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All Journal Literasi: Jurnal Ilmiah Pendidikan Bahasa, Sastra Indonesia dan Daerah Stilistika: Jurnal Pendidikan Bahasa dan Sastra Jurnal Ilmu Sosial dan Humaniora
Wahyu Mardaning Hardiyanti
Universitas Sebelas Maret
Education Languange, Linguistic, Communication & Media

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Kajian Aksiologi Bahasa Indonesia sebagai Nilai dan Identitas Bangsa dalam Perspektif Filsafat Ilmu Dewi Wahyu Utami; Fernanda Dafittra; Wahyu Mardaning Hardiyanti; Audrey Zhafira Salma; Sarwiji Suwandi
SOSMANIORA: Jurnal Ilmu Sosial dan Humaniora Vol. 5 No. 1 (2026): Maret 2026
Publisher : Yayasan Literasi Sains Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55123/sosmaniora.v5i1.6741

Abstract

This study aims to examine the axiological values ​​in the Indonesian language, the function of Indonesian as a national identity, and the axiological function of language in the life of the nation and state. This study uses a qualitative method with a descriptive-analytical approach through a literature review of various literatures. The data collection technique uses a literature review (library research). The data sources of this study come from books on the philosophy of science, scientific articles indexed by Sinta, and national journals relevant to the theme of language, values, and national identity. Data analysis is carried out through several stages, including collecting relevant literature, the process of coding texts containing social, cultural, and moral values, then categorizing themes according to the types of values ​​found, followed by philosophical interpretation, and ending with drawing conclusions regarding the position of the Indonesian language as an axiological entity. The results of the study indicate that the Indonesian language has three main dimensions of value, namely social values, cultural values, and moral values. The social value of the Indonesian language is evident through its role in building togetherness, equality, and unity. Its cultural values ​​are manifested in the preservation of local wisdom, cultural richness, and diversity, while its moral values ​​are reflected through the use of polite, honest, and ethical language. Furthermore, Indonesian serves as a medium for education, the development of knowledge, and the expression of national ideology, affirming national identity.
Kajian Stilistika Lagu “Kala Sang Surya Tenggelam” Sebagai Ost Series Gadis Kretek Wahyu Mardaning Hardiyanti; Nugraheni Eko Wardani
Stilistika: Jurnal Pendidikan Bahasa dan Sastra Vol 19 No 2 (2026)
Publisher : Universitas Muhammadiyah Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30651/st.v19i2.30180

Abstract

Lirik lagu dalam media populer tidak hanya berperan sebagai unsur pendukung musik, tetapi juga merepresentasikan pesan emosional melalui penggunaan bahasa yang memiliki nilai estetis. Penelitian ini bertujuan mendeskripsikan jenis-jenis majas dalam lirik lagu Kala Sang Surya Tenggelam versi Nadin Amizah sebagai soundtrack serial Gadis Kretek serta menganalisis fungsi majas berdasarkan stilistika Charles Bally. Penelitian menggunakan metode kualitatif dengan pendekatan stilistika. Sumber data berupa lirik lagu Kala Sang Surya Tenggelam, sedangkan data penelitian berupa kata, frasa, dan kalimat yang mengandung majas. Data diperoleh melalui purposive sampling, dokumentasi, dan studi pustaka, kemudian dianalisis menggunakan model interaktif yang meliputi reduksi data, penyajian data, dan penarikan kesimpulan. Keabsahan data diuji melalui triangulasi teori dan sumber. Hasil penelitian menunjukkan adanya majas personifikasi, metafora, simbolik, dan repetisi yang berfungsi memperkuat ekspresi, makna, dan nilai estetis dalam lirik lagu.
REPRESENTASI EMOSI TOKOH UTAMA DALAM FILM SORE: ISTRI DARI MASA DEPAN PERSPEKTIF PSIKOLOGI SASTRA DAVID KRECH Wahyu Mardaning Hardiyanti; Audrey Zafira Salma
Literasi: Jurnal Ilmiah Pendidikan Bahasa, Sastra Indonesia dan Daerah Vol. 16 No. 2 (2026): Literasi: Jurnal Ilmiah Pendidikan Bahasa, Sastra Indonesia dan Daerah
Publisher : Fakultas Keguruan Dan Ilmu Pendidikan Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/literasi.v16i2.45571

Abstract

This research is motivated by the role of film as a medium that represents the emotional dynamics of characters, with a focus on the complex inner conflict in the film Sore: Wife from the Future from a literary psychology perspective. This research aims to analyze the representation of the main character's emotions based on David Krech's four classifications of emotions, namely basic emotions, sensory, self-assessment, and other people's emotions. The method used is qualitative with a literary psychology approach, using primary data sources in the form of films and secondary data from scientific references, with data in the form of dialogue, scenes and character expressions. Data collection was carried out through listening and note-taking techniques with purposive sampling, while data analysis used an interactive model which included reduction, presentation and drawing conclusions, and its validity was tested through theoretical triangulation. The research results found 18 emotional data which were divided into four classifications, namely basic emotions, sensory stimuli, self-assessment, and relationships with other people. Dominant emotions include anger, discomfort, as well as forms of love such as caring and attachment, which are influenced by conflict, sensory stimulation, and self-reflection.
Co-Authors Audrey Zafira Salma Audrey Zhafira Salma Dewi Wahyu Utami Elisabeth Nugraheni Eko Wardani Fernanda Dafittra Suwandi, Sarwiji