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Prasetyo Adhitama
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Journal of Visual Art and Design
Published by Institut Teknologi Bandung
ISSN : 23375795     EISSN : 23385480     DOI : https://doi.org/10.5614/jvad
Core Subject : Humanities, Art,
Arts Humanities
Journal of Visual Art and Design focuses on theoretical and empirical research articles in the Visual Art and Design disciplines in the region of Asia and Pacific. The scope includes the following subject areas: Design and Art History, Visual Culture, Art and Design Methodology, Art and Design Discourse, Design and Culture, Art and Design Sociology, Design and Art Management, Art Criticism, Anthropology of Art and Design, Industrial Design, Visual Communication Design, Photography, Interior Design, Craft, Architectural Design, Film, Multimedia, Design Policy, Psychology of Art and Design as well as Art and Design Education. Journal of Visual Art and Design welcomes original research, Art and Design work, and critical discourse on traditional and contemporary issues in the field of Art and Design. Researchers, Artists, and Designers are welcomed to contribute in the form of conceptual or theoretical approaches, designer/artists writings, case studies or critical essays in the fields of Art and Design.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 7 Documents
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Search results for , issue "Vol. 3 No. 1 (2009): ITB Journal of Visual Art and Design" : 7 Documents clear
Visualisasi Iklan Televisi dan Ekspresi Seni pada Anak Penderita Autis Anne Nurfarina
Journal of Visual Art and Design Vol. 3 No. 1 (2009): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/itbj.vad.2009.3.1.1

Abstract

Autism Spectrum Disorder (ASD) is a complex neurobehavioral disorder characterized by impairment in reciprocal social interaction, impairment in communication, and the presence of repetitive and stereotypic patterns of behaviors, interest, and activities. Autism Spectrum Disorder has grown to epidemic proportions, once to be very rare that ASD are estimated to occur in as many as 1:160 (one in every 160 people). Although autism is characterized by deficits in socialization, communication and imagination; they still have. This paper will focus on perceptual creativity processing. As Kientz & Dunn,1977 said that Children with autism show sensitivities to visual and other stimuli in everyday life For  example; parents have reported that their autistic children show interested to look at the TV commercial, which is the audio and visual from the program influences her/his mood to stimulating creative activities such as painting. Television, from children's programs through commercial television, has probably influence to people life styles. Such ways of interesting of autistic children to this program have real implication how the subject stimulated for anyone. Some works of art by the autistics shown connection between the audio visual media and ideas of creative activities. It is now possible, using television commercial methods to make a child with autism rise their abilities. By using the purposive sampling methods, the research focused some Aan's  (15 years old) works.
Pengaruh Modernisme terhadap Aplikasi Ragam Hias pada Desain Masjid Salman-ITB Karya Ahmad Noe’man Achmad Haldani Destiarmand
Journal of Visual Art and Design Vol. 3 No. 1 (2009): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/itbj.vad.2009.3.1.2

Abstract

This research will focus on the Ir. Achmad Noe'man perspective symptoms of decoration on the Salman ITB mosque that are designed around 5 (five) decades ago, namely in 1959. Methodologically this study is a descriptive research approach to the Social History of Art. Objects are selected based on observation and the assumption that the role of decoration in the mosque he designed had a very strong reduction compared to the tradition of decorating the mosque during this time both in Indonesia and foreign countries. Ornamental pattern as the heart of Islamic art is not as important anymore in the eyes of the architect. And of course it contains a variety of reasons or background concepts and ideas that cannot be separated from the situation at that time. In Salman mosque seemed how strong the desire of Achmad Noe'man to go with the flow and current popularity of modernism which is too simple and functional, also inspired by the purism, though as a Muslim architect, he has the concept and other perceptions about the value of beauty in a more contemplative and transcendent. That is, although the ideology that is reflected in the Salman mosque is very secular in accordance with the concept of modernism, but Achmad Noe'man not lose power as well as spiritual. From the observations made can be concluded that the spirit factor of the time was very influential towards the constellation of decoration on some modern mosques in Indonesia at that time (Istiqlal, for example), but understanding the sense in the application shift of decoration on the modern mosque's created by Noe'man Achmad means that it also refers to the private contemplation (inner value) which tend to be more stable than the influence of his understanding of the flow of thought, academic factors, political, and spirits that tend to be volatile times like a fashion phenomenon.
Paradigma Individual Konstruksi Identitas dalam Desain Hibrid: Ilusi Dimensi Tunggal Identitas yang Bersifat Kolektif Studi Kasus: Desain Rumah Tionghoa Peranakan July Hidayat
Journal of Visual Art and Design Vol. 3 No. 1 (2009): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/itbj.vad.2009.3.1.3

Abstract

Since a period of Abdurrahman Wahid government in reformation era who eliminated the prohibition to celebrate and express Chinese culture, Chinese people in Indonesia as if try to reinvent their Chinese identity. They try to represent the identity through their material culture, including the residential design. But is there anything that so pure called  'Chinese identity ' since in its development history, the Chinese culture in Indonesia has been intervened by other local cultural spaces like in Java, colonist culture, including modern one which are intervening each others, until becoming its hybrid form right now, called Chinese peranakan. Ethnical collective identity and effort to homogenize it on the base of essential sameness in culture (culture core) are illusive because in fact there are various cultural ideology orientations in the Chinese peranakan culture in Indonesia. Hybrid design represents the existence of third social space which means representation system having non-categorical character: becomes Javanese and Chinese altogether, even hybrid but also at the same time not both. Through semiotic approach, it is found that the hybrid is intervention space between design patterns (langue), parole and specific context of consumer. The dialogue has created the individual paradigm in hybrid design approach. The dialogue between individual contexts at the end forms collective identity network. The system moves from inside outward. It is different with common logic that assumes collective identity forms the individual one, not on the contrary.
Makna Simbol Gelar Raja Dalam Masyarakat Adat Bali Sangayu Ketut Laksemi Nilotama
Journal of Visual Art and Design Vol. 3 No. 1 (2009): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/itbj.vad.2009.3.1.4

Abstract

Through the 18th and the 19th century, the position of Balinese King (Dewa Agung Jambe) was so important that he held power in both Bali and Lombok island, and he regognized by the title Sesuhunan Bali and Lombok. Dewa Agung Jambe politically and culturaly had several titles that were influential to the harmony of his sociaty livinghood. The titles of the king are related to the symbols that have sacred and trancendent meanings. Dewa Agung was God's Awatara, symbolized or varous forms such as ornaments, carvings, sacrad Balinese writings and letters, bulidings, even the deceased's container or coffin ( Bade beratap tumpang 11). The purpose of this essay was to explore the meanings and symbols that were the reflection of those king titles, to prevent the possibility of misuse from the original function of those sacred symbols. This has been a cultural research with the stucture of the history of Balinese Kingdom traditional sociaty that embranced Hindu. The funtion of these symbols are for strengthening the personality and morality, especialy in the aspect of arts and design. Therefore, it is important to continue preserving, harmonizing these tradisional symbols especially ones that have religious, sacrad, even spiritual values.   
Komik Fotokopian Indonesia 1998 – 2001 Imansyah Lubis
Journal of Visual Art and Design Vol. 3 No. 1 (2009): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Comics have become an integrated part in Indonesian history. It also has a good prospect to continuously growing in modern media. As one of the medium of free expression, Indonesian comics has been experiencing its ups and downs over several decades. The growth of photocopied comics in Indonesia in year 1990s has become one of the important phases of a whole Indonesian comics development and movement. As a milestone, it is interesting to know further about the contexts of these photocopied comics. The main sources for this research are the photocopied comics collected by writer himself, and thereby this research only focused at a specific period of time between the years 1998 to 2001. Data being analyzed includes the internal contexts of comic, consisted of its 'soul' (theme, story, casting, and story background), and its 'body' (illustration), and the external contexts (illustrators, production - distribution, and readers). One of the challenges in doing this research is that not all of the photocopied comics mentioned what year it is being published. However, those comics are still analyzed considering they are in the same timeline with the rest. Writer is also perforced to exclude some comics, because they were not photocopied, but printed. This research tries to keep its focus to internal and external contexts of these photocopied comics, with sociological and anthropological approach.As a general conclusion, it can be said that social mind theme and theme from photocopied comics are complementary one another. Humor comic type and men gender comic figure from middle-weight predominates, so do with urban setting. The influence of manga visual style can be easily found, and most of comics’ creators are men who lived in Jakarta.By the end of this article, the author projects Indonesian comics prospect - not only its photocopied ones - in the future.
Film Animasi Malaysia: Narasi Verbal ke Visual Ahmad Nizam bin Othman
Journal of Visual Art and Design Vol. 3 No. 1 (2009): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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Abstract

Among the issues are to look into the approaches and education problems that happen in the verbal narration in old society and how the construction and preservation of legends and folklore into animation forms. This paper is to identify the icon, structure and method that use in film animation to emphasize the culture understanding of the legends and folklore. The ideas of this paper are to identify form; icon and meaning that attach in local folklore and translated into animation based on culture theory. This case study research involves collecting data through documentation; including interview method, observation and visual understanding on animation collection. The data analysis concentrates on technique and overall animation process, focusing on its impact on culture and local society. Legend and folklore are a part of Malays tradition culture that has been spreading and handing on from one generation to another. The story of fairy tales, myths, extraordinary and miraculous of early centuries of human evolution now been represent in new form, that involved visual and other human sense's. This paper will discuss about the condition of the understanding and imaginations in this new generation are still same as early century about the beauty of Mahsuri, the extraordinary and enthusiastic of Hang Tuah and the kindheartedness of Bawang Putih. How human accepted and preserves tradition and culture customs but in adaptation process, upgrading and decent with civilization maturity. The outcome are expected to contribute in preserving culture and tradition.
Transformasi Visual Lambang-Lambang Partai Politik Islam (1955 – 2004) Reiza D. Dienaputra
Journal of Visual Art and Design Vol. 3 No. 1 (2009): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The existence of Islamic political parties in the field of Indonesian politics has a very long history. The Islamic political parties had actually been found before the independence. Their quantitatively significant development, however, takes place after the era of independence. Throughout the development, there have been many researches on the existence of Indonesian political parties. Among those researches, however, it seems that there has never been a research carried out by employing visual sources such as symbols of political parties. These symbols are often neglected. They are as if something which cannot be explored and tend to be merely a complement for a political party. In fact without any symbols, it is impossible for a political party to follow election. Therefore, a symbol plays a very important role since it is not only to show the identity of a political party but also to fulfill the provisions of legislation. For the above reasons I am interested in carrying out this research. In relation to that, the research employs both political and cultural approaches in order to produce interesting findings about political parties’ symbols. Based on the study upon the symbols of Islamic political parties participating in 1955 – 2004 elections, it is found that the visualization of the symbols undergoes an incredibly dynamic development in both element and sense of form. There are several factors which cause the coming out of visual dynamics on political parties’ symbols such as the experience of national history, cultures built up in the society, and the improvement of design technology. The dynamics of the element of form shows a visual reality that the moon and the star, which are usually regarded as the representation of Islamic political parties, are not always used by Islamic political parties and they are not only used by them as their symbols as well. Furthermore, the dynamics of the sense of form also show interesting finding that the star as the element of form does not constantly produce the same sense of form.

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