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All Journal Abdimas Talenta : Jurnal Pengabdian Kepada Masyarakat NUSANTARA : Jurnal Ilmu Pengetahuan Sosial Sorai: Jurnal Pengkajian dan Penciptaan Musik Greget Journal of Education, Humaniora and Social Sciences (JEHSS) PERSPEKTIF Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences Jurnal Pendidikan dan Penciptaan Seni Sibatik Journal : Jurnal Ilmiah Bidang Sosial, Ekonomi, Budaya, Teknologi, Dan Pendidikan Jurnal Mebang Proceeding International Conference on Malay Identity
Hutajulu, Rithaony
Universitas Sumatera Utara
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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Double Reed Instruments in Indonesia Rithaony Hutajulu
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 5, No 1 (2022): Budapest International Research and Critics Institute February
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v5i1.3974

Abstract

In Indonesia various types of conical double reed instruments can be found across Sumatra mainly from the Northern part of Sumatra through Palembang in the South and on Java. This paper is a preliminary survey of conical double reed instruments in Indonesia.  It aims to explore issues related to the origin and historical dissemination of these instruments in this region over different time periods and also the outside influences that have impacted the music cultures of this area. The paper will also discuss in general various types of reed instruments in the region, including their organological characteristics and the corresponding musical terminologies. This paper will also discuss in general various performance contexts and functions of the conical double reed instruments,  including religious ceremonies, life/cycle rituals (weddings and funerals), and court ceremonial ensembles, among others.
The Types of Taur-taur Folk Song in Simalungun Culture Sitopu, Sapna; Hutajulu, Rithaony; Sholikhah, Rahmatika Luthfiana
Proceeding International Conference on Malay Identity The 2nd International Seminar on Language, Literature, Education, Arts and Culture
Publisher : Jurusan Sejarah, Seni, dan Arkeologi, FKIP, Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Taur-taur, as a form of vocal art expression of the Simalungun community holding a cultural richness that needs to be preserved. The main focus of this research is on five types of taur-taur, namely Taur taur bahtonang, taur taur simbandar, taur taur Balok ganjang, Taur taur urdo-urdo, and Taur taur tangis-tangis. Each type of taur-taur has unique characteristics whether in terms of melody, lyrics, or social functions within the Simalungun community. Through a qualitative approach, this study finds that taur-taur has distinctive features that set it apart from other forms of folk singing. Musical analysis using Crishty's theory and Merriam's ethnomusicology theory provides a deeper understanding of the vocal techniques and symbolic meanings contained within taur-taur. This research concludes that the preservation of taur-taur is crucial for maintaining Indonesia's cultural diversity. One of the preservation efforts that can be undertaken is to introduce taur-taur to the younger generation through music education.
PENGELOLAAN PERTUNJUKAN KESENIAN TRADISIONAL BERBASIS KOMUNITAS SEBAGAI DAYA TARIK WISATA DI DESA LINGGA, KABUPATEN KARO Hutajulu, Rithaony; Gulo, Hubari; N.B. Sinulingga, Egi; L. Sholikhah, Rahmatika
SIBATIK JOURNAL: Jurnal Ilmiah Bidang Sosial, Ekonomi, Budaya, Teknologi, Dan Pendidikan Vol. 4 No. 4 (2025)
Publisher : Penerbit Lafadz Jaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54443/sibatik.v4i4.2660

Abstract

This Community Partnership Service Program aims to encourage Lingga village tourism marketing strategies through managing arts performances. Lingga Village has typical Karo traditional arts activities which are still maintained to this day. Sanggar Nggara Simbelin is an art studio that still maintains this traditional wealth. This activity aims to make art performances an attraction for tourists to Lingga village as well as increasing learning for the younger generation in the practice of managing a performance and increasing experience in practicing traditional Karo music and dance. The specific target of this activity is to strengthen the promotion of the Lingga tourist village and its traditional riches so that it will again attract the attention of foreign and domestic tourists. The method used in this activity is audio-visual ethnography, namely documentation using an ethnographic approach. This method will involve partners in the process of managing traditional arts performances. From this involvement experience, partners will better understand the packaging process of their traditional arts as part of their promotion and dissemination strategy in the era of digital technology. Management of Karo traditional art performances will help the Lingga village community more easily create a tourist attraction for visiting Lingga village.
Activating Mud Beach Performing Art Attraction and Art Gallery for Community-Based Tourist Destination at Bandar Rahmat Village of Tanjung Tiram District, Batubara Regency Hutajulu, Rithaony; Arifninetrirosa; Sujatmoko, Koko
ABDIMAS TALENTA: Jurnal Pengabdian Kepada Masyarakat Vol. 8 No. 1 (2023): ABDIMAS TALENTA: Jurnal Pengabdian Kepada Masyarakat
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/abdimastalenta.v8i1.10442

Abstract

This Community Partnership Service program aims to activate the mud beach art attractions and art galleries for community-based tourism management in Bandar Rahmat, Tanjung Tiram District, Batubara Regency. This activation program will increase partners' awareness and skills for managing community-based tourist destination. The specific target of this activity is for partners to produce an art attraction based on local conditions as long-term management of tourist destinations through the art galleries. Partners can turn existing conditions into a potential for increasing tourism-economic income. The method used in achieving this activation is problem-facing assistance. The team will conduct training on the cultivation of works of art based on local conditions as well as training on art gallery management. This training will involve youth in partner villages. The indicator of the success of this program is that the partners can produce artistic attractions and establish a legal entity art studio. These two things will be the key to the sustainability of the long-term development of tourist destinations and increasing tourism-economic income in partner villages.
Production of Ethnographic-Short Films on Karo Traditional Arts as Promotion and Dissemination of Local Wisdom Knowledge in Lingga Village, Simpang Empat District, Karo Regency Arifninetrirosa; Rithaony; Sumarno, Edi
ABDIMAS TALENTA: Jurnal Pengabdian Kepada Masyarakat Vol. 8 No. 2 (2023): ABDIMAS TALENTA: Jurnal Pengabdian Kepada Masyarakat
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/abdimastalenta.v8i2.10452

Abstract

This Community Partnership Service Program aims to encourage a marketing strategy for Lingga village tourism through digital channels. Lingga Village has traditional Karo art activities which are still maintained today. The Nggara Simbelin Studio is an art studio that still maintains this traditional heritage. This activity aims to disseminate knowledge and practice of traditional Karo arts to the younger generation. The specific target of this activity is to strengthen the promotion of Lingga tourism village along with its traditional wealth in order to foreign and domestic tourists will again be attracted by comers from local or foreigners. This activity also documents the Karo traditional art of Lingga village so that it is easily accessible to the younger generation, especially in Lingga village, thereby assisting the process of inheriting local wisdom for long-term regeneration. The use of method in this activity is audio-visual ethnography, namely documentation with an ethnographic approach. This method will involve partners in the process of making ethnographic short films. From this experience of involvement, partners will understand more about the packaging process for traditional arts that they have as part of their promotion and dissemination strategy in the digital technology era. In the future, the existence of this ethnographic short film will help the people of Lingga village in terms of documenting one of the objects for promoting culture. In addition, this film will also be an additional learning tool for the process of dissemination and inheritance of the wealth of traditional Karo arts.
Perubahan Upacara Sayur matua pada Masyarakat Simalungun di Desa Saribu Dolok, Kecamatan Silimakuta, Kabupaten Simalungun Situmorang, Daniel Adjinegara; Hutajulu, Rithaony; Gulo, Hubari
Journal of Education, Humaniora and Social Sciences (JEHSS) Vol 8, No 2 (2025): Journal of Education, Humaniora and Social Sciences (JEHSS), November
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jehss.v8i2.2853

Abstract

This study aims to analyze changes in the implementation of the Sayur Matua death ceremony in the Simalungun community in Saribu Dolok Village, Silimakuta District, Simalungun Regency. The method used is a qualitative approach with an in-depth interview technique with one key informant, namely Mr. Simarmata, a community leader who understands local traditions. The results of the study show that the implementation of the Sayur Matua ceremony has undergone various changes, both in terms of structure, symbols, and meaning. These changes are influenced by several main factors, including modernization, the entry of foreign culture, and shifts in social values among the younger generation. Traditional elements such as Gonrang Sipitu-pitu are still retained, although in a simpler form and not as complete as before. These findings show that there is a dynamic between cultural preservation and the need to adapt to the times. This research is expected to be a contribution to the study of local culture, as well as a consideration in efforts to preserve intangible cultural heritage, especially in the context of the Simalungun indigenous people.
KOSMOLOGI BUNYI : SIMBOLISME TRILOGI BANUA DALAM ENSAMBEL GONDANG SIPOTANG PADA MASYARAKAT PARBARINGIN Roventus Simamora, Swingly; Rithaony, Rithaony; Gulo, Hubari
NUSANTARA : Jurnal Ilmu Pengetahuan Sosial Vol 13, No 2 (2026): NUSANTARA : JURNAL ILMU PENGETAHUAN SOSIAL
Publisher : Universitas Muhammadiyah Tapanuli Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31604/jips.v13i2.2026.655-660

Abstract

Musik dalam tradisi kepercayaan Batak Toba tidak sekadar berfungsi sebagai estetika hiburan, melainkan sebagai teknologi spiritual yang memetakan tatanan alam semesta. Penelitian ini bertujuan untuk menganalisis simbolisme kosmologis dalam ensambel Gondang Sapotang yang digunakan pada ritual Ulaon Gondang Saborginoleh komunitas Parbaringin Isumbaon di Desa Lobu Rappa, Kabupaten Asahan. Menggunakan metode kualitatif dengan pendekatan etnomusikologi, penelitian ini membedah struktur organologi dan pola musikal berdasarkan konsep "Trilogi Banua" (Tiga Dunia). Hasil penelitian menunjukkan bahwa Gondang Sapotang berfungsi sebagai "kosmogram bunyi" yang merepresentasikan struktur mikrokosmos dan makrokosmos. Secara spesifik, bunyi Ogung yang siklis merepresentasikan Banua Toru (Dunia Bawah) sebagai fondasi bumi, ritme Tagading merepresentasikan dinamika Banua Tonga (Dunia Tengah/Manusia), dan melodi Sarunemerepresentasikan suara Banua Ginjang (Dunia Atas/Ilahi). Selain itu, ditemukan adanya eskalasi tempo (accelerando) dalam repertoar yang menyimbolkan pendakian spiritual untuk mencapai transendensi. Penelitian ini menyimpulkan bahwa bagi penganut Parbaringin, memainkan musik adalah upaya merawat keseimbangan kosmis dan harmonisasi hubungan antara manusia, alam, dan pencipta.
Penggunaan Alat Musik Tambua pada Acara Baralek di Hamparan Perak, Deli Serdang Piere Steven Randall Sitepu; Rithaony Hutajulu; Vanesia Amelia Sebayang
Jurnal Pendidikan dan Penciptaan Seni Vol 6, No 1 (2026): Jurnal Pendidikan dan Penciptaan Seni - Mei
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v6i1.1075

Abstract

This research discusses the use of the Tambua musical instrument in the Baralek ceremony (Minangkabau traditional wedding) held in Hamparan Perak, Deli Serdang. The study focuses on the presentation form, function, and symbolic meaning of the Tambua music within the context of the ritual. The approach used is qualitative descriptive ethnomusicology, with data collection through observation, in-depth interviews, and documentation. The key informants are members of Sanggar Tuah Sakato Medan, who are actively preserving Minangkabau musical practices in the migrant area (perantauan). The results show that the Tambua is presented as an ensemble (along with Tansa, Gandang, Talempong, and Bansi), with a dynamic musical structure that is integrated with every stage of the Baralek procession. The Tambua plays a role as the accompaniment for the traditional procession, a builder of the sacred atmosphere, and a medium for symbolic communication. The embedded symbolic meanings reflect core Minangkabau cultural values, such as mutual cooperation (gotong royong) and kinship ties. It can be concluded that the use of the Tambua in Baralek not only functions as an artistic expression but is also a marker of cultural identity as well as a vital medium for the preservation of Minangkabau tradition in the migrant land.
Makna Denotatif dan Konotatif Pantun Lagu Tanjung Katung Nayla Nayla Azzahra; Rithaony Hutajulu; Hubari Gulo
Jurnal Pendidikan dan Penciptaan Seni Vol 6, No 1 (2026): Jurnal Pendidikan dan Penciptaan Seni - Mei
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v6i1.1144

Abstract

This study examines the meaning of pantun texts in the song Tanjung Katung performed by Orkes Melayu Lebah Begantong. It aims to identify and analyze denotative and connotative meanings and to understand their function in performance contexts. The study employs a qualitative method with a descriptive-analytical approach using observation, interviews, and documentation. Data analysis is based on Ferdinand de Saussure’s semiotic theory. The findings reveal that denotatively, pantun depict daily life, nature, and social situations, while connotatively, they express symbolic meanings such as gratitude, respect, humor, and social interaction. The improvisational delivery makes meanings dynamic and context-dependent. Thus, pantun functions not only as aesthetic elements but also as a medium of social communication, reflecting Malay cultural values.
Kajian Organologi Genderang Sisibah Buatan Bapak Atur Pandapotan Solin Rodo Andreas Panjaitan; Heristina Dewi; Yoe Anto Ginting; Rithaony Hutajulu; Hubari Gulo
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 6 No. 1 (2026)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v6i1.239

Abstract

This study describes the technique of making the traditional musical instrument Sisibah Drum preserved by Mr. Atur Pandapotan Solin at the Ninanola Studio, Sukaramai Village, Pakpak Bharat Regency. Sisibah Drum is a traditional musical instrument originating from the Pakpak tribe. This musical instrument is classified as a struck membranophone (a musical instrument whose sound source comes from skin or membrane that is played by being hit). Sisibah Drum has spiritual value and social function in carrying out traditional ceremonies such as Kerja Mbaik and Kerja Njahat. This study aims to examine and describe in depth the process of making Sisibah Drum, including its physical structure, materials and tools used, and the role of this music in the cultural life of the Pakpak people. The method used is a descriptive qualitative approach with data collection techniques through participatory observation, in-depth interviews, and visual documentation. The theoretical framework includes the organological theory of Sushumu Kashima to examine the physical and structural aspects of the instrument, the Sachs-Hornbostel classification used in classifying instrument types, and the theory of musical function according to A.P. Merriam. The results of this study indicate that the Sisibah Drum is still made using traditional methods and techniques that are still used today. Local materials used in the Sisibah Drum making process consist of several types, such as Mbrabas wood, coffee wood, and animal skin. The stages used start from material selection, forming the instrument body, installing the membrane, and tuning the sound. In addition to being a musical instrument, the Sisibah Drum also functions as a means of spiritual communication and a symbol of the Pakpak tribe's cultural identity. The Ninanola Studio plays an active role in  preserving the Sisibah Drum musical instrument to this day.
Co-Authors Agnesti Sinaga Alethea Manuela Parrangan Arifninetrirosa Berlin Charinpatrio Laia Edi Sumarno Gulo, Hubari Heristina Dewi, Heristina Hubarry Gulo L. Sholikhah, Rahmatika N.B. Sinulingga, Egi Nayla Nayla Azzahra Piere Steven Randall Sitepu Rahmatika Luthfiana Sholikhah Regina Lastiarma Br Sinaga Rodo Andreas Panjaitan Roventus Simamora, Swingly Sebayang, Vanesia Amelia Sitopu, Sapna Situmorang, Daniel Adjinegara Sujatmoko, Koko Yoe Anto Ginting