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All Journal HUMANIS E-Journal Of Cultural Studies PRASI: Jurnal Bahasa, Seni, dan Pengajarannya Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Jurnal Kajian Bali Jurnal Master Pariwisata (JUMPA) ATAVISME JURNAL ILMIAH KAJIAN SASTRA Chi`e: Jurnal Pendidikan Bahasa Jepang MUDRA Jurnal Seni Budaya Panggung Aksara Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya JENTERA: Jurnal Kajian Sastra Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Pustaka : Jurnal Ilmu-Ilmu Budaya Udayana Journal of Social Sciences and Humanities (UJoSSH) Panggung Aksara Open Access DRIVERset

Ida Ayu Laksmita Sari

Universitas Udayana

Author-ID : 3267024

Religion Arts Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

Published : 41 Documents Claim Missing Document

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MASKULINITAS TOKOH TARÅ DALAM MUKASHI BANASHI Sari, Ida Ayu Laksmita
Aksara Vol 28, No 1 (2016): Aksara: Edisi Juni 2016
Publisher : Balai Bahasa Bali

Penelitian ini mengkaji maskulinitas tokoh TarÅ dalam mukashi banashi, cerita rakyatJepang. Mukashi banashi yang menjadi objek kajian ini adalah MomotarÅ, KintarÅ, KotarÅto HaharyÅ«, Sannen NetarÅ, dan Urashima TarÅ. Pada kelima mukashi banashi ini terdapattokoh yang bernama TarÅ dengan peranannya masing-masing. Fokus penelitian ini adalahanalisis gambaran tokoh TarÅ, fungsi, dan nilai budaya Jepang yang terdapat dalam mukashibanashi. Penelitian ini menggunakan teori sosiologi sastra dan teori maskulinitas denganmetode deskriptif analisis. Hasil penelitian ini menunjukkan lima tokoh TarÅ, yaitu MomotarÅ,KintarÅ, KotarÅ, Sannen NetarÅ, dan Urashima TarÅ yang memiliki ciri fisik maskulin dansifat bushido âkesatriaâ. Namun, terdapat juga beberapa sifat yang sedikit bertentangan dengankonsep maskulin. Selain itu, melalui kelima mukashi banashi ini diketahui pula fungsi danunsur-unsur budaya yang terdapat dalam cerita rakyat Jepang.

KONTINUITAS KARYA SASTRA JEPANG SEBAGAI PENYEMANGAT HIDUP MASYARAKAT JEPANG Laksmita Sari, Ida Ayu
Prasi: Jurnal Bahasa, Seni, dan Pengajarannya Vol 8, No 16 (2013)
Publisher : Universitas Pendidikan Ganesha

A good literary work is certainly timeless. When tsunami struck Japan, two poems and a song were continuously broadcasted on the television. The poems: Ame ni mo Makezu and Kodamadeshouka and the song: Ue o Muite ArukÅ were written long before the disaster. These works were able to motivate the Japanese people to unite and bounce back in facing the disaster. The author uses a liberal-humanist approach and literary sociology in analyzing the three factors. Based on the results, it is known that through liberal humanism the three literary works are indeed a good literary work since they have eternal significance. The repeated words are an emphasis that the Japanese people would not give up. While literary sociology reveals that when they were first written, these three works also served as a source of motivation to the people who were in the midsts of troubles. Since they were first written until today, especially when the tsunami struct, these three works continuously exist to motivate the Japanese people. Keywords: continuity, liberal humanism, literary sociology, tsunami

REVITALISASI TEMBANG TEKS SASTRA BALI TRADISIONAL DALAM RANAH RITUAL DAN DIGITAL Putra, I Nyoman Darma; Sari, Ida Ayu Laksmita
ATAVISME Vol 22, No 1 (2019): ATAVISME
Publisher : Balai Bahasa Jawa Timur

There has been a concern that textual singing tradition (kidung) may disappear along with the advancement of information and communication technology. This paper aims to examine the metamorphosis of kidung from the ritual realm to the digital domain which is the basis of today's electronic mass media. Data were collected with ethnographic method and interviews with enthusiasts and audiences of kidung as well as with managing of electronic mass media. Recording method was used to record the interactive kidung programme in Radio and TV. The data were examined by transformation media and globalization theory. The study began with a description of the metamorphosis of kidung from the ritual realm to digital, enthusiasts and audiences, as well as the future of the kidung cultural heritage in the digital era. The result shows that the transformation of kidung from the ritual to the digital domain is a revitalization process that makes this tradition increasingly lively, not vanishing as it has been feared. In addition, the tradition of the kidung which was originally dominated by the older generation, has also been able to attract younger generation who present it through digital-based social media such as Facebook and YouTube so that it can be enjoyed by Balinese diaspora.

Bentuk-bentuk Cyberbullying yang terdapat dalam Drama San Nen A Gumi Karya Shogo Muto Wijayanti, Ni Kadek Rika; Aryani, Made Ratna Dian; Sari, Ida Ayu Laksmita
Chi'e: Journal of Japanese Learning and Teaching Vol 9 No 2 (2021): CHI'E Jurnal Pendidikan Bahasa Jepang (Journal of Japanese Learning and Teaching)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/chie.v9i2.48105

This research is entitled "Forms of Cyberbullying in the Drama San Nen A Gumi by Shogo Muto". The purpose of this study is to describe the forms of cyberbullying in the data source used, namely the drama San Nen A Gumi by Shogo Muto. The method used in this research is the library method, descriptive analysis method and informal method. The theory used consists of two theories, namely the theory of sociology of literature according to Wellek and Warren and the theory of cyberbullying according to Willard. The results showed that there are five forms of cyberbullying, including 1) flaming 'sending fiery messages' 2) harassment 'sending disturbing messages of harassment repeatedly', 3) denigration 'making or spreading slander', 4) impersonation 'disguise', and 5) outing and trickery 'obtaining or spreading secrets from the target by deceit'.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/chie.v9i2.48105

MASKULINITAS TOKOH TARŌ DALAM MUKASHI BANASHI Ida Ayu Laksmita Sari
Aksara Vol 28, No 1 (2016): Aksara: Edisi Juni 2016
Publisher : Balai Bahasa Provinsi Bali

Penelitian ini mengkaji maskulinitas tokoh Tarō dalam mukashi banashi, cerita rakyatJepang. Mukashi banashi yang menjadi objek kajian ini adalah Momotarō, Kintarō, Kotarōto Haharyū, Sannen Netarō, dan Urashima Tarō. Pada kelima mukashi banashi ini terdapattokoh yang bernama Tarō dengan peranannya masing-masing. Fokus penelitian ini adalahanalisis gambaran tokoh Tarō, fungsi, dan nilai budaya Jepang yang terdapat dalam mukashibanashi. Penelitian ini menggunakan teori sosiologi sastra dan teori maskulinitas denganmetode deskriptif analisis. Hasil penelitian ini menunjukkan lima tokoh Tarō, yaitu Momotarō,Kintarō, Kotarō, Sannen Netarō, dan Urashima Tarō yang memiliki ciri fisik maskulin dansifat bushido ‘kesatria’. Namun, terdapat juga beberapa sifat yang sedikit bertentangan dengankonsep maskulin. Selain itu, melalui kelima mukashi banashi ini diketahui pula fungsi danunsur-unsur budaya yang terdapat dalam cerita rakyat Jepang.

BENTUK DEKONSTRUKSI IDEOLOGI GENDER DALAM NOVEL OUT DAN GROTESQUE KARYA NATSUO KIRINO I Gusti Ayu Andani Pertiwi; I Nyoman Darma Putra; Ida Ayu Laksmita Sari
Aksara Vol 32, No 1 (2020): AKSARA, Edisi Juni 2020
Publisher : Balai Bahasa Provinsi Bali

Novel Bebas dan Grotesque: Gaib adalah karya sastra Natsuo Kirino yang mengangkat topik mengenai realita sosial di Jepang. Isu-isu yang diangkat di dalam novel tidak jauh dari bahasan mengenai gender di Jepang serta narasi seksualitas yang dihadirkan melalui isu enjokousai (prostitusi). Penelitian ini berusaha mengungkap bentuk-bentuk dekonstruksi ideologi gender yang dilakukan oleh pengarang dalam novel tersebut. Penelitian ini merupakan penelitian kualitatif dengan metode pengumpulan data studi pustaka. Data-data dikumpulkan dari kedua novel dan selanjutnya dianalisis dengan menggunakan teori dekonstruksi dan teori feminisme. Hasil dari penelitian menunjukkan bahwa pengarang mendekonstruksi wacana-wacana ketimpangan gender dan seksualitas di Jepang kemudian menuangkannya ke dalam bentuk teks-teks sastra. Bentuk-bentuk dekonstruksi ideologi gender yang ditampilkan pengarang dalam kedua novel tersebut yaitu ideologi gender yang memertahankan peran gender konvensional dan ideologi gender yang mengikuti perkembangan zaman. Natsuo Kirino’s Out and Grotesque raises the topic of social reality in Japan. The issues raised in the novel are not far from the discussion of gender and the narrative of sexuality, which is presented through the issue of enjokousai (prostitution). This research attempts to uncover the forms of gender ideology deconstruction carried out by the author in the novel. This research is a qualitative research with literature study method. Data is collected from both novels and then analyzed using deconstruction theory and feminism theory. The results of the study show that the author deconstructed the discourse of gender inequality and sexuality in Japan and then poured it into the form of literary texts. The form of gender ideology deconstruction is gender ideology that follows the passage of time. Each character depicted is no longer influenced by the conventional order of Japanese society regarding how men and women should be. Instead, they choose to go by their own rules of life.Keywords: deconstruction, ideology, gender, Natsuo Kirino

Pengkondisian dan Konflik Ibu Rumah Tangga dalam Novel Out Karya Kirino Natsuo Ni Luh Ulan Sari; I Gede Oeinada; Ida Ayu Laksmita Sari
Humanis Volume 16. No. 3. September 2016
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (322.306 KB)

This research is aimed to find out the housewife conditioning and conflict in OUT novel by Kirino Natsuo. The data were analyzed using descriptive analysis method. Then the results of the analysis is served by using informal method. This research used the theory from Roekhan (in Endraswara, 2008), Skinner (in Feist and Feist, 2013) and Stanton (in Nurgiyantoro, 2013). The conclusion from this research is conditioning experienced by the four housewives in OUT novel is operant conditioning with negative reinforcement. The results behavior of the conditioning received is hatred, avoidance, depressed, and feel life is not interesting. Meanwhile conflict found is an internal conflict and external conflict. Internal conflict develop within those housewives themselves. External conflict that was found was a conflict in the family and conflict among the four housewives.

Mitos Permainan Kokkuri San, Ushi No Koku Mairi, Shinrei Shashin, dan Hangonko Dalam Komik Jigoku Sensei Nube Karya Makura Shou Dan Okano Takeshi Ni Wayan Suarji Indrawati; Ida Ayu Laksmita Sari; Silvia Damayanti
Humanis Volume 17. No. 1. Oktober 2016
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (382.571 KB)

The title of this research is “The Myth of Kokkuri san, Ushi no Koku Mairi, Shinrei Shashin and Hangonko Game in Comic entitled Jigoku Sensei Nube by Makura Shou and Okano Takeshi”. This research aims to analyze the form and the myth of Kokkuri san, ushi no koku mairi, shinrei shashin and hangonko game in a comic entitled Jigoku Sensei Nube by Makura Shou and Okano Takeshi. The theories that are used for analyzing are literary anthropology by Endraswara (2008) and semiotics by Danesi (2010). The results of this research are the games like Kokkuri san, ushi no koku mairi, shinrei shashin and hangonko were adapted from another countries and need equipment to play the games. From the myth, that four games have connection with supernatural creatures and have negative effects if someone play them.

Peristiwa- Peristiwa Sejarah dan Karakteristik Masyarakat Jepang dalam Novel Asakusa Bakuto Ichidai Karya Jun’ichi Saga Ni Wayan Sutarini Ronthi; I Made Sendra; Ida Ayu Laksmita Sari
Humanis Vol 22 No 2 (2018)
Publisher : Udayana University

This research, entitled “Historical Events and Characteristic of Japanese Society in Asakusa Bakuto Ichidai Novel by Saga Jun’Ichi”. The aim of this research is recognizing the historical events experienced by the Japanese community during the Taishou to Shouwa period, as well as the characteristics of the Japanese society described in the novel Asakusa Bakuto Ichidai. The research used descriptive method of abstraction. The theory used is the sociology of literature according to Laurenson. Based on the result of the analysis, the historical events experienced by Japanese society in the novel Asakusa Bakuto Ichidai are Ashio riot, World War I, Kanto earthquake, the death of Taishou Emperor, War Manchuria, rebellion by young officer, Abe Sada events, and World War II. The characteristics of Japanese society reflected in the novel Asakusa Bakuto Ichidai are to have a habit of respecting time, high morale (ganbaru), the tradition of giving each other gifts (okurimono), having a tradition that keeps the belief in Buddhism, the people who respect the Emperor, shame culture. Based on the strong character of having a hard-working soul and holding fast to tradition, it is known that the Japanese people quickly rise from adversity. It is proven by the success of Japanese society through various events, one of them is the World War II. The event of World War II is the most influential event for the Japanese society in the future.

Co-Authors Anak Agung Anom Bintang Bayu Putra I G N Arya Tresna Dharma I Gede Oeinada I Gusti Agung Ayu Putri Kinanti I Gusti Ayu Agung Istri Gita Saraswati Jelantik I Gusti Ayu Andani Pertiwi I Gusti Ayu Andani Pertiwi I Komang Rama Kusuma I Made Sendra I Nyoman Darma Putra I Nyoman Rauh Artana I Nyoman Suarka I Wayan Nuriarta I Wayan Suardiana Ida Bagus Jelantik Sutanegara Pidada Made Ratna Dian Aryani Mahardika, I Gusti Ayu Sugiartini Ngurah Indra Pradana Ngurah Indra Pradhana Ni Luh Kade Yuliani Giri Ni Luh Ramaswati Purnawan Ni Luh Ulan Sari Ni Made Andry Anita Dewi Ni Putu Ayu Imelda Sasiandari Ni Putu Karlina Devi Ni Putu Luhur Wedayanti Ni Wayan Suarji Indrawati Ni Wayan Sutarini Ronthi Pidada, Ida Bagus Jelantik Sutanegara Renny Aggraeny Reza Taufan Adhitya Sachiko Takasaki Silvia Damayanti Suryadi Suryadi Wijayanti, Ni Kadek Rika Yukaido Hismubaroq Yuliani Giri, Ni Luh Kade

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