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Passage
Published by Universitas Pendidikan Indonesia
ISSN : -     EISSN : 27764680     DOI : https://doi.org/10.17509/psg
Core Subject : Humanities, Education,
Humanities Languange, Linguistic, Communication & Media
Passage is a journal published by English Language and Literature Study Program, Universitas Pendidikan Indonesia. Initially published for students’ articles based on their final research paper, Passage now is also accepting articles from researchers outside the study program. The journal focuses on research in language and literary studies written in English. Passage addresses issues on, but not limited to, roles of language and literature, genre, gender, discourse, ethnicity, and media within the frameworks of linguistics and literary theories. It also welcomes more specific research on Indonesian and Southeast Asian contexts to introduce a wider scholarship in the region for a more global readership. This journal is published twice a year in the months of April and November.
Arjuna Subject : Ilmu Sosial - Linguistik dan Bahasa
Articles 8 Documents
 1 
Search results for , issue "Vol 2, No 2 (2014): Agustus 2014" : 8 Documents clear
Social Actors and Flood in Jakarta Meyza Pritama
Passage Vol 2, No 2 (2014): Agustus 2014
Publisher : Universitas Pendidikan Indonesia (UPI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/psg.v2i2.21150

Abstract

This present study examined the representation of Social Actors in articles from an online newspaper centroone.com about the flood in Jakarta in 2013 by using van Leeuwen’s social actor network (2008). This study employed qualitative method to describe the representation and its significance. The collected data were 9 articles from an online newspaper centroone.com. The data were analyzed in the unit of words and sentences to reveal the representation of the social actors. The study disclosed that in the articles, the social actors were represented through the use of 6 ways, namely proper names, pronouns, social titles, institutions, general groups, and nouns. The representations then indicated 3 significant actors related to the flood in Jakarta in 2013: Joko Widodo, BNPB, and the citizens. Joko Widodo was indicated as the work of the government of Jakarta, BNPB was indicated as the work performed by the institution, not the institution, and the citizens was indicated as the people related to the flood; as the citizens and the victims.Keywords: Social Actors, Critical Discourse Analysis, Representation
The Portrayal of Women in Katy Perry’s Selected Song Lyrics Amelia Lisara
Passage Vol 2, No 2 (2014): Agustus 2014
Publisher : Universitas Pendidikan Indonesia (UPI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/psg.v2i2.21156

Abstract

The present study entitled The Portrayal of Women in Katy Perry’s Selected Song Lyrics aims at drawing the portrayal of women in the selected song lyrics and revealing gendered messages in the selected song lyrics as viewed in post feminism perspectives. Utilizing a qualitative research particularly descriptive method, the discussion of the present study is framed within gender studies and theory of post feminism. The result of the present study shows that most of women in One of the Boys album (2008) are portrayed through five portrayals highlighting women’s physical appearance, women as sexual subject, women’s passive behavior, and women’s attitudes to cover their dependency on men. These portrayals support patriarchal ideology in which women are in accordance with patriarchal society’s expectation. The present study also discovers that gendered messages in most of song lyrics in One of the Boys do not show the notion of post feminism by being passive and dependent to men. Nevertheless, several songs explore the theme of sexuality as one of feminism values.Keywords: Gender, Feminism, Ideology, Women
Orientalism and Children’s Literature: An Analysis of Adult-Children Relations in a Picture Book Entitled “Bad Bad Bunny Trouble” Written by Hans Wilhelma Dosy Janwar Gulfusarak
Passage Vol 2, No 2 (2014): Agustus 2014
Publisher : Universitas Pendidikan Indonesia (UPI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/psg.v2i2.21151

Abstract

The present study examines adult-children relations in a picture book entitled “Bad Bad Bunny Trouble” by Hans Wilhelm from an Orientalist perspective. The focuses of the study are the portrayal of children in the picture book and the meanings made from the portrayal. Two main theoretical frameworks were used in this study. The first theoretical framework is Orientalism from Said (2003). The second theoretical framework is visual analysis theory from Nodelman (1988) which was used to analyze the pictures. Children are portrayed as the Other while Adults are the Self. The findings indicate that as the Other, children are marginalized and adults take center stage. As the center, adults take charge and expect children to fulfill the adults’ expectation to prepare the children for adulthood. From Orientalism perspective, the adults-children relation in the picture book is the representation of the binary opposition of Self and Other in Orientalism.Keywords: Orientalism, Self, Other, visual analysis, picture book
Being Cunningham’s Women: The Portrayal of Women in Michael Cunningham’s The Hours Citra Dewi Saraswati
Passage Vol 2, No 2 (2014): Agustus 2014
Publisher : Universitas Pendidikan Indonesia (UPI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/psg.v2i2.21157

Abstract

This present study entitled Being Cunningham’s Women: The Portrayal of Women in Michael Cunningham’s The Hours is aimed to unearth the way in which Michael Cunningham, as a male author, portrays women in the novel The Hours. This study employs qualitative descriptive method coupled with textual analysis approach. It can be seen from the portrayal of women as the ones who are unconfident and exhausted in domestic sphere yet powerful enough to make their own decision to liberate themselves from the exhaustion caused by their life. In other words, Cunningham subverts Gubar’s (1980, cited in Lange, 2008) notion that male authors perceive women as “blank page.” With the benefit of stream of consciousness method, Cunningham has successfully portrayed women’s experience and their situation accurately while, at the same time, diffusing liberal feminism value in his work. Keywords: Feminism, Liberal Feminism, Portrayal, Stream of Consciousness
Narrative and Characterization Techniques in Sue Monk Kidd’s Novel The Secret Life of Bees (An Analysis with Narratological Approach) Anya Pritafania
Passage Vol 2, No 2 (2014): Agustus 2014
Publisher : Universitas Pendidikan Indonesia (UPI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/psg.v2i2.21152

Abstract

The present study is aimed at investigating the type of Indonesian cultural words found in the novel Negeri 5 Menara and the translated novel, and also to examine the translation techniques used by the translator in translating them into English, the translator’s tendency in translating cultural words and the factors leading to the translator’s tendency. To analyze the kinds of cultural word found in the novel and how those cultural words are translated, three primary theories were used: cultural words classification (Newmark, 1988), translation techniques (Molina Albir, 2002), and translation strategies (Venuti, 2004). To investigate factors leading to the translator’s tendency the interview with the translator was held. The result of the study shows that there are various kinds of cultural word found in the novel and most of them were domesticated. The factors leading to the translator’s tendency were cultural differences and the author’s intention to get wider readership. Keywords: Narrative techniques, Barry’s Version (2002) of Genette’s narratology theory (1980), Narrative Categorizations, Characterization, Methods of Characterization 
Breaking the Magic Code: Finding the Pattern of Goodkind’s Fantasy Fiction Wizard’s First Rule Desti Ilmianti Saleh
Passage Vol 2, No 2 (2014): Agustus 2014
Publisher : Universitas Pendidikan Indonesia (UPI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/psg.v2i2.21158

Abstract

The present study entitled Breaking the Magic Code: Finding the Pattern of Goodkind’s Fantasy Fiction Wizard’s First Rule aims at identifying the pattern of the story through analyzing the fantasemes and the ways the story constructs the logic of the secondary world. Utilizing a qualitative research particularly descriptive method, the study adopts Nikolajeva’s (1988) fantasy theory. The study found that the fantasy story construction is presented through combination of fantasemes. From the analysis of the fantasemes it is clear that the story utilizes a pattern linear to common fantasy fiction, however it also creates a new pattern. Similar to other fantasy stories, this story has a character traveling and leaving home, challenged and helped, performing a task and gaining triumph. The differences are in the absence of primary world which is replaced by heterotopias. The story constructs the logic of the secondary world through following magic laws, namely limitation and consistency.Keywords: Fantasy, Fantasemes, The Magic Space, The Magic Time, The Magic Passage, The Magic Impact, The Magic Law
Translator’s Tendency in Translating Indonesian Cultural Words into English from The Novel Negeri 5 Menara (The Land of Five Towers) Intan Kartika Sari
Passage Vol 2, No 2 (2014): Agustus 2014
Publisher : Universitas Pendidikan Indonesia (UPI)

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research analyzes narrative techniques in Sue Monk Kidd’s novel The Secret Life of Bees (2002) by using Barry’s version (2002) of Genette’s Narratology theory (1980). The purpose of the research is to identify how the story is narrated and how the narrative constructs the main character as evidenced in the novel. By applying the theory, this research attempts to gain insights into how the narrative is presented to the reader in the form of first person mode. This research employs a descriptive qualitative method. This research finds that the story The Secret Life of Bees is narrated through six narrative categorizations: narrative level, narrative time, narrative voice, focalization, narrative of words, and narrative mode. Moreover, the narrative constructs the main character through four methods of characterizations: physical description, dialogue and actions, thoughts and feelings, and what other characters’ say about the main character. This research implies that the story The Secret Life of Bees is well organized. The use of first person narrative and the presence of child character who is also the narrator have made the story interesting and easy to follow. Furthermore, the development of the main character also plays a crucial role in giving the clue to the story’s meaning and successfully covers the major theme of the story.Keywords: Cultural Words, Translator’s Tendency
The Quest of Identity of Kafka Tamura in Haruki Murakami’s Kafka on The Shoreflood in The Indonesian Online Newspapers: A Multimodal Critical Discourse Analysis of The Representation of Flood Luciyana Dwiningrum
Passage Vol 2, No 2 (2014): Agustus 2014
Publisher : Universitas Pendidikan Indonesia (UPI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/psg.v2i2.21154

Abstract

This present study examines the representation of flood in Indonesian online newspapers verbally and visually by using Kress and van Leeuwen’s framework (2006) and Systemic Functional Linguistics as proposed by Halliday (1994). This study employed a qualitative method to describe the representation and its signification. The collected data were analysed from kompas.com, republika.co.id, radarcirebon.com, and harianjogja.com online newspapers. The data were in the form of words, phrases, and sentences and pictures. This study, verbally, found that flood was represented as actor (14) or 60.9%, goal (5) or 21.7%, carrier (2) or 8.7%, and phenomenon (2) or 8.7%. The processes used are material (19) or 65.5%, flood as material process (3) or 10.3%, relational: attributive (3) or 10.3%, relational: identifying (1) or 3.4% mental: perceptive (1) or 3.4%, and mental: cognitive (2) or 6.9%. Furthermore, flood is also represented as circumstance of time (4) or 66.7%, circumstance of condition (1) or 16.7%, and circumstance of reason (1) or 16.7%. Visually, flood was represented as an actor which does a damaging action, a circumstance of time which was waited by several people to get new jobs such as ojek rider, and a goal which was considered to be a swimming pool and a new playground in Jakarta. Keywords: Representation, Multimodal Critical Discourse Analysis, Systemic Functional Linguistics, and Online NewspapersKeywords: Representation, Multimodal Critical Discourse Analysis, Systemic Functional Linguistics, and Online Newspapers

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