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IJCAS (International Journal of Creative and Arts Studies)
Published by Institut Seni Indonesia Yogyakarta
ISSN : 2339191X     EISSN : 24069760     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Recently, the value of arts studies in higher education level is often phrased in enrichment terms- helping scholars find their voices, and tapping into their undiscovered talents. IJCAS focuses on the important efforts of input and output quality rising of art education today through the experiences exchange among educators, artists, and researchers with their very own background and specializations. Its primary goals is to promote pioneering research on creative and arts studies also to foster the sort of newest point of views from art field or non-art field to widely open to support each other. The journal aims to stimulate an interdisciplinary paradigm that embraces multiple perspectives and applies this paradigm to become an effective tool in art higher institution-wide reform and fixing some of biggest educational challenges to the urban imperative that defines this century. IJCAS will publish thoughtprovoking interdisciplinary articles, reviews, commentary, visual and multi-media works that engage critical issues, themes and debates related to the arts, humanities and social sciences. Topics of special interest to IJCAS include ethnomusicology, cultural creation, social inclusion, social change, cultural management, creative industry, arts education, performing arts, and visual arts.
Arjuna Subject : -
Articles 13 Documents
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Search results for , issue "Vol 1, No 2 (2014): December 2014" : 13 Documents clear
The New Dynamic Interrelation in Arts Studies Djohan, Djohan
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 2 (2014): December 2014
Publisher : IJCAS (International Journal of Creative and Arts Studies)

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Abstract

Electric Sasando of East Nusa Tenggara, Indonesia Yohanes Don Bosko Bakok
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 2 (2014): December 2014
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v1i2.1562

Abstract

Sasando is a stringed musical instrument from Rote Island, East Nusa Tenggara, Indonesia. Based on the resulting tones, this instrument consists of two types namely gong sasando that produces pentatonic tones and violin sasando that produces diatonic tones. Based on these two kinds of sasando the electric sasando has been created with the consequence that some of original characteristic of accoustic sasando had been eliminated. Up to this point, a question is raised, why the electric sasando was created and how is its history? To analyze this problem I use the popular culture studies to indicate that the creation of electric sasando is closely linked with consumer demand, that influenced by popular culture. The datas are obtained through direct observation and by interviewing the informans. Result sows that the creation of electric sasando is influenced by consumer demand who live in popular and mass culture.
Meanings and Symbols of Dalima Relief in Keraton Kasepuhan Cirebon Husen Hendriyana
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 2 (2014): December 2014
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v1i2.1557

Abstract

Dalima relief is the Keraton Cirebon’s artifacts in periods of Sultan Sepuh I and II (1678-1723). Dalima’s relief is rich of symbolic values with aesthetic expression of its typical culture. There are so many interpretations about Dalima Relief and yet has not been clearly undefined up to these days. This research is using qualitative research with ethnography approach aiming to constructive knowledge and aesthetic interpretation construct. This aesthetic phenomenon has a connection with the events in the past, which will be studied as synchronic or diachronic ways. Diachronic analysis aims to discover a comprehension about culture transformations of Cirebon society from the era of Hindu up to Islamic, while the aesthetic concepts will trace based on value, function and meaning through synchronic analysis with consideration of three culture phenomenon: ideas-activity-artifact, corresponding with the local attributes.Thus ‘Dalima’ is a metaphoric depiction of Q.S Al-Ikhlas (a verse in Holy Qur’an), with etymology of letter compounding ‘dal’ and number five; ‘lima’. These symbols formed by the visual elements of flowers and fruit of Delima (pomegranate), and a pair of white crows. This inspirational object, Dalima is formed as the structure of cosmological acculturative culture (Hindu, Chinese and Islam) with metaphorical representations. Activities and contextual events on this relief made it as Catatan Suluk or lessons to Cirebon’s Mursyid. Norms and theorems which shape as a culture convention on that era, becomes a power of collective traditions which tint the principal and conceptual of Cirebon culture.
The Pleasure of Research, Helsinki: Finnish Academy of Fine Arts by Slager, H. (2012) Bolt, Barbara
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 2 (2014): December 2014
Publisher : IJCAS (International Journal of Creative and Arts Studies)

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Art as the Energy of Life Creative Process Representation of Sasak Womanhood in Visual Media Lucky Wijayanti
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 2 (2014): December 2014
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v1i2.1559

Abstract

The idea of creation/formulation of the problem in the dissertation of art creation is the reality of women workers to the nature of femininity in performing arts as interpreted life energy into the problems of women workers. The idea is then formulated into the concept of creation, the role of women as the guardian of the family, gave birth to progeny, and the resilient nature of women as breadwinners for survival, even more importantly women as keepers of tradition. Through the creative process to create works of art by presenting a ‘rasa’ that can be captured and responded to by the brain into something that essence and recorded in the memory, (VS Ramachandran, 2012). The study was conducted using visual aesthetic and creative through the photographic process with the exploration of materials such as: objects generated tradition of Lombok, for example woven fabrics, woven and the other as an aesthetic element as well as elements of art such as: shape, line, color, shape, composition, and texture. As for all stages of the process based on the embodiment of the work of the working stages of the creative process by Csikszentmihalyi (1996), namely: preparation, incubation, insight / arcing ideas, evaluation, development, and presentation in the form of art exhibitions. In general it can be concluded, that in this aspect of the subject matter of the concept of women in the end that guarantees life for themselves women are women themselves. In the form of work, technical realization through the creative process with visualization methods.
Self-management Strategies of Music Teacher in Musical Interpretation Teaching Ayu Niza Machfauzia
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 2 (2014): December 2014
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v1i2.1556

Abstract

In this paper, presented the results of a qualitative study of case studies of self- management strategies music teachers in interpretation of music teaching. The purpose of this research is to reveal the self-management strategies that teachers use in interpretation of music teaching. Subjects in this study were teachers who teach musical instrument practice as many as 12 people. In this study subject determined by purposive sampling technique. Interviews, observation, and documentation techniques are used for data collection. The data have been collected from being validated by using triangulation techniques and triangulation time, and analyzed by means of data reduction, data presentation, and inference data. The results showed that components of self-management strategies used by teachers which include motivation, teaching method,and monitoring performance.
New Research on Indonesian Traditional and Contemporary Arts: An Exchange Between Indonesian and Italian Perspectives Djohan, Djohan
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 2 (2014): December 2014
Publisher : IJCAS (International Journal of Creative and Arts Studies)

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Abstract

Qualitative Circulation Space Application at the ‘Tunjungan Plaza’ Shopping Mall in Surabaya Sriti Mayang Sari
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 2 (2014): December 2014
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v1i2.1560

Abstract

Public circulation space is an interior element that organizes and connects the different parts of a shopping mall together. As such the circulation space is partly defined by the different accommodation of shops, anchor stores, catering and leisure facilities. In considering the organizational framework to be established by the public circulation space the objectives can be separately identified into functional and qualitative requirements. The functional requirements are essential primary planning considerations and the qualitative requirements are recommended secondary planning and more detailed design considerations. The goal of this research is to identify the qualitative circulation requirements at Tunjungan Plaza, Surabaya, as one of the biggest shopping mall in East Java. As a result of the field identification will create some recommendations for the qualitative circulation requirement that suitable for the shopping mall visitor.
The Convergence of Art and Science in New Arts Studies Research Mustikawati, Retno
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 2 (2014): December 2014
Publisher : IJCAS (International Journal of Creative and Arts Studies)

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Abstract

Traditional Thai Music Competition: The Culture of Pipat Competition Veera Phansue
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 2 (2014): December 2014
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v1i2.1561

Abstract

The title of this research is “The Culture of Pipat Competition” has three purposes as follows: 1) To study the knowledge of Pipat competition; 2) To study the process of Pipat competition; 3) To study the process of judging and deciding a Pipat competition. This research used the qualitative method and presented the research by using descriptive analysis. The results found that; 1) The knowledge of Pipat competition. The competition is to bring ensembles to perform their skills and abilities. Mostly, in a Pipat ensembles the knowledge and skills displayed are governed by a definite set of form and rules during the competition. Only the Pipat Mon that there is no any form or rule in the competition. The ensembles that want to join the competition have to prepare very well in term of musicians and place for rehearsal before the event. Moreover, the conductor of ensemble has to be highly skilled and experienced in coming up with a new technique for playing in order to take an advantage over the rivals. And the conductor should know the strength and weakness of the rivals too. 2) The Study of the process of Pipat competition. The competition has a certain set of forms and rules. The detail of forms and rules will be set by each competitor agreement and it is very easy for practice. It is different from the competition that there is no form or rule so, this kind of competition, the musicians should have a lot of knowledge and in an easy and a relax ways without strict rule, form or time in the competition many kinds of songs will be played. Therefore the conductor must plan everything for the competition. There are 2 types of competition; 1) different song, each ensembles will take turn to play a song and begin with the basic melody until the highly complicated notes and those songs must be in the same style. 2) same song, each ensemble plays same song simultaneously during the whole competition. This kind of competition is very serious and if any of the ensemble cannot play or keep pace with the melody it means they lose the competition. 3) Study of the process of deciding and judging a Pipat competition. There are 3 types of judging in the Pipat competition. 1. The musician and the singer know the result by themselves. 2. The audience decides who wins the competition. 3. The judge decides who wins the competition. The advantage of decision is choosing the best ensemble with developed technique and playing method while the disadvantage is when the musicians do not accept the decision often leading to quarrel and disharmony.

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