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Nilai-Nilai Kearifan Lokal Patrol Sahur Ramadan di Desa Kademangan Kecamatan Pagelaran Kabupaten Malang Haniyah Kamilah Az-Zahra; Daroe Iswatiningsih
JURNAL RISET RUMPUN ILMU PENDIDIKAN Vol. 5 No. 2 (2026): Agustus: JURRIPEN : Jurnal Riset Rumpun Ilmu Pendidikan
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurripen.v5i2.9082

Abstract

This study is motivated by the importance of preserving local wisdom amid the flow of modernization that influences community life, particularly in the tradition of Ramadan Sahur Patrol in Kademangan Village, Pagelaran District, Malang Regency. This research aims to describe the implementation of the sahur patrol, identify the local wisdom values embedded within it, and analyze community responses to the tradition. The method used is qualitative with a cultural anthropology approach and a descriptive research design. Data were collected through interviews and documentation involving purposively selected informants, including community leaders, patrol participants, and local government officials. Data analysis was conducted using an interactive model consisting of data reduction, data display, and conclusion drawing. The results show that the sahur patrol is carried out in a structured manner by utilizing traditional musical instruments, involving cross-generational participation, and being integrated with the community’s religious activities. This tradition contains religious, social, educational, cultural, mutual cooperation, togetherness, and responsibility values. In addition, the community shows a highly positive response through active participation and support for the sustainability of the tradition. The implications of this study emphasize that the sahur patrol plays an important role as a medium for cultural preservation, strengthening social solidarity, and forming collective identity and character within the community.
Analisis Ujaran Kebencian dalam Komentar Warganet terhadap Inara Rusli pada Akun Podcast Denny Sumargo (@CURHAT Bang Denny Sumargo) dalam Perspektif Linguistik Forensik Haniyah Kamilah Az-Zahra; Hari Windu Asrini
Jurnal Riset Rumpun Ilmu Bahasa Vol. 5 No. 2 (2026): Agustus : Jurnal Riset Rumpun Ilmu Bahasa
Publisher : Pusat riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurribah.v5i2.9887

Abstract

The rapid development of social media has expanded public interaction while increasing the occurrence of hate speech in digital communication. This study examines hate speech directed at Inara Rusli in the comment section of Denny Sumargo’s podcast account (@CURHAT Bang Denny Sumargo). It aims to identify the forms of speech acts used in hate speech and analyze the types of hate speech along with their linguistic indicators from a forensic linguistics perspective. This research employed a qualitative descriptive approach. Data consisted of netizens’ comments containing hate speech, collected through observation, reading, and note-taking techniques. The data were analyzed using the interactive analysis model involving data reduction, data display, and conclusion drawing. Speech act analysis was based on John Searle’s (1979) Speech Act Theory, while hate speech was examined using forensic linguistics. The findings reveal three forms of speech acts, namely expressive, directive, and assertive, with expressive speech acts dominating in the form of criticism, blame, and condemnation. Four types of hate speech were identified: insult, defamation, provocation, and stigmatization. These were realized through words, phrases, and sentences containing pejorative lexical items, negative labeling, accusations, and imperative constructions. The study concludes that these linguistic features function as linguistic evidence representing speakers’ attitudes while constructing negative public images of the target, contributing to the development of forensic linguistics research on hate speech in social media.
Analisis Konflik Batin Tokoh Utama dalam Novel Hati Suhita Karya Khilma Anis: Prespektif Psikologi Karen Horney Haniyah Kamilah Az-Zahra; Sugiarti Sugiarti
Bhinneka: Jurnal Bintang Pendidikan dan Bahasa Vol. 4 No. 3 (2026): Bhinneka
Publisher : Universitas Palan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59024/bhinneka.v4i3.1862

Abstract

This study aims to analyze the inner conflict experienced by the female protagonist, Alina Suhita, in the novel Hati Suhita by Khilma Anis using Karen Horney’s psychological perspective. The study is motivated by the complexity of the psychological struggles faced by the main character in dealing with marital pressures, family expectations, and socio-cultural demands within a pesantren environment. This research employed a descriptive qualitative approach using content analysis. The data source was the novel Hati Suhita by Khilma Anis, while the research data consisted of textual excerpts depicting the protagonist’s inner conflicts. Data were collected through reading and note-taking techniques and subsequently analyzed based on Karen Horney’s theory of neurotic tendencies. The findings reveal that Suhita’s inner conflict is influenced by marital pressures, family demands, social expectations, as well as cultural and religious values that shape her personality. These conflicts are manifested through three neurotic tendencies: moving toward people, moving against people, and moving away from people. The tendency of moving toward people is reflected in her obedience, self-sacrifice, and need for acceptance. The tendency of moving against people appears in her efforts to maintain self-respect, assertiveness, and courage in confronting pressure. Meanwhile, the tendency of moving away from people is shown through emotional withdrawal, solitude, and the pursuit of inner peace. The findings indicate that the protagonist’s inner conflict is dynamic and functions as a form of psychological adjustment to basic anxiety and socio-cultural pressures throughout the narrative.