culture, Tourism, and Language Vol. 1 No. 2 (2025): September
Publisher : Goodwood Publishing
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DOI: 10.35912/jictl.v1i2.3688
Purpose: This study examines the distinctive features of artistic imagery in the short stories of Nurali Kabul, focusing on their aesthetic and ideological dimensions. Method: The analysis is grounded in theoretical perspectives from Sidney, Belinsky, Potebnya, Fitrat, Warren, Djurishin, Dima, Timofeev, Pospelov, Eagleton, and other scholars who contributed to artistic image theory. Results: Findings reveal a complex system of imagery characterized by psychological depth, emotional nuance, and structural significance within Kabul’s artistic thought. The harmony of national and universal values, along with lyricism, simplicity, and psychological richness, emerges as central traits of his poetics. Conclusion: Kabul’s short stories reflect a unique artistic style that synthesizes national cultural identity with contemporary aesthetic sensibilities. Limitation: The study is limited to textual analysis of short stories and does not incorporate comparative or empirical reader-response data. Contribution: This research enriches literary criticism on modern Uzbek prose by offering a comprehensive aesthetic and ideological interpretation of Kabul’s imagery.