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All Journal Grenek: Jurnal Seni Musik Abdimas Talenta : Jurnal Pengabdian Kepada Masyarakat Greget Journal of Education, Humaniora and Social Sciences (JEHSS) PERSPEKTIF Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences Sibatik Journal : Jurnal Ilmiah Bidang Sosial, Ekonomi, Budaya, Teknologi, Dan Pendidikan Proceeding International Conference on Malay Identity
Hutajulu, Rithaony
Universitas Sumatera Utara
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences

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Double Reed Instruments in Indonesia Rithaony Hutajulu
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 5, No 1 (2022): Budapest International Research and Critics Institute February
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v5i1.3974

Abstract

In Indonesia various types of conical double reed instruments can be found across Sumatra mainly from the Northern part of Sumatra through Palembang in the South and on Java. This paper is a preliminary survey of conical double reed instruments in Indonesia.  It aims to explore issues related to the origin and historical dissemination of these instruments in this region over different time periods and also the outside influences that have impacted the music cultures of this area. The paper will also discuss in general various types of reed instruments in the region, including their organological characteristics and the corresponding musical terminologies. This paper will also discuss in general various performance contexts and functions of the conical double reed instruments,  including religious ceremonies, life/cycle rituals (weddings and funerals), and court ceremonial ensembles, among others.
The Types of Taur-taur Folk Song in Simalungun Culture Sitopu, Sapna; Hutajulu, Rithaony; Sholikhah, Rahmatika Luthfiana
Proceeding International Conference on Malay Identity The 2nd International Seminar on Language, Literature, Education, Arts and Culture
Publisher : Jurusan Sejarah, Seni, dan Arkeologi, FKIP, Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Taur-taur, as a form of vocal art expression of the Simalungun community holding a cultural richness that needs to be preserved. The main focus of this research is on five types of taur-taur, namely Taur taur bahtonang, taur taur simbandar, taur taur Balok ganjang, Taur taur urdo-urdo, and Taur taur tangis-tangis. Each type of taur-taur has unique characteristics whether in terms of melody, lyrics, or social functions within the Simalungun community. Through a qualitative approach, this study finds that taur-taur has distinctive features that set it apart from other forms of folk singing. Musical analysis using Crishty's theory and Merriam's ethnomusicology theory provides a deeper understanding of the vocal techniques and symbolic meanings contained within taur-taur. This research concludes that the preservation of taur-taur is crucial for maintaining Indonesia's cultural diversity. One of the preservation efforts that can be undertaken is to introduce taur-taur to the younger generation through music education.
PENGELOLAAN PERTUNJUKAN KESENIAN TRADISIONAL BERBASIS KOMUNITAS SEBAGAI DAYA TARIK WISATA DI DESA LINGGA, KABUPATEN KARO Hutajulu, Rithaony; Gulo, Hubari; N.B. Sinulingga, Egi; L. Sholikhah, Rahmatika
SIBATIK JOURNAL: Jurnal Ilmiah Bidang Sosial, Ekonomi, Budaya, Teknologi, Dan Pendidikan Vol. 4 No. 4 (2025)
Publisher : Penerbit Lafadz Jaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54443/sibatik.v4i4.2660

Abstract

This Community Partnership Service Program aims to encourage Lingga village tourism marketing strategies through managing arts performances. Lingga Village has typical Karo traditional arts activities which are still maintained to this day. Sanggar Nggara Simbelin is an art studio that still maintains this traditional wealth. This activity aims to make art performances an attraction for tourists to Lingga village as well as increasing learning for the younger generation in the practice of managing a performance and increasing experience in practicing traditional Karo music and dance. The specific target of this activity is to strengthen the promotion of the Lingga tourist village and its traditional riches so that it will again attract the attention of foreign and domestic tourists. The method used in this activity is audio-visual ethnography, namely documentation using an ethnographic approach. This method will involve partners in the process of managing traditional arts performances. From this involvement experience, partners will better understand the packaging process of their traditional arts as part of their promotion and dissemination strategy in the era of digital technology. Management of Karo traditional art performances will help the Lingga village community more easily create a tourist attraction for visiting Lingga village.
Activating Mud Beach Performing Art Attraction and Art Gallery for Community-Based Tourist Destination at Bandar Rahmat Village of Tanjung Tiram District, Batubara Regency Hutajulu, Rithaony; Arifninetrirosa; Sujatmoko, Koko
ABDIMAS TALENTA: Jurnal Pengabdian Kepada Masyarakat Vol. 8 No. 1 (2023): ABDIMAS TALENTA: Jurnal Pengabdian Kepada Masyarakat
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/abdimastalenta.v8i1.10442

Abstract

This Community Partnership Service program aims to activate the mud beach art attractions and art galleries for community-based tourism management in Bandar Rahmat, Tanjung Tiram District, Batubara Regency. This activation program will increase partners' awareness and skills for managing community-based tourist destination. The specific target of this activity is for partners to produce an art attraction based on local conditions as long-term management of tourist destinations through the art galleries. Partners can turn existing conditions into a potential for increasing tourism-economic income. The method used in achieving this activation is problem-facing assistance. The team will conduct training on the cultivation of works of art based on local conditions as well as training on art gallery management. This training will involve youth in partner villages. The indicator of the success of this program is that the partners can produce artistic attractions and establish a legal entity art studio. These two things will be the key to the sustainability of the long-term development of tourist destinations and increasing tourism-economic income in partner villages.
Perubahan Upacara Sayur matua pada Masyarakat Simalungun di Desa Saribu Dolok, Kecamatan Silimakuta, Kabupaten Simalungun Situmorang, Daniel Adjinegara; Hutajulu, Rithaony; Gulo, Hubari
Journal of Education, Humaniora and Social Sciences (JEHSS) Vol 8, No 2 (2025): Journal of Education, Humaniora and Social Sciences (JEHSS), November
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jehss.v8i2.2853

Abstract

This study aims to analyze changes in the implementation of the Sayur Matua death ceremony in the Simalungun community in Saribu Dolok Village, Silimakuta District, Simalungun Regency. The method used is a qualitative approach with an in-depth interview technique with one key informant, namely Mr. Simarmata, a community leader who understands local traditions. The results of the study show that the implementation of the Sayur Matua ceremony has undergone various changes, both in terms of structure, symbols, and meaning. These changes are influenced by several main factors, including modernization, the entry of foreign culture, and shifts in social values among the younger generation. Traditional elements such as Gonrang Sipitu-pitu are still retained, although in a simpler form and not as complete as before. These findings show that there is a dynamic between cultural preservation and the need to adapt to the times. This research is expected to be a contribution to the study of local culture, as well as a consideration in efforts to preserve intangible cultural heritage, especially in the context of the Simalungun indigenous people.
Deskripsi Teknik Pembuatan dan Permainan Aramba dan Faritia oleh Bapak Faozisökhi Laia di Sanggar Museum Pusaka Nias di Kota Gunungsitoli Laia, Berlin Charinpatrio; Hutajulu, Rithaony; Gulo, Hubari
PERSPEKTIF Vol. 15 No. 1 (2026): PERSPEKTIF January
Publisher : Universitas Medan Area

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31289/perspektif.v15i1.16581

Abstract

Penelitian ini bertujuan mendeskripsikan teknik pembuatan dan permainan instrumen musik tradisional Nias, Aramba dan Faritia, sebagaimana dipraktikkan oleh Faozisökhi Laia di Sanggar Museum Pusaka Nias, Gunungsitoli. Kedua instrumen ini berperan penting dalam budaya Nias sebagai pengiring upacara adat, pesta pernikahan, serta sarana komunikasi musikal dalam konteks sosial. Penelitian bersifat kualitatif-deskriptif dengan metode observasi partisipatif, wawancara mendalam, observasi lapangan, dan dokumentasi. Analisis data dilakukan melalui reduksi, penyajian, dan penarikan kesimpulan dengan kerangka etnomusikologi, menggunakan teori Khasima Shusumu tentang aspek fisik instrumen, Bruno Nettl terkait analisis dan transkripsi permainan, Curt Sach & Hornbostel mengenai klasifikasi instrumen, serta Alan P. Merriam tentang perilaku musikal. Hasil penelitian menunjukkan Aramba dan Faritia berakar dari instrumen Tutuhao serta mengandung nilai budaya dan simbolik. Proses pembuatannya mencakup keterampilan tradisional dengan tahapan pemanasan, pembentukan ragi-ragi, mamatö, pembentukan hagu, hingga penyempurnaan. Teknik permainan Aramba dilakukan dengan menggantungnya, memukul bagian hagu sambil bergerak layaknya menari, sedangkan Faritia dimainkan dua orang secara berhadapan dengan nada rendah dan tinggi yang berpola ritmis.
PERKEMBANGAN TATAK MOCCAK PADA MASYARAKAT SUKU PAKPAK Sinaga, Agnesti; Hutajulu, Rithaony; Gulo, Hubarry
Greget: Jurnal Kreativitas dan Studi Tari Vol. 24 No. 2 (2025): KEBERAGAMAN KARYA TARI SEBAGAI EKSPRESI SIMBOLIK
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v24i2.7280

Abstract

Tatak Moccak is a Pakpak tribal martial art that is taken from the history and lifestyle of the ancestors of the Pakpak tribe, who in the past lived nomadically in the middle of the wilderness. The research method used is a qualitative method with several approaches, including data collection through fieldwork, interviews, observations, documentation, and laboratory work. The approach used is a historical approach that will reveal the origins and development of Tatak Moccak. The results obtained from this study are that Tatak Moccak is an integral part of the lifestyle of the Pakpak people who are nomadic in the mountains and forests, functioning as an essential skill for self-protection from natural and external threats, as well as training a strong and agile physique. Over time and cultural changes, the development of Tatak Moccak is classified into three main aspects, namely the cultural aspect, the entertainment aspect and the championship aspect. The dancer's costume is predominantly black with a red and white headband accent and ulos sibolang on the waist, as well as the use of Hau Era-era properties, machetes, and sticks, not only support the visuals of the performance but are also full of meaning of identity and strength in Pakpak culture.
Eksistensi Doding Pada Kalangan Muda Simalungun Sitopu, Sapna; Sholikhah, Rahmatika Luthfiana; Hutajulu, Rithaony
Grenek: Jurnal Seni Musik Vol. 14 No. 2 (2025): Grenek: Jurnal Seni Musik (December)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v14i2.71708

Abstract

This research aims to describe the existence of Simalungun doding performed with inggou among the younger generation of Simalungun and analyze the factors that influence the continuity of this tradition. Using a qualitative approach, this research examines how Wallace & Srb's adaptation theory can explain the phenomenon. The results show that doding with inggou, as an integral part of Simalungun culture, has an important role in maintaining the identity and social values of the community. However, the existence of this tradition among the younger generation is increasingly diminishing due to the influence of modernization and globalization. The lack of understanding of the values contained in doding and the lack of conservation efforts are the main factors that cause this. This research concludes that strategic efforts are needed to revive the doding tradition with inggou among the younger generation, such as through education, socialization, and innovations that are relevant to the times.
Co-Authors Arifninetrirosa Gulo, Hubari Gulo, Hubarry L. Sholikhah, Rahmatika Laia, Berlin Charinpatrio N.B. Sinulingga, Egi Sholikhah, Rahmatika Luthfiana Sinaga, Agnesti Sitopu, Sapna Situmorang, Daniel Adjinegara Sujatmoko, Koko