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INDONESIA
ARS: Jurnal Seni Rupa Dan Desain
Published by Institut Seni Indonesia Yogyakarta
ISSN : 18297412     EISSN : 25807374     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
ARS merupakan jurnal ilmiah berkala yang ditujukan untuk mempublikasikan karya ilmiah hasil penelitian, pengembangan, dan studi pustaka di bidang seni rupa dan desain. Jurnal ini terbit 3 kali setahun dengan 6 artikel setiap edisi yang jatuh pada bulan Januari - April, Mei - Agustus, September - Desember.
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Articles 6 Documents
 1 
Search results for , issue "Vol 1, No 10: Januari-April 2009" : 6 Documents clear
PENGARUH GLOBALISASI PADA RUANG SEBUAH KASUS DARI MASA LALU Mrs. Suastiwi
Ars: Jurnal Seni Rupa dan Desain Vol 1, No 10: Januari-April 2009
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i10.114

Abstract

Globalization is a certainty that changes the world. In Indonesia, the process of globalization was initiated at the early stage of the Christian Calendar that was marked by the incoming of Indian, Chinese, Islamic, and Western culture successively. This article will discuss a case of globalization on space of Rumah Gedhong in Kampung Kauman Yogyakarta. It aimed at seeking the relationship between culture and the space of human activity and investigating how the space changes according to the transformation on the lifestyle and the values or in a bigger scale, the culture of the people.Keywords: globalization, culture, activity, space
PERAN SENI KRIYA DI ERA PERDAGANGAN GLOBAL Timbul Raharjo
Ars: Jurnal Seni Rupa dan Desain Vol 1, No 10: Januari-April 2009
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i10.115

Abstract

In contrast to the kriyawan that able to develop aspects of research and development, innovation capability is actually a manifestation of the economics of proximity, but the producers are faced with the internal weakness of the pattern of financing and Research & Development activities and vulnerabilities to access sources of information. As a result, the role kriyawan become very important in order to encourage innovation capabilities. Proximity craftsmen with external forces such as consumers, distributors, suppliers, and competitors are considered important as a source of useful knowledge in the development of innovation capabilities for the kriyawan. Given the almost certainly composed of international trade in the export trade activities set forth many products related to art craft products. The nature of the mass and economies become one of skill in the art strength exploring the times. Indonesia has a good chance giving the art to craft to surface with high strength locality. Because of the economic nature of art is playing activity continues to craft art craft though. For that work patterns between pekriya and craftsmen sought in the form of mutual cooperation. A kriyawan work to gave birth to a product work can communicate inner experiences were also able to inspire a work product that penetrated into the sphere of mass products as art handicraft items. Of course collaboration among related subjects and aspects of the Art business cannot require each other synergistically. Selfishness in the rights and obligations differentiate cannot be synergized carefully. A product that created by kriyawan expected not to stand alone but can be used by craftsmen in a way giving royalties.Keywords: Art craft, globalization
KERAMIK CINA MENGUAK PERADABAN MANUSIA Noor Sudiyati
Ars: Jurnal Seni Rupa dan Desain Vol 1, No 10: Januari-April 2009
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i10.110

Abstract

Ceramic is a cultural creation that shows human civilization at the moment it   is created. Ceramic is also a reliable reference to reveal the history of a nation, not only from the high quality of its material, but also from the documentation applied on it. Chinese ceramic existed within a period of various dynasties had peculiar feature and specific characteristic. Chinese civilization history is eternally recorded in their   ceramic ornament. Those ceramics contain symbols, hope,narration and artistic expression that words cannot express. Moreover, information of civilization thousands years ago, can be obtained from various motives  and symbols printed on ceramics.Keywords    :    ceramics,    ornament,    civilization
(BUDAYA) KEMASAN WINGKO BABAT Natalia Afnita
Ars: Jurnal Seni Rupa dan Desain Vol 1, No 10: Januari-April 2009
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i10.116

Abstract

it. It is special because, one among the others, its packaging. The development of Wingko Babat packaging provides us with information about the paradigm and taste shift happens to the society (producers and consumers). The sift occurs in line with the snack production and marketing.In Semarang, Wingko Babat packaging is similar among various brands. But still it can be identified the differences. The similarity opens a discussion about the forming of practical discourse on the packaging process.Keywords: packaging design, illustration, modernity
JEJAK – JEJAK RUMAH JAWA DALAM TRADISI INDONESIA LAMA Martino Dwi Nugroho
Ars: Jurnal Seni Rupa dan Desain Vol 1, No 10: Januari-April 2009
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i10.111

Abstract

One of the result of culture which representing Indonesian resident creativity is architecture, in this case is Javanese house. [The] mentioned proved with many archaeological fact. Division of time dimension based to the Hindu Budha period and Islamic period. The data got from pictorial data, verbal data, and architectural data. Classic Javanese house, having marking: Building construction from wood representing pillar stand up above of land, having gallery of mine and without space winnow. Old Majapahit house, having marking : building construction from wood standing above batur and still there is no permanent constrictor. its Roof covered by tiles. Final Majapahit house, having characteristic : it is equal to Old Majapahit house but have had permanent constrictor. The Javanese house have building system called rumah kolong or rumah panggung. The Javanese house at Islamic period that is Yogyakarta Kingdom have started to recognize west technology that is with use of its material even conception Hindu still very obvious. Besides esthetics element start to be applied that is with use of the ornament. Besides knowledge about developing house start to be booked written of manuscript about technique making of Javanese house called kawruh kalang.Keywords: Javanese house, history, Javanese temples, pictorial data, verbal data, architectural data
PADMASANA KAJIAN SENI HIAS DAN FUNGSI I Made Sukanadi
Ars: Jurnal Seni Rupa dan Desain Vol 1, No 10: Januari-April 2009
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i10.113

Abstract

Padmasana is a sacred building for the Hindu people. It is used to worship God. This building is located in the northeast zone of the worship complex (Pura) as the main building. Padmasana building is very closely related to the symbolic values reflected in the name ‘padmasana’ itself, also the shape of the building and its decorative art that adorning the entire padmasana. To reveal these symbolic values, the writer approached the topic using some theories on function that were proposed by some prominent functionalist. The conclusion was that Padmasana functioned, first regiously, second ethically or morally, third aesthetically, fourth economically, and fifth expressively.Keywords: Padmasana, decorative art, function

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