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Prasetyo Adhitama
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jvad@lppm.itb.ac.id
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LPPM ITB, Gedung CRCS, Institut Teknologi Bandung, Lt. 6 & 7, Jl. Ganesha No. 1, Bandung, 40132
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INDONESIA
Journal of Visual Art and Design
Published by Institut Teknologi Bandung
ISSN : 23375795     EISSN : 23385480     DOI : https://doi.org/10.5614/jvad
Core Subject : Humanities, Art,
Arts Humanities
Journal of Visual Art and Design focuses on theoretical and empirical research articles in the Visual Art and Design disciplines in the region of Asia and Pacific. The scope includes the following subject areas: Design and Art History, Visual Culture, Art and Design Methodology, Art and Design Discourse, Design and Culture, Art and Design Sociology, Design and Art Management, Art Criticism, Anthropology of Art and Design, Industrial Design, Visual Communication Design, Photography, Interior Design, Craft, Architectural Design, Film, Multimedia, Design Policy, Psychology of Art and Design as well as Art and Design Education. Journal of Visual Art and Design welcomes original research, Art and Design work, and critical discourse on traditional and contemporary issues in the field of Art and Design. Researchers, Artists, and Designers are welcomed to contribute in the form of conceptual or theoretical approaches, designer/artists writings, case studies or critical essays in the fields of Art and Design.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 6 Documents
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Search results for , issue "Vol. 1 No. 3 (2007): ITB Journal of Visual Art and Design" : 6 Documents clear
The Semantics of “New” Batik Clothes: Identifying Users’ Perception on the Colors and Patterns of Newly Developed West Javanese Batik Clothes Achmad Syarief; Yan Yan Sunarya
Journal of Visual Art and Design Vol. 1 No. 3 (2007): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/itbj.vad.2007.1.3.1

Abstract

Batik is a traditional textile art of Indonesia, in which through its appearance we may excerpt the customs, traditional values, way of life, spiritual meanings, and cultural characteristics of Indonesian people. Previous researches on batik have-for the most part-uncovered and elaborated batik as a solely artifact of art, distancing its relation with those who use it. As results, most of batik research tends to frame batik as an object of preservation and do not elaborate more on the context of batik as an object of perception (of users) or batik as an object of consumption. To address this issue, the paper explores perceptual identification of batik users using semantic differential method, evaluating actual users’ perception on the element of colors applied on clothes of West Javanese batik as object of study. The obtained data will be cross-referenced to identify gender and subject-experience variables. The implication of the findings for the creative process and marketability of batik will be discussed, in hoping to gain applicable knowledge for the preservation as well as new development of West Javanese batik design.
Hidden-Order dan Hidden-Power pada Ruang Terbuka Publik, Studi Kasus: Lapangan Cikapundung, Bandung Rr. Dhian Damajani
Journal of Visual Art and Design Vol. 1 No. 3 (2007): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/itbj.vad.2007.1.3.2

Abstract

One approach to understand urban space is by observing daily activities in the public space. By identifying the complexity of events in everyday activities, we can understand how meaningful an urban space is. In order to optimize the use of public space, we can identify its use on 24 hours time-span when several actors participate in sharing roles, spaces, and time in conducting commercial activities. Results of observation indicate that hidden-order can be identified as structured activities by order while hidden-power as controlled activities by social agreement. Both components serve as important elements for "sustaining-life" in public space.
Telaah Atas Ilustrasi Buku Roesdi djeung Misnem sebagai Bacaan Murid-Murid Sekolah Rakyat di Jawa Barat sebelum Perang Dunia II H.W. Setiawan; Irma Damajanti; Prijanto Sunarto
Journal of Visual Art and Design Vol. 1 No. 3 (2007): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/itbj.vad.2007.1.3.3

Abstract

This essay is a preliminary study on a series of book illustrations by a Dutch illustrator, the late W.K. de Bruin (1871-1945), which was printed in the book of Roesdi djeung Misnem: Boekoe Batjaan pikeun Moerid di Sakola Soenda (Roesdi and Misnem: A Reading Book for Sundanese School Pupils). As indicated by the sub-title, the so called "Buku Rusdi" (Book of Rusdi), which was written in collaboration between Sundanese and Dutch authors, is a reading book for children at Sakola Ra'yat or SR (literally "School for the Folk"), elementary school in West Java "“ Indonesia before the World War II. At the time, it used Sundanese as a medium of instruction. Amid previous studies on the history of book illustration in Indonesia, this study is a humble effort to consider some fundamental questions on the way illustrator represents people in visual forms, mainly on how the Dutch illustrator depicted Sundanese childhood in the course of European colonialism in Indonesia at the beginning of the twentieth century.
Kajian Bahasa Rupa Berdasar Rekaman Video Pergelaran Wayang Kulit Purwa dalam Lakon ’Parta Krama’ Ismurdyahwati Ismurdyahwati; Setiawan Sabana; Primadi Primadi; Prijanto Sunarto
Journal of Visual Art and Design Vol. 1 No. 3 (2007): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/itbj.vad.2007.1.3.4

Abstract

The shadow effect of leather puppet’s movements on the screen can be used to determine performance quality of the puppet and the creativity of a puppeteer. The most important tools to perform the shadows effect are blencong (traditional lamps), kelir (screen) and debog (banana tree trunk). Therefore, many of the terminologies used in this study refers to terminologies used in the puppet performance of Javanese customs, particularly Yogyakarta’s style, which originates from the School of puppet play performance of Habirandha in Yogyakarta - Indonesia. The study observed detailed ‘movement’ of Purwa in Yogyakarta’s style, as each detailed movement possesses its own story that determines the plays and body language of character in the leather puppet performance. To observe facial expression of puppet characters, the study uses the 11th sequence and 70 facial expressions (gambar) of movement in the Kedhaton Dwarawati acts. The study observes that in each “space” and “time” of plays there are stories of movement, which can be used to describe the visual language of shadow leather-puppet performance.
Konservasi Preventif Karya Seni Lukis bagi Mahasiswa Seni Irma Damajanti
Journal of Visual Art and Design Vol. 1 No. 3 (2007): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/itbj.vad.2007.1.3.5

Abstract

The book of "The Introduction of Preventive Conservation on Painting for Visual Art Students" explains how to apply preventive conservation techniques for objects of culture and collections, especially paintings. It is said that preventive conservation optimizes environmental conditions to which objects and collections are housed.  By controlling light and ultraviolet radiation, humidity and temperature, biological pets, dust and pollutants, we can prevent damages and decays of the paintings.  In addition, preventive conservation also means in ensuring that good handling, transportation, storage and displaying techniques are used at all times.  Thus, applying preventive methods can prolong and protect the life of artworks for the future. Yet, although the Introduction of Preventive Conservation on Painting provides information on how to give care of paintings as objects of culture and collections, it is important to understand that all except the simplest conservation treatments should be taken by trained conservators. Thus, active conservation treatment is a response skill to the damaging process of cultural artifacts, a highly skilled field that requires extensive knowledge on the use of chemicals and rigorous technical procedures.
Pengolahan Material Serat Alami Menggunakan Enzim Mikrobiologi untuk Media Ekspresi Seni Dua Dimensi Muksin Muksin
Journal of Visual Art and Design Vol. 1 No. 3 (2007): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/itbj.vad.2007.1.3.6

Abstract

One of the alternative media, which is potential to be developed is the use of natural fiber materials from the environment (indigenous material). This natural fiber in foreign country such as Thailand, Japan, United States has crossed the threshold of the quality as a work of art that create by an artist. Meanwhile in Indonesia it is still brand new to be develop as a media of art expression. Indeed, art paper has already developed in Indonesia, but it is still a boundary production of pieces of paper that will be directly applied as a handicraft media. Moreover, the preparation process is still using the conventional method using chemical materials such as NaOH, Hypochloride, Boric acid, Chlorin, H2O2, etc., which burden the environment. Therefore an alternative, environmental friendly process is necessary to be developed to exploit natural fiber materials as a media of art expression. For this reason in this project a research on fiber-pulping process using xylanase enzyme has been carried out. The use of xylanase is enable to decrease chlorin consumption and reduce  chloro-organic concentration in pulp and waste, that also means a reduction in  production cost. The pulp was then used to make a paper to be tested for its quality by the Center for Pulp and Paper (Balai Besar Pulp dan Kertas, BBPK). This research resulted in a) enzyme formulations for the fiber-pulping and preparation from variety of fiber materials: banana's stalk, the abacca, hyacinth, straw, pineapple fiber and gold cocoon, b) data of paper quality, and c) work of arts from fiber/pulp material. In conclusion, enzyme can be applied in fiber-pulping process for lower impact on the environment and the workers.

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