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Journal of Urban Society´s Arts
Published by Institut Seni Indonesia Yogyakarta
ISSN : 23552131     EISSN : 2355214X     DOI : -
Core Subject : Humanities, Art, Social,
Arts Humanities Social Sciences
Journal of Urban Society's Art ( Junal Seni masyarakat Urban) memuat hasil-hasil penelitian dan penciptaan seni yang tumbuh dan berkembang di masyarakat perkotaan yang memiliki struktur dan kultur yang berbeda dengan masyarakat pedesaan. Seni masyarakat urban merupakan manifestasi seni yang dihadirkan melalui media-media seni rupa, seni pertunjukan, dan seni media rekam yang erat dengan problematika kehidupan yang terjadi dalam keseharian masyarakat, serta bisa menjadi simbol yang menarik dan menjadi elemenpenting yang menjadi ciri khas dari (1) pusat kota, (2) kawasan pinggiran kota, (3) kawasan permukiman, (4) sepanjang jalur yang menghubungkan antar lingkungan, (5) elemen yang membatasi dua kawasan yang berbeda, seperti jalan, sungai, jalan tol, dan gunung, (6) kawasan simpul atau strategis tempat bertemunya berbabgai aktivitas, seperti stasiun, jembatan, pasar, taman, dan ruang publik lain.
Arjuna Subject : -
Articles 6 Documents
 1 
Search results for , issue "Vol 6, No 2 (2019): October 2019" : 6 Documents clear
STUDY OF APPLICATION "BATIK" IN THE INTERIOR OFFICE PARTITION Tunjung Atmadi Suroso Putro; Rizky Dinata; Ali Ramadhan
Journal of Urban Society's Arts Vol 6, No 2 (2019): October 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v6i2.3187

Abstract

Office partitions are part of office furniture that serves as a dividers of office space. Office partitions provide solutions to organize work space in the office to make it more tidy and efficient. The use of office partition is a modern concept of office space in maximizing office space to make it more comfortable. By applying knock down system to the office partition, wall panels can be dismantled and installed back to be installed or applied with certain batik pattern. The office interior now became an important part to represent clients to increase the look of an office. The method used in this research is descriptive qualitative method, starting from the initial concept of the product, product development and prototype application of batik motif design on the partition. The results of this study are expected to be able to complement the space image with a certain style as a supporting element of interior design, as well as add to the appearance of the office interior to be more dynamic and increase working productivity. 
Revisionist Architecture Karim Raef Gorgi
Journal of Urban Society's Arts Vol 6, No 2 (2019): October 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v6i2.3159

Abstract

This paper introduces the reconciliation as well as an analysis on the divide between contemporary and classical aesthetics in architecture. The analysis outlines the segmentation as one of standards rather than of aesthetic appeal, concluding with a proposal for the reconciliation by means of integrating modern and contemporary art into today’s architecture. This reconciliation would not only serve as an artistic take on architecture, but also raise awareness on the subjectivity of beauty in architecture. In the conclusion of this paper, there are highlighted illustrations demonstrating the picturesque outcome of using this proposed method of integration.
LEGITIMATION OF RELIGIOUS MUSIC OF SABYAN GAMBUS’ SONG “DEEN ASSALAM” AS A PERCEPTIVE RESPON TO ISLAMIC RADICALIZATION IN INDONESIA Umilia Rokhani
Journal of Urban Society's Arts Vol 6, No 2 (2019): October 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v6i2.3866

Abstract

Islam is often referred as being a radical movement or activity. Sabyan Gambus, through their song cover, responses to the situation in their song “Deen Assalam”. This song was created as an effort to minimize and reduce the society’s misthinking on the concept and implementation of Islamic teaching. Thus, a study of values implied in the song becomes essential to view such a perception shift within the society as a legitimation upon the work as well as the positioning of Islam in the structural world of Indonesian people. An analysis of the song lyrics is, accordingly, essentially needed.The theory of Riffaterre is applied to study the song lyric. Meanwhile, a theory of Bourdieu is employed to review the legitimation achievement of the work production practices. The behaviorism method is used in analyzing the agents’ behaviors during the production process to reach a legitimation that can be considered as shifting of position and perception of the society.The legitimation of Sabyan Gambus’ works by analyzing the response from the society can be considered as some possibilities of the emergence of a more moderate Islam in Indonesia. The analysis of internal meaning may also create some possibilities to audience to gain the power of value that affects the power relation and other external factors. Therefore, both internal and external work analyses are necessary to show the influence of work production and its legitimation achievement on its position and perception of the society.
Losing the Battle: Questioning Postcolonial Aesthetic Hegemony Represented in Illustration Pictures at Taman Pintar Yogyakarta Kasiyan Kasiyan
Journal of Urban Society's Arts Vol 6, No 2 (2019): October 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v6i2.3399

Abstract

This article describes the postcolonial aesthetic hegemony which is represented in illustration pictures in one of the educational tourist attractions in Yogyakarta, namely Taman Pintar, along with its causes. This study used a hermeneutic approach, with the main instrument is the researcher himself as a human instrument. Meanwhile, the analysis technique used is descriptive qualitative. The results of the analysis revealed some points. Firstly, the form of postcolonial aesthetic hegemony in illustration pictures of Taman Pintar, is manifested by the use of pictures of the inventors of modern science. All of the inventors came from the West, and none of them came from the East. This has lead to the construction of discourse with Western bias. This phenomenon is a kind of losing the battle in the cultural constellation that is not supposed to be transformed and internalized to young generations that are going to be the next generations of this country in the future. Secondly, this phenomenon of Western hegemony is caused mainly by the existence of the strong burden of Western post-colonialism syndrome faced by this nation, Indonesia.
The Visualization of Wayang Kulit Purwa by Bambang Suwarno Bagaskoro Ardhi; Slamet Supriyadi; Edy Tri Sulistyo
Journal of Urban Society's Arts Vol 6, No 2 (2019): October 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v6i2.3431

Abstract

Visualisasi Wayang Kulit Purwa Karya Bambang Suwarno. Artikel ini membahas tentang visualisasi wayang kulit purwa karya Bambang Suwarno, seorang dalang, guru dalang, dan pengembang pakeliran padat. Tujuan penelitian ini adalah mengetahui visualisasi wayang kulit karya Bambang Suwarno. Metode yang digunakan adalah bentuk deskriptif kualitatif. Teknik pengumpulan data yang digunakan peneliti dalam penelitian ini adalah teknik observasi, wawancara dan dokumentasi. Hasil kreativitas berkarya ditunjukkan dalam berbagai karya wayang dari kondisi yang ambang, ricuh, dan mencoba sesuatu yang belum ada dari berbagai jenis tokoh wayang. Pengakuan berbagai tanggapan dalang tentang karya kreasi ini menunjukkan kreativitas berkarya yang memiliki konsep, dan mendukung pentas pakeliran. Selain itu, diharapkan wayang semakin indah dilihat, menjadi penghubung antar tokoh dalam lakon, memenuhi sanggit pakeliran, menambah perbendaharaan tokoh wayang, dan memperkuat pengakuan wayang di mata dunia. This article discusses the visualization of wayang kulit purwa by Bambang Suwarno, a puppet master (dalang), a puppet master’s teacher, and a developer of a short shadow puppet performance. The objective of the research is to find out the visualization of wayang kulit by Bambang Suwarno. The method employed was descriptive qualitative one. Techniques of data collection were observation, interview, and documentation. The result of working creativity could be seen in many wayang works from the threshold, chaotic condition to trying something new that has never existed yet in a variety of wayang characters. Recognition of various mastermind’s responses to the work of Bambang Suwarno indicted the creativity of work that has a concept, and supports the performance stage. In addition, it is hoped that wayang will be more attractive to watch, become a liaison between characters in the play, fulfill the sanggit pakeliran, increase the treasury of puppet characters, and strengthen the puppet recognition in the world. 
Aesthetic Transformation in the Production Process of the Augmented Reality Folklore Pasua Realtime Performance Sri Rustiyanti; Wanda Listiani; Fani Dila Sari; Ida Bagus Gede Surya Peradantha
Journal of Urban Society's Arts Vol 6, No 2 (2019): October 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v6i2.3449

Abstract

At present, the view of aesthetics has undergone a shift in line with the aesthetic concepts that have emerged in every era. This aesthetic transformation preserves cultural values in the Millennium Era, following along with the development of performing arts in Indonesia which are also growing. In the production of performing arts there is a need for continuous creativity. Creativity is a very important factor in the life of art, that at least creativity has three benefits: a) enabling humans to provide the strongest response to new situations, b) reacting more strongly to old challenges, c) organizing new situations and giving strong response to it. Creativity allows artists to improve the quality of the presentation of a new and original performance art.This paper is the result of the Research of the Consortium in the field of Art by raising three cultural phenomena that exist in the archipelago, namely Papua, Sunda, and Aceh. The structure of these three territorial territories is a name of virtual reality that is typical of PASUA's Augmented Reality (AR) (Papua-Sunda-Aceh) Performance Arts (PA) 4.0. An augmented reality real time synchronization in the creation of performance art 4.0. which describes the cycle of human life symbolized by the Sun. Beginning with the sun rising in Papua, it then shines on the land of Parahyangan, Sunda and finally sets in Aceh, the Veranda of Mecca.

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