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All Journal Greget Jurnal Mebang
Agnesti Sinaga
Universitas Sumatera Utara
Arts Humanities

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Kajian Etnomusikologis terhadap Fungsi Sosial dan Budaya Sigu lewuö pada Masyarakat Nias Hubari Gulo; Yeni Cecilia Fa’omasi Hulu; Agnesti Sinaga
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 6 No. 1 (2026)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v6i1.231

Abstract

This study examines the social and cultural functions of sigu lewuö, a traditional bamboo flute of the Nias community, through an ethnomusicological approach. The research was conducted in Gunungsitoli and South Nias using qualitative methods, including observation, in-depth interviews with local musicians and community leaders, and literature review. The findings reveal that sigu lewuö has experienced a significant transformation in both meaning and function within contemporary Nias society. Originally associated with mourning rituals and ceremonial contexts, the instrument is now widely used as a medium of entertainment, artistic performance, and cultural preservation. In addition, sigu lewuö serves as an accompaniment to traditional songs, a form of artistic expression, and a symbol of ethnic identity among younger generations. This transformation reflects the adaptive strategies of the Nias community in maintaining and revitalizing traditional cultural practices amid ongoing social, cultural, and technological changes.
PERKEMBANGAN TATAK MOCCAK PADA MASYARAKAT SUKU PAKPAK Agnesti Sinaga; Rithaony Hutajulu; Hubarry Gulo
Greget: Jurnal Kreativitas dan Studi Tari Vol. 24 No. 2 (2025): KEBERAGAMAN KARYA TARI SEBAGAI EKSPRESI SIMBOLIK
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v24i2.7280

Abstract

Tatak Moccak is a Pakpak tribal martial art that is taken from the history and lifestyle of the ancestors of the Pakpak tribe, who in the past lived nomadically in the middle of the wilderness. The research method used is a qualitative method with several approaches, including data collection through fieldwork, interviews, observations, documentation, and laboratory work. The approach used is a historical approach that will reveal the origins and development of Tatak Moccak. The results obtained from this study are that Tatak Moccak is an integral part of the lifestyle of the Pakpak people who are nomadic in the mountains and forests, functioning as an essential skill for self-protection from natural and external threats, as well as training a strong and agile physique. Over time and cultural changes, the development of Tatak Moccak is classified into three main aspects, namely the cultural aspect, the entertainment aspect and the championship aspect. The dancer's costume is predominantly black with a red and white headband accent and ulos sibolang on the waist, as well as the use of Hau Era-era properties, machetes, and sticks, not only support the visuals of the performance but are also full of meaning of identity and strength in Pakpak culture.
Co-Authors Gulo, Hubari Hubarry Gulo Hutajulu, Rithaony Yeni Cecilia Fa’omasi Hulu