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INDONESIA
APRON
Published by Universitas Negeri Surabaya
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Core Subject : Humanities, Art,
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Articles 25 Documents
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Search results for , issue "Vol 1, No 15 (2020)" : 25 Documents clear
PERGESERAN FUNGSI KESENIAN REOG CEMANDI DI DESA CEMANDI KECAMATAN SEDATI KABUPATEN SIDOARJO ALDINOV GUSTIANI, NINDIA; YANUARTUTI, SETYO
APRON Jurnal Pemikiran Seni Pertunjukan Vol 1, No 15 (2020)
Publisher : APRON Jurnal Pemikiran Seni Pertunjukan

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Abstract

Abstract Reog Cemandi is an authentic traditional art from Sidoarjo. Reog Cemandi was founded in 1922, telling about two teenagers who came from one of the boarding schools in the village of Cemandi, which Kyainya sent to fight against the Dutch armed with rattan wood. The function of Reog Cemandis performance during its establishment was as a spiritual means to ward off the danger that disturbed the residents of Cemandi Village. The development of the era has an impact on the shift in the function of the show, for this research aims to explain the form of presentation of Reog Cemandi in Cemandi Village; explain the shift in the function of Cemog Reog to the people of Cemandi Village and explain the factors that influence the shift of function of Cemog Reog. This research is a descriptive qualitative research with the object of Reog Cemandi art research in Cemandi Village. Data collection techniques are done by observation, interviews and documentation with taxonomic analysis techniques. The results showed that the form of Reog Cemandis presentation did not change in the presentation of the show both from the elements of motion, accompaniment, makeup, fashion, staging, and property. The shift of the Reog Cemandi performance function from the ritual function to the entertainment function. Shifting functions are influenced by internal (funding) and external (modernization) factors. Keywords: shift, function, art, Reog Cemandi
BENTUK PERTUNJUKAN KETOPRAK SARI BUDOYO DALAM LAKON KI AGENG MANGIR DELASARI, ANDRIS; ABDILLAH, AUTAR
APRON Jurnal Pemikiran Seni Pertunjukan Vol 1, No 15 (2020)
Publisher : APRON Jurnal Pemikiran Seni Pertunjukan

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Abstract

THE FORM OF KETOPRAK SARI BUDOYO PLAY IN LAKON KI AGENG MANGIRByAndris DelasariE-mail : andrisdelasari16020134009@mhs.unesa.ac.id Dr. Autar Abdillah, S.Sn., M.Si.autarabdillah@unesa.ac.idEducational Sendratasik Department, Language and Art FacultyState University of Surabaya ABSTRACTTulungagung is one of East Java district which has traditional theater called Ketoprak. Ketoprak traditional theater is familiar to East Java society. One of the most famous ketoprak from Tulungagung is Ketoprak Siswo Budoyo who succeed in creating a breakthrough in the Ketoprak Play. However, as time passed by Ketoprak Siswo Budoyo existence began to fade until a new group of Ketoprak came up which still has relation with Ketoprak Siswo Budoyo owner and founder. The ketoprak is called Ketoprak Sari Budoyo.The Growth of Ketoprak Sari Budoyo is not as great as Ketoprak Siswo Budoyo. Nowadays, Ketoprak is rarely to be invited in certain events. In order to stage the play, the ketoprak group members should raise funds by themselves to make the play runs. That is in purpose since the young generation have to know the ancestor heritage and also to keep this traditional art. The Ketoprak Sari Budoyo play schedule is not routine but within a year it certainly has the show once.The research problems that studied are as follows: 1) How is the form of the Ketoprak Sari Budoyo play in the Lakon Ki Ageng Mangir ?. The researcher used qualitative method as the research design to describe the information by using data collection method: observation, interview and documentation. The researcher also used triangulation technique to examine the validity and reliability of the study. The result of the study showed that the form of Ketoprak Sari Budoyo play has its speciality which took the audiences interest to watch all over the play. Ketoprak Sari Budoyo uses Mataraman Style in the whole all its play, which in its performances the actor looks natural or not based on stage blocking, there is also keprak or kentongan that is used as a sign for the players entering and exiting the stage, as a sign for accompaniment starting and ending, and also some jokes during the play. Ketoprak Sari Budoyo is included breakthrough Ketoprak which did not have all night long play. This has been done to avoid the young generation boredom thus they could enjoy until the end of the play. Keywords : The Play Form, Ketoprak, Sari Budoyo, Lakon
PROSES KREATIF KIRUN DALAM KESENIAN KETOPRAK DAN LUDRUK BANGKIT ALFARIZS, RIZCKY; ABDILLAH, AUTAR
APRON Jurnal Pemikiran Seni Pertunjukan Vol 1, No 15 (2020)
Publisher : APRON Jurnal Pemikiran Seni Pertunjukan

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Abstract

ABSTRACT Kirun is a talented ludruk artist and also a talented ketoprak. When he was young he often studied and played ludruk in various places. People can learn to be funny but there are people who are really funny. Abah Kirun made this hermitage intending to treat traditional arts and culture. In addition, Abah Kirun preserves art so it is not lost by the current of globalization. He was also born from ludruk and ketoprak artists since he was young. With the creative ideas from Abah Kirun, Indonesian people love their culture more. In the art of Ketoprak and Ludruk Abah Kirun has a unique creativity starting from the cultivation of the play to another interesting thing there are several performances of Ludruk from Abah Kirun, Jula Juli. Her chants are in round 4 or mid-staging. Abah Kirun also often directs Ketoprak and Ludruk which he created himself. The research method used is qualitative. Data collection techniques used in this study were interviews, observation, and documentation validated using triangulation of sources, techniques, and methods. Furthermore, the data obtained will be reduced data, data interventions, and drawing conclusions The results of this study indicate that Ketoprak and Ludruk Abah Kirun work together with one another. Starting from the method of cultivation of the round, cultivation techniques, factors of creativity to those raised in cultivation are almost synergized with each other. The commercial problems of Ketoprak and Ludruks art have an impact on the continuity of this traditional art, so there are also several factors in creativity ranging from environmental factors to social factors. Frequent achievement also increases the selling price and manages the creativity of Ketoprak and Ludruk Abah Kirun Abah Kirun. Keywords: Creativity, Ludruk, Ketoprak, Abah Kirun
PROSES KREATIF KIRUN DALAM KESENIAN KETOPRAK DAN LUDRUK BANGKIT ALFARIZS, RIZCKY; ABDILLAH, AUTAR
APRON Jurnal Pemikiran Seni Pertunjukan Vol 1, No 15 (2020)
Publisher : APRON Jurnal Pemikiran Seni Pertunjukan

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Abstract

ABSTRACT Kirun is a talented ludruk artist and also a talented ketoprak. When he was young he often studied and played ludruk in various places. People can learn to be funny but there are people who are really funny. Abah Kirun made this hermitage intending to treat traditional arts and culture. In addition, Abah Kirun preserves art so it is not lost by the current of globalization. He was also born from ludruk and ketoprak artists since he was young. With the creative ideas from Abah Kirun, Indonesian people love their culture more. In the art of Ketoprak and Ludruk Abah Kirun has a unique creativity starting from the cultivation of the play to another interesting thing there are several performances of Ludruk from Abah Kirun, Jula Juli. Her chants are in round 4 or mid-staging. Abah Kirun also often directs Ketoprak and Ludruk which he created himself. The research method used is qualitative. Data collection techniques used in this study were interviews, observation, and documentation validated using triangulation of sources, techniques, and methods. Furthermore, the data obtained will be reduced data, data interventions, and drawing conclusions The results of this study indicate that Ketoprak and Ludruk Abah Kirun work together with one another. Starting from the method of cultivation of the round, cultivation techniques, factors of creativity to those raised in cultivation are almost synergized with each other. The commercial problems of Ketoprak and Ludruks art have an impact on the continuity of this traditional art, so there are also several factors in creativity ranging from environmental factors to social factors. Frequent achievement also increases the selling price and manages the creativity of Ketoprak and Ludruk Abah Kirun Abah Kirun. Keywords: Creativity, Ludruk, Ketoprak, Abah Kirun
PROSES KREATIF KIRUN DALAM KESENIAN KETOPRAK DAN LUDRUK BANGKIT ALFARIZS, RIZCKY; ABDILLAH, AUTAR
APRON Jurnal Pemikiran Seni Pertunjukan Vol 1, No 15 (2020)
Publisher : APRON Jurnal Pemikiran Seni Pertunjukan

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

ABSTRACT Kirun is a talented ludruk artist and also a talented ketoprak. When he was young he often studied and played ludruk in various places. People can learn to be funny but there are people who are really funny. Abah Kirun made this hermitage intending to treat traditional arts and culture. In addition, Abah Kirun preserves art so it is not lost by the current of globalization. He was also born from ludruk and ketoprak artists since he was young. With the creative ideas from Abah Kirun, Indonesian people love their culture more. In the art of Ketoprak and Ludruk Abah Kirun has a unique creativity starting from the cultivation of the play to another interesting thing there are several performances of Ludruk from Abah Kirun, Jula Juli. Her chants are in round 4 or mid-staging. Abah Kirun also often directs Ketoprak and Ludruk which he created himself. The research method used is qualitative. Data collection techniques used in this study were interviews, observation, and documentation validated using triangulation of sources, techniques, and methods. Furthermore, the data obtained will be reduced data, data interventions, and drawing conclusions The results of this study indicate that Ketoprak and Ludruk Abah Kirun work together with one another. Starting from the method of cultivation of the round, cultivation techniques, factors of creativity to those raised in cultivation are almost synergized with each other. The commercial problems of Ketoprak and Ludruks art have an impact on the continuity of this traditional art, so there are also several factors in creativity ranging from environmental factors to social factors. Frequent achievement also increases the selling price and manages the creativity of Ketoprak and Ludruk Abah Kirun Abah Kirun. Keywords: Creativity, Ludruk, Ketoprak, Abah Kirun

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