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Kab. bantul,
Daerah istimewa yogyakarta
INDONESIA
Komunikator
Published by Universitas Muhammadiyah Yogyakarta
ISSN : 19796765     EISSN : 25499246     DOI : 10.18196/jkm
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences
Jurnal Komunikator terbit dua kali setahun pada bulan Mei dan November. Berisi tulisan yang diangkat dari hasil penelitian dan pemikiran konseptual di bidang komunikasi. Penerbit menerima sumbangan tulisan yang belum pernah diterbitkan di media lain. Tulisan dapat langsung di input ke dalam sistem e-journal komunikator pada laman ini dengan cara registrasi terlebih dahulu. Naskah yang masuk akan disunting untuk keseragaman format, istilah dan tata cara lainnya.Jurnal Komunikator diterbitkan oleh Jurusan Ilmu Komunikasi Universitas Muhammadiyah Yogyakarta.
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Articles 8 Documents
 1 
Search results for , issue " Vol 10, No 2 (2018)" : 8 Documents clear
Representing Islam in Indonesian Film Advertising during the Suharto Era (1966–1998) and Reform Era (1998–Present) Woodrich, Christopher A.
Komunikator Vol 10, No 2 (2018)
Publisher : Universitas Muhammadiyah Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18196/jkm.101006

Abstract

This article examines how Islam has been depicted in advertisements for Indonesian films over the past fifty years. It finds that, during the Suharto Era (1966–1998), Islam was generally not represented explicitly in film advertisements; however, examples could still be found in advertisements for films intended to preach Islamic values as well as in advertisements for films with more general themes. The use of Islamic symbols became more common during the Reform Era (1998–present), particularly following the rise of the film Islami genre. Advertisements in both eras used such symbols as turbans, skullcaps, and headscarves, as well as other common symbols of Islam. However, advertisements differed in two key aspects. First, where advertisements in the Suharto era tended to embrace viewers of all backgrounds, advertisements in the Reform era have often positioned Islam as more exclusive. Second, where advertisements in the Suharto era tended to illustrate a dynamicity in discourses on Islamic identity, advertisements in the Reform era have generally promoted a more singular understanding of Indonesian Islamic identity.
Kredibilitas Komunikator Dalam Kasus Satinah dan Kasus Kendeng Puteri, Yovanca Natalia Pradipta; Siahaineni, Royke R.; Sari, Dewi Kartika
Komunikator Vol 10, No 2 (2018)
Publisher : Universitas Muhammadiyah Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18196/jkm.101011

Abstract

Melanie Subono involvement on the case of Satinah and Kendeng is interested, which is followed by majority of netizen called Indonesia society. Success in completing a case is determined by actress in building of communication network so as to achieve the goal. This research uses the theory of Communication Network and Social Movement which aims to know how does Melanie Subono as an actress build communication network through media social and make social movement to achieve the goal. After Communication Network and Social Movement formed, this research also uses Communicator Credibility to see all factors of communicator credibility which is played by Melanie Subono in the case of Satinah and Kendeng. This research aims to know how to build Communication Network and Social Movement, and also to know Communicator Credibility of Melanie Subono on the case of Satinah and Kendeng. The result of this research obtained is the relations in the case of Satinah and Kendeng obviously and determining the success in solving the case. Social movement which Melanie Subono did in the case of Satinah is type of Alternative Moment and type of social movement in the case of Kendeng is Reformative Moment. Communications network built and social movements to determine the credibility of Melanie Subono be communicators.
Biar Dhanyang yang Bicara: Film Spiritual dan Pesan Substansial dalam Kolaborasi Produksi Film Tetangga Imanda, Tito
Komunikator Vol 10, No 2 (2018)
Publisher : Universitas Muhammadiyah Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18196/jkm.101007

Abstract

This paper explores methods in making sure a film can make a statements to its audience, in this case to talk about true problems: local identities and atural resources, through non-realistic subjects: the spirits of the village. It focuses on film collaboration with a Javanese traditional performance group adapting their work to film. The project has both practical and research goals. The practical goal is to collaborate with a traditional performance from a rural area, and help facilitate their exploration of a new medium to express their narrative, aesthetic and cultural messages through film. On the other hand, the research goal of this project is to record, to understand, and to analyze this process, while laying the groundwork for further collaborations and researches in other contexts and with different communities. What so important is the exploration of the adaptation process of performance arts to film, and how the years of collaboration shapes this process and its products. When we look closely at the aesthetics of the films produced, we observed how they represent the group’s and the village’s culture, and the members’ and the villagers’ identities as well as the new set of film aesthetics that emerged from the collaboration. 
Komunikasi Sosial Pemerintah Kulon Progo Dalam Memberikan Pemahaman Kepada Masyarakat Terkait Pembangunan New Yogyakarta Internasional Airport Fajri, Choirul; Mawadati, Siti; Yudhana, Anton
Komunikator Vol 10, No 2 (2018)
Publisher : Universitas Muhammadiyah Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18196/jkm.101012

Abstract

Sampai dengan saat ini, rencana pembangunan bandara baru di Kulon Progo masih terus mendapatkan penolakan dari masyarakat. Sekitat 116 kepala keluarga masih memilih bertahan di rumahnya, dan menolak untuk direlokasi.  Strategi komunikasi sosial dari pemerintah diperlukan untuk menyelesaikan permasalahan ini guna mempercepat rencana pembangunan bandara yang ditargetkan selesai pada tahun 2019.     Penelitian ini dilakukan dengan metode survei, yakni membagikan kuesioner kepada masyarakat terdampak, untuk mengukur sejauh mana efektivitas  komunikasi sosial yang dilakukan Pemerintah DIY, terkait juga persepsi dan harapan dari masyarakat sendiri. Hasil dari penelitian ini menunjukkan adanya hubungan yang signifikan antara perencanaan dan sosialisasi dengan persepsi masyarakat mengenai pembangunan bandara baru di Kulon Progo. Proses perencanaan yang dilakukan secara matang, dan komunikasi sosial/sosialisasi yang dilakukan dengan intens dan terbuka telah memberikan hasil adanya persepsi baik dari masyarakat terkait dengan rencana pembangunan bandara baru di Temon Kulon Progo ini. 
Memahami “Kebenaran” dalam The Act of Killing Melalui Gestur dan Fitur Hasan, Renta Vulkanita
Komunikator Vol 10, No 2 (2018)
Publisher : Universitas Muhammadiyah Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18196/jkm.101008

Abstract

Salah satu cara yang dapat dilakukan oleh penonton untuk menangkap koherensi film sebagai yang terlihat dan yang tergambar adalah dengan membayangkan bahwa, pada saat tertentu, terdapat unsur-unsur yang dapat diidentifikasi dan berfungsi sebagai sarana untuk membaca peristiwa dalam sebuah dokumenter. Unsur-unsur tersebut adalah: (1) gestur; dan (2) fitur. Gestur menempati posisi sebagai salah satu teks petunjuk yang mengindikasikan runtutan peristiwa dalam sebuah film melalui hal-hal yang melekat pada tubuh aktor. Selain gestur, unsur lain yang turut memengaruhi bagaimana petunjuk filmis dapat dibaca oleh penonton adalah dengan adanya fitur. Fitur merupakan elemen artistik yang secara signifikan menunjukkan identitas pelaku (aktor), tempat, waktu, dan hubungannya dengan peristiwa yang terjadi. Dalam The Act of Killing, kebenaran peristiwa dinarasikan melalui adegan performatif Anwar Congo yang sarat akan unsur gestur dan fitur. Penelitian ini menghasilkan temuan bahwa unsur gestur dan fitur dalam The Act of Killingmemberikan petunjuk bagi penonton untuk memahami kebenaran melalui pembacaan terhadapnya.
Dinamika dalam Membangun Merek Kolektif pada Usaha Mikro, Kecil, dan Menengah Widyastuti, Dhyah Ayu Retno; Pramudyanto, Alexander Beny; Astuti, R.A. Vita Noor Prima
Komunikator Vol 10, No 2 (2018)
Publisher : Universitas Muhammadiyah Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18196/jkm.101013

Abstract

The development of groups of micro, small and medium-scale enterprises (MSMEs) has been very competitive. This condition can be found in Yogyakarta Special Region (DIY), one of them is MSMEs in Krebet tourist village. The major challenge is that there have already been several location points that manufacture similar products; therefore, the crafts need to be distinguished from one another. However, it has several challenges and dynamics to manifest the plan in Krebet tourist village. Brand positioning models are relevant to be applied in this case (Keller, 2013). This article is a finding explored in the framework of the community service program. In addition to providing assistance, the authors were able to explore the dynamics of the target group. Descriptive method is used to see the reality of the methodological aspects. Data collection techniques conducted through Focus Group Discussion so that information about the conditions in Krebet Tourism Village and the dynamics of its villagers can be identified. In addition, observations were made through regular mentoring in the business group in Krebet. In order to strengthen the findings, the authors distributed questionnaires to help map some of the data needed. Furthermore, interesting points that will be presented in the article include (1) understanding of citizens about the importance of brands in business activities; (2) understanding of collective brands; (3) dynamics in building collective brands as a way to develop the potential of the tourist village.
In the Shadow of Jakarta City, Migrants and Exploitation in Secangkir Kopi Pahit Soehadi, Gaston
Komunikator Vol 10, No 2 (2018)
Publisher : Universitas Muhammadiyah Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18196/jkm.101009

Abstract

This article examines Secangkir Kopi Pahit (Bitter Coffee, 1985), Teguh Karya’s tenth feature film, in which the film uses a non-linier investigative narrative structure to tell a complex story of an urban migrant coming to live in Jakarta. Unlike his previous films, in Secangkir Kopi, Teguh develops a new and unique filmic storytelling approach (using complex flashback structure in addition to filming location; central character a photographer and reporter obsessed with the city and exposing situations), which arguably produces a reality effect in depicting the growing third world megacity of Jakarta in the early 1980s. Secangkir Kopi Pahit combines and arranges various plots to portray the experience of people living in a late 20th century, third world megacity. The use of a complex narrative form from the beginning puts pressure on the viewer’s capacity to comprehend events in the film.
Gender In Social Media: Semiotic Study of Gender Constuction of Women in Instagram Account @ModusKeras Postings Nurrohman, Dwi Bagus; Wirawanda, Yudha
Komunikator Vol 10, No 2 (2018)
Publisher : Universitas Muhammadiyah Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18196/jkm.101010

Abstract

Instagram adalah satu jenis media sosial yang memungkinkan penggunanya berbagi foto kepada pengguna lain. Namun tak hanya sekedar foto biasa yang seringkali dibagikan pengguna instagram, kadangkala foto tersebut mengandung seksualitas seperti di dalam akun Instagram @moduskeras yang umumnya menampilkan perempuan sebagai objeknya. Penelitian dengan metode kualitatif ini bertujuan mengetahui bagaimana konstruksi gender terjadi dalam media sosial Instagram dengan menelusuri unsur-unsur semiotik dari berbagai gambar unggahan akun @moduskeras. Dengan menggunakan teori-teori media sosial, konstruksi gender, bias gender dalam media online, dan semiotika. Menggunakan analisis semiotika Charles Peirce yang mengusung tiga unsur, yaitu tanda, objek, dan interpretan. Tanda kemudian akan dikategorikan menjadi ikon, indeks dan simbol. Terdapat 10 gambar yang menjadi objek kajian bagaimana gender dikonstruksi. Peneliti melihat 10 gambar tersebut terdapat aspek-aspek tanda yang dapat menunjukkan bagaimana gender perempuan dibentuk. 10 gambar tersebut kemudian dimasukkan kedalam 4 macam kategorisasi yaitu: Objetivikasi tubuh perempuan, komersialisasi perempuan, perempuan menjadi objek fetishisme dan menjadi sosok pasif, serta perempuan memiliki batas dan terpenjara. Hasil penelitian ini adalah akun Instagram @moduskeras mengkonstruksi gender perempuan sesuai dengan paham patriarki yang membuat perempuan tidak bisa terlepas dari seksualitas dan menjadi objek dari laki-laki.Abstract                Instagram is one kind of social media that allows users to share photos to others. But not only regular photos that distributed by users, sometimes the photo contains sexuality. Instagram @moduskeras account generally displays women as its object. This research with qualitative method aims to find out how gender constructions occur in social media Instagram by tracing the semiotic elements on images uploaded by @moduskeras account. Using theories about Instagram as social media, gender constructions, gender bias in online media, and semiotics. Using Peirce's semiotic analysis that carries three elements: signs, objects, and interpretations. The sign will then be categorized into icon, index, and symbol. There are 10 images which become the object of studying how gender is constructed. Researcher saw that 10 pictures have several aspects of the sign that can show how women's gender is formed. The 10 images then inserted into four types of categorization: Objectivication of women's bodies, commercialization of women, women become objects of fetishism and being passive, and women have limits and imprisonment from the world. The result of this research is Instagram @moduskeras account constructs women’s gender based on patriarchal system which women can not be separated from sexuality and become the object of men.

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