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All Journal IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Jurnal Onoma: Pendidikan, Bahasa, dan Sastra
Agry Pramita
Universitas Islam Negeri Sunan Gunung Djati Bandung
Education Languange, Linguistic, Communication & Media

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Directive Speech Acts In Trilingual Students' Classroom Interactions At Pondok Modern Al-Aqsha Wulan Sri Ratna Diva Pratiwi; Cipto Wardoyo; Agry Pramita
Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Vol. 12 No. 2 (2026): Penulis pada Edisi ini Terdiri dari Tiga (3) Negara: Indonesia, Taiwan dan Jor
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/dmwcf466

Abstract

The evolution of Indonesian Islamic boarding schools (pesantren) toward a trilingual education model (Arabic, English, and Indonesian) has created a complex communicative landscape in which directive speech acts serve as a primary pedagogical tool. This study aims to: (1) identify the types of directive speech acts employed in trilingual classroom interactions at Pondok Modern Al-Aqsha; (2) analyze their pragmatic functions in teacher-student and student-student interactions; and (3) examine how these functions differ between Arabic-dominant Islamic studies lessons and Indonesian/English-dominant general education lessons. Adopting a qualitative descriptive approach with a sociopragmatic lens, data were collected from 12 hours of non-participant observations, audio-visual recordings, and semi-structured interviews with three subject teachers and approximately 90 junior high school students (Grades 7–9) at Pondok Modern Al-Aqsha. Data were analyzed using Searle’s (1979) directive taxonomy and Miles and Huberman’s (1994) interactive flow model, with researcher triangulation and data source triangulation (inter-rater reliability: Cohen’s Kappa = 0.87) applied to ensure credibility. Seven directive types were identified commanding (38%), requesting (22%), suggesting (12%), inviting (10%), prohibiting (8%), begging (6%), and advising (4%) distributed unevenly across languages. Commands and prohibitions dominated Arabic-medium Islamic studies (42% of all directives), while requests, suggestions, and invitations predominated in English and Indonesian general education lessons (58%). Peer directives were genuinely trilingual, with Indonesian as the primary medium (61%). The study concludes that directive speech acts at Pondok Modern Al-Aqsha perform a “dual-identity” function, balancing traditional religious authority with modern pedagogical facilitation, demonstrating that pragmatic competence is essential for effective multilingual educational communication.
Women’s Resistance to Patriarchy in the Little Women Movie by Greta Gerwig Ayu Sulistiawati; Ujang Suyatman; Agry Pramita
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 14 No. 1 (2026): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Universitas Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v14i1.10098

Abstract

This study examines the representation of patriarchy and women’s resistance in the film Little Women (2019) directed by Greta Gerwig. The research aims to analyze how patriarchal norms are portrayed in the film and how the female characters respond to these constraints. The study is grounded in feminist theory, particularly Simone de Beauvoir’s existential feminism, which emphasizes women’s agency in defining their own identities and freedom. This research employs a qualitative descriptive method, using the film as the primary data source. Data were collected through purposive sampling of selected scenes that depict gender relations, dialogue, narrative actions, and visual elements associated with patriarchal structures and acts of resistance. The analysis focuses on cinematic aspects such as dialogue, characterization, spatial arrangement, costume, and symbolic imagery. The findings show that patriarchy in the film is represented through social expectations that prioritize marriage as women’s ultimate goal, limit women’s professional independence, and reinforce traditional domestic roles. Nevertheless, the March sisters challenge these restrictions through different forms of resistance. Verbal resistance appears through dialogue that rejects patriarchal norms, symbolic resistance emerges through creative and intellectual pursuits, and relational resistance is reflected in the solidarity and mutual support among the sisters. The study concludes that the film portrays women as active agents who negotiate autonomy and redefine their identities within patriarchal constraints.
Co-Authors Ayu Sulistiawati Cipto Wardoyo Suyatman, Ujang Wulan Sri Ratna Diva Pratiwi