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INDONESIA
Substantia: Jurnal Ilmu-Ilmu Ushuluddin
ISSN : -     EISSN : 23561955     DOI : -
Core Subject : Religion, Education,
Substantia is a journal published by the Ushuluddin Faculty and Religious Studies of the State Islamic University (UIN) Ar-Raniry Banda Aceh, Indonesia. The scope of Substantia is articles of research, ideas, in the field of Ushuluddin sciences (Aqeedah, Philosophy, Islamic Thought, Interpretation of Hadith, Comparative Religion, Sociology of Religion and Sufism).
Articles 12 Documents
Search results for , issue "Vol 14, No 2 (2012)" : 12 Documents clear
Konsep Teologi Hasan Hanafi Syarifuddin Syarifuddin
Substantia: Jurnal Ilmu-Ilmu Ushuluddin Vol 14, No 2 (2012)
Publisher : Fakultas Ushuluddin dan Filsafat UIN Ar-raniry Banda Aceh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22373/substantia.v14i2.4873

Abstract

Hasan Hanafi is a modernist scholar whose ideas focus on renewing and  reconstructing Islam. These ideas can be witnessed through his great concept on  al-Turats wa al-Tajdid (Tradition and renewal) and Al-Yasar al Islam (left Islam), both were publicized in 1981. These concepts are interpretation and renewed form  of Jamaluddin‟s and Muhmmad Abduh‟s al Urwatul Wutsq. Hasan Hanafi argues  that theology as a science acts as deed analytical tool, while social knowledge is  applications of faith system. In his analysis, tradition is not fixed form of deed and  past institutions. It is representing the concept of prescriptive norms from  developing faith traditions, which constantly under construction process. Hasan  Hanafi‟s theological concept is in line with ideas of humanities, union, populism,  justice, and social stability. As if, in his hand theology is understood as a protest,  social critic, and revolution that focus on human understanding on the historical  reality of humanity, which has been proceeded for centuries.  
Seni Ala Sufu dalam Pendekatan Diri Kepada Tuhan dan Implikasinya dalam Psikioterapi Islam Nuraini A. Manan
Substantia: Jurnal Ilmu-Ilmu Ushuluddin Vol 14, No 2 (2012)
Publisher : Fakultas Ushuluddin dan Filsafat UIN Ar-raniry Banda Aceh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22373/substantia.v14i2.4878

Abstract

Art is a medium for the achievement of spiritual truth, its position can be  compared with philosophy. Religion, art and philosophy are among the world  which allows people who regarded as the material can enter into spiritual nature or  spiritual nurture. The totality of one’s self and consolidation to achieve the  essence of the spiritual nature can be realized with the arts as a tool. Sufi worlds  have proven how the servants of Allah SWT reach the creator through language  and art activities. Al-Hallaj band al-Rabiah Adawiyah relied their live to God and  explained the beautiful of ma’rifah through poetic. Likewise with Jalaludin Rumi,  who enjoyed the existence of God through religious dances. Not all of us can  understand the nuances of pleasure and mortality experienced by the Sufi’s, but to explore the beauty of language and meaningful religious dance, will make our  souls fly to the spiritual sense. Sufi’s life was identical with the value of beauty in  the art in the form full of philosophical meaning. The expressions of beauty and  love are manifested in the form of Sufi poetry and dance, its aim to show how  much love of Sufi to Allah SWT. In remembrance of a long and deep con- templation of the nature of the creator, the Sufis came to the place which enable  them to open the veil between himself and their great creator, so that they reached  the climax of human self-awareness; there was only themselves in the mortality  together with their loved one.

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