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INDONESIA
SURYA SENI
Published by Institut Seni Indonesia Yogyakarta
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Core Subject : Humanities, Art,
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Articles 32 Documents
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MENCARI TELUR GARUDA Video Fitur Multi Kanal Nanang R. Hidayat
SURYA SENI Vol 5, No 1: Februari 2009
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/pasca.v5i1.101

Abstract

Looking for the Egg of Garuda: Multi Channel Video Feature. Republic of Indonesia proclaimed its independence on 17th August 1945. As an inde-pendent nation, the people of Indonesia considered the “Garuda Pancasila” – asymbolic eagle like bird standing for the state ideology named Pancasila - as theoffi cial symbol of  the country.Ironically the history of that country symbol has never been noticed in thestate history. This is the question: why has such an important history never beendocumented by Indonesian historians? Whereas, the greatness of nations couldbe measured by how they could appreciate their history. Whilst, now more andmore, the meaning of Pancasila as the state principle is fading away, or manypeople begin forgetting its signifi cance.‘Looking for the egg of Garuda’ is an expression to metaphorise an effortto fi nd out where did our country symbol come from. Who were the people involvedin the designing process of Garuda as the state symbol.This video being displayed in a documentary feature format,  tries to relivethat very moment  in shape of “Wayang Suluk”, showed in multi-canal way asa new alternative to learn the history, in hope that this presentation can increasethe pride of , as well as affection to our motherland.Keywords: Garuda Pancasila, Important Historical, and Wayang Suluk
EKSPRESI TOPENG Ms. Parjiyah
SURYA SENI Vol 5, No 1: Februari 2009
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/pasca.v5i1.102

Abstract

Expression of Mask. Mask Art represent is one of the cultural heritage result of Indonesian nation there is since long time and continued till now. Mask art have the symbolic value of characterization human being as according to teaching moral-etic. Symbolic value look at concept of face forming from mask with the colour cloth. Visual aesthetic method formulation from meaningful mask art of characterization symbolism is played by every fi gure.  Mask very interesting to made the source of inspiration of textile creation. Starting frombackground and idea which explained above, writer aim to to create the artistic textile in the form of valuable mask of decorative, unique, artistic, and ethnic. Base on text above, writer want to create textile creation two and three dimensional from the source of idea form the mask that made by assorted of mask expression. Process the making of this creation through three step and that are exploration that have source from idea of scheme and materialization through the creative new planning of inovatif creation The substance is used are the some kind media, hutch, agel, glass, brass, wood, shell of coconut withmacrame technique. In materialization more emphasizing of personal expression without leaving meaning and message which implied in the source of creation idea. The realization of art creations is not only concerning of visual beauty butalso meaning and fi ll the masterpiece.Through the process from the creation idea or accomodating the writer’s desire in creating the art creation. This creation is expected can be the one effort to preserve in society. Folk art must be interpreted by a alertness to prevent of thestabilization of tradition development suitable to demand from new culture.Keywords : expression, mask, and makrame.

Page 4 of 4 | Total Record : 32

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