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I Nyoman Darma Putra
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JURNAL KAJIAN BALI Fakultas Ilmu Budaya Universitas Udayana Jln Nias 13 Denpasar 80114
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Bali
INDONESIA
Jurnal Kajian Bali
Published by Universitas Udayana
ISSN : 20884443     EISSN : 25800698     DOI : https://doi.org/10.24843/JKB
Core Subject : Religion, Humanities, Education, Art, Social,
Religion Arts Humanities Languange, Linguistic, Communication & Media Social Sciences
The Jurnal Kajian Bali (Journal of Bali Studies) is an area study journal that specializes in publishing research-based articles about Bali. The topics of articles about Bali that can be published are very diverse including Balinese culture, politics, music, language, architecture, literature, history, mass media, popular culture, tourism, economy, environment, health, law, management, religion, and Balinese customs. The journal would also like to publish articles on Bali with comparative approaches. The Jurnal Kajian Bali (Journal of Bali Studies) is published twice a year, every April and October. Published articles are reviewed in a single blinded manner. The Jurnal Kajian Bali (Journal of Bali Studies) was first published in April 2011 by the Center for Balinese Studies, University of Udayana. Starting from April 2019, the journal is published jointly by the Center for Balinese Studies and the Center of Excellence in Tourism, University of Udayana. However, starting April 2020, the Jurnal Kajian Bali (Journal of Bali Studies) was published by the Center for Cultural Research and the Center of Excellence in Tourism, University of Udayana. This change occurred because of the reorganization of research centers at Udayana University from the end of 2019.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 14 Documents
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Search results for , issue "Vol 14 No 1 (2024): ARTICULATING IDENTITY" : 14 Documents clear
Enhancing Cultural Heritage Tourism Through a Spiritual Knowledge: The Implementation of Tri Hita Karana in Taro Village Gianyar Bali Putu Eka Wirawan; Putu Devi Rosalina
Jurnal Kajian Bali (Journal of Bali Studies) Vol 14 No 1 (2024): ARTICULATING IDENTITY
Publisher : Pusat Kajian Bali Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2024.v14.i01.p10

Abstract

Spiritual knowledge has been found significant in environmental conservation, yet its role in developing tourism is under-researched. This study aims to explore the potential of spiritual knowledge and how it is being implemented in rural tourism practices. Tri Hita Karana becomes an underpinning spiritual knowledge under this study enquiry, with Taro village was the case study. Taro reflects the community’s spiritual wisdom in their destination management. Data was collected through direct interviews with 7 key informants and observations to 3 sites. Findings showed that the implementation of Tri Hita Karana was found significant in designing three temples as tourist attractions. The implementations were identified in introducing socio-cultural functions (pawongan), maintaining spiritual uniqueness (parahyangan), and sustaining sacred architecture landscape (palemahan). The present study contributes to the cultural heritage management by emphasising spiritual knowledge in designing cultural heritage attractions. The findings can practically suggest incorporating spiritual knowledge in the heritage tourism management.
Articulation of Indonesian Identity in Mahabharata Epic Puppet Comics by Sundanese, Javanese, and Balinese Comic Artists I Wayan Nuriarta; I Nyoman Suarka; Ida Ayu Laksmita Sari; Suryadi Suryadi
Jurnal Kajian Bali (Journal of Bali Studies) Vol 14 No 1 (2024): ARTICULATING IDENTITY
Publisher : Pusat Kajian Bali Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2024.v14.i01.p02

Abstract

This research examines Mahabharata epic puppet (wayang) comics, created by three renowned comic artists: R. A. Kosasih, Teguh Santosa, and Gun Gun, who respectively have Sundanese, Javanese, and Balinese cultural backgrounds, through the lens of Indonesian identity articulation. The comics of wayang which translates ‘puppet’, are a distinctive genre that employs panels to depict puppetry tales. While being influenced by foreign cultures such as American comic art and the Indian Mahabharata epic, these artists intentionally incorporate Indonesian elements into their works. This is evident from 1955 to the present. This research used a critical qualitative descriptive approach to investigate the articulation of the identity discourse within the cultural realm of comics. The comic works of the artists are analysed through articulation and hegemony theory. The research concludes that the artists’ works establish a cultural connection and relate cultural comic art to Indonesian readers. This not only constructs Indonesian identity but also promotes cultural diversity.
Balinese Endek Woven in the Framework of Indonesian Diplomacy at the G20 Summit Putu Ratih Kumala Dewi
Jurnal Kajian Bali (Journal of Bali Studies) Vol 14 No 1 (2024): ARTICULATING IDENTITY
Publisher : Pusat Kajian Bali Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2024.v14.i01.p12

Abstract

This research aims at examining the implications of culture in international relations with regard to the contemporary political economy by analyzing Indonesian strategies in introducing the Balinese Endek woven creative industry at the 2022 G20 Summit. In this context, cultural diplomacy theory, which includes the concept of soft power, and the creative economy was adopted. Primary data was obtained through interviews conducted with representatives from the Department of Culture of Bali Province, as well as artisans specializing in the craft of Catri Endek woven using qualitative methods. Meanwhile, secondary data was collected through related literature and official government websites. The appearance of Balinese Endek woven at the G20 Summit could be studied through three paradigms, namely social, political, and economic dimensions. The socio-political paradigm of national interests was supported by soft power by introducing Balinese Endek woven as part of Indonesian culture by targeting the public. From an economic perspective, cooperation and the Indonesian economy could be increased.
Puppet Show as Popular Culture in Bali: The Revitalization of Puppet Performing Arts through the Rhetoric Originality of Wayang Cenk Blonk I Nyoman Suaka; I Made Budiasa
Jurnal Kajian Bali (Journal of Bali Studies) Vol 14 No 1 (2024): ARTICULATING IDENTITY
Publisher : Pusat Kajian Bali Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2024.v14.i01.p03

Abstract

The contemporary history of Balinese performing arts is characterized by the inception of the renowned puppeteer Wayan Nardayana’s monumental puppet show, popularly known as puppet or wayang Cenk Blonk, derived from the name of their punakawan characters (servants to the main hero) who are comical, intelligent, critical, and possessed of a broad range of social knowledge. The emergence of the Cenk Blonk puppeteer since the early 1990s has led to a significant expansion of the wayang performance in Bali, from rural older adult to urban youth audiences. This article examines the popularity of puppeteer Nardayana, focusing on his ability to incorporate rhetoric into his performances. The data was taken from the dialogue texts of his performances and examined with rhetoric theory. The study demonstrates that puppeteer Nardayana’s popularity is attributed to his ability to present stories in a refreshing, original, critical, and entertaining style without sacrificing the traditional puppetry principles. This study contributes to appreciating the revitalization of traditional art in a globalized era.

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