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All Journal Jurnal Bahasa dan Sastra Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Jurnal Ragam Pengabdian
Tegar Prasetyo
Universitas Gadjah Mada
Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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Manifestasi Sufistik dalam Puisi Abdul Wachid B.S. : Kajian Hermeneutika Tegar Prasetyo; Tsamara Salwa Ashidiqie
Jurnal Ragam Pengabdian Vol. 3 No. 1 (Spesial Issue) (2026): "Dharma Samudera"
Publisher : Lembaga Teewan Journal Solutions

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62710/1eq8qt34

Abstract

Puisi spiritual seringkali dipisahkan dari tradisi sufistik yang melahirkannya, sehingga pemaknaan di dalam puisi menjadi kurang utuh. Penelitian ini bertujuan untuk mengungkap makna sufistik yang terkandung dalam puisi-puisi Abdul Wachid B.S. Penelitian ini menggunakan metode penelitian kualitatif dengan pendekatan hermeneutika Gadamerian. Sumber data penelitian berupa puisi-puisi karya Abdul Wachid B.S. yang berjudul “Sembah Hyang”, “Doaku”, dan “Aduh Gusti”. Data penelitian ini berupa kutipan-kutipan dalam ketiga puisi tersebut. Teknik pengumpulan data dilakukan menggunakan studi pustaka dengan menganalisis teks puisi serta mengkaji literatur pendukung yang berkaitan dengan sufisme, hermeneutika, dan kritik sastra religius. Sementara teknik analisis data menggunakan hermeneutika Gadamerian yang menekankan dialog antara teks dan pembaca. Berdasarkan hasil analisis ditemukan bahwa makna sufistik dalam puisi ditemukan pada pemaknaan relasi manusia dengan Tuhan melalui cinta, munajat, pengakuan diri, pertobatan, dan kesadaran akan keterbatasan manusia, dan ibadah sebagai jalan menuju kehadiran Ilahi.
Konstruksi Identitas Homoseksual Melalui Performativitas dalam Novel Permen Gan? Karya Dae Mahanta: Kajian Teori Queer Judith Butler Tegar Prasetyo
Jurnal Bahasa dan Sastra Vol 14, No 2 (2026)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jbs.v14i2.137782

Abstract

This study examines the construction of homosexual identity in Dae Mahanta’s novel Permen Gan?, employing Judith Butler’s queer theory framework with a focus on performative concepts. The contemporary novel was selected for its representation of the popularity of homosexual narratives among Indonesia’s younger generation and its textual framework for character identity formation. The research aims to describe three forms of performative behavior: (1) character appearance and physicality, (2) character discourse, and (3) character sexual activity. A qualitative approach based on text analysis was employed, utilizing literature review and citation documentation for data collection. Data analysis identified citation mechanisms, subversion, and parody within performative practices. The findings reveal that homosexual identity is not portrayed as an innate biological essence but rather as the result of fluid and unstable performative repetition. The performative nature of performances demonstrates that expressions of masculinity or femininity do not automatically determine sexual orientation. The performative aspects of discourse serve as both a medium for identity affirmation and negotiation with heteronormative norms. Sexual performance reflects desires constructed through imagination and same-sex interactions. These findings confirm that novels not only mirror social realities but actively intervene in gender and sexuality frameworks in Indonesia. This study contributes to advancing queer studies in contemporary Indonesian literature while deepening understanding of sexual identity construction dynamics in fiction.
Tomboy And Feminine Representations: Gender Standards in Children's Literature Written by Children in The Comics Next G Tegar Prasetyo; Novi Siti Kussuji Indrastuti
Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Vol. 12 No. 3 (2026): Penulis pada Edisi ini Terdiri dari Dua (2) Negara: Indonesia dan Turki
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/0gvkep78

Abstract

This study has two primary objectives. First, to analyze how the representations of tomboy and feminine characters are constructed in Komik Next G. Second, to examine whether this representation reproduces conventional gender stereotypes or offers alternative meanings of femininity. The method employed is qualitative descriptive using Stuart Hall's representation framework (encoding, representation, decoding). Data sources consist of verbal and visual elements from Komik Next G, collected through non-participatory observation and note-taking techniques on story panels. Data analysis involved four stages: identifying visual/verbal signs, classifying gender expressions, interpreting cultural meanings, and a systematic comparison utilizing data reduction, display, and conclusion drawing. The results indicate that Komik Next G predominantly reproduces conventional binary gender standards. Femininity is constructed as a natural, ideal norm through visual and verbal attributes and operates through the hegemony of friendship and social rewards. The tomboy identity, while predominantly framed as a deviation requiring correction, is not entirely devoid of agency: the character demonstrates moments of active resistance, autonomous spatial negotiation, and an ambivalent inner desire that complicate a reading of pure passivity. However, this agency is ultimately subjugated and channeled toward a normative resolution, with any remaining resistance reduced to a tolerated “mischief” that leaves the feminine visual standard intact, children as text producers have deeply internalized hegemonic gender norms, underscoring the urgency for critical guidance in children’s literacy programs to encourage more inclusive gender narratives.
Co-Authors Novi Siti Kussuji Indrastuti Tsamara Salwa Ashidiqie