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All Journal Jejak digital: Jurnal Ilmiah Multidisiplin Sujud: Jurnal Agama, Sosial dan Budaya Journal of Literature Review
Dadan Firdaus
Universitas Islam Negeri Sunan Gunung Djati
Religion Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

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Self-Control dalam Perspektif Al-Junaid Aqil Rudya Alam; Nady Chiquitta; Fadia Raihan Aqrandista; Dadan Firdaus
Sujud: Jurnal Agama, Sosial dan Budaya Vol. 2 No. 3 (2026): JUNI-SEPTEMBER
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/pde2es76

Abstract

Self-control is an essential aspect of human behavior that enables individuals to regulate their emotions, thoughts, and actions in accordance with moral values and long-term goals. In academic environments, weak self-control may contribute to various forms of deviant behavior, including acts of violence among students. This study aims to examine the concept of self-control from the perspective of Al-Junaid al-Baghdadi’s Sufism, particularly through the concepts of mujahadah and muraqabah, and to analyze their relevance to the phenomenon of violence in higher education institutions. This research employs a qualitative approach using library research and figure study methods. Data were collected from primary sources, including Rasā'il al-Junaid and classical Sufi literature, as well as secondary sources such as books, journal articles, and previous studies related to self-control and Islamic spirituality. The data were analyzed using qualitative content analysis, hermeneutic interpretation, and comparative analysis. The findings reveal that self-control in Al-Junaid’s thought extends beyond behavioral regulation and encompasses the purification of the soul through continuous spiritual struggle and awareness of God's presence. The concepts of mujahadah and muraqabah provide a comprehensive framework for developing internal discipline and moral responsibility. Furthermore, these concepts are highly relevant in preventing aggressive and violent behavior among students because they foster emotional regulation, ethical awareness, and spiritual consciousness. Therefore, Al-Junaid’s Sufi teachings offer a valuable alternative approach to character development within contemporary academic settings.
Persepsi Pengguna TikTok terhadap Hubungan Lagu “You Will Be in My Heart” dengan Ayat Al-Qur'an pada Akun GITA Arina Vionarsih; Rafli Ardiansyah; Rifki Rahman Ferdian; Tasya Nur Fadhilah; Dadan Firdaus
Sujud: Jurnal Agama, Sosial dan Budaya Vol. 2 No. 3 (2026): JUNI-SEPTEMBER
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/x32vcv54

Abstract

This study aims to analyze TikTok users' perceptions of the connection between the song "You Will Be in My Heart" and Quranic verses posted by the TikTok account @gitaasmaraa. This study used a descriptive qualitative approach, with Stuart Hall's encoding-decoding theory as the basis for the analysis. Data were obtained by observing the content, captions, and user comments on the posts. The results indicate that the connection between song lyrics and Quranic verses emerges through interpretation by both creators and audiences. Some song lyrics are understood to align with messages contained in the Quran, such as compassion, protection, closeness, and loyalty. Reception analysis revealed three forms of audience reception: dominant-hegemonic, negotiated, and oppositional. Most TikTok users accepted and supported interpretations linking song lyrics to religious values, while others viewed these connections as subjective and not directly related to the Quran. The results indicate that social media, particularly TikTok, serves as a communication space for negotiating meaning between popular culture and religious values. Thus, the meaning of digital content is not a singular entity, but rather is shaped through the interaction between creators and audiences in the ever-changing process of digital communication.
Representasi Nilai Kasih Sayang dalam Film “Ayat-Ayat Cinta” Karya Hanung Bramantyo Ahmad Ahadiat; Alexi Sapta; Denti Listiana; Dadan Firdaus
Journal of Literature Review Vol. 2 No. 1 (2026): JANUARI-JUNI
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/zxca2538

Abstract

This study examines the representation of the value of compassion (rahmah) in the film Ayat-Ayat Cinta using Roland Barthes' semiotic theory. The film, adapted from Habiburrahman El Shirazy's novel, presents various forms of compassion through scenes and dialogues that carry layered meanings. This research analyzes signs at three levels: denotation, connotation, and myth. The findings reveal that compassion in the film is represented through social empathy, emotional sacrifice, patience in conflict, and spiritual love rooted in religious values. At the mythical level, the film reinforces cultural and religious ideals such as the concept of a devoted wife, a just husband, and the notion that true love transcends personal possession. These representations reflect Islamic values and Eastern cultural ideologies embedded in Indonesian society
Takziyah Al-nafs dalam Lagu “Tombo Ati” Karya Opick Fauzaan Taufiqurrahma; Rayza Aulya Nahari; Sheilita Saputri; Zahra Mawaddah; Dadan Firdaus
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/a278zq39

Abstract

The song Tombo Ati by Opick is a religious musical work that functions not only as entertainment but also as a medium for spiritual reflection. From a Sufi perspective, the song represents values of spiritual healing (tazkiyah), self-surrender (tawakkul), and purification of the heart from negative traits. This study aims to analyze how the lyrics of Tombo Ati reflect the core concepts of Sufi ethics, particularly in relation to inner healing and spiritual tranquility. The study applies the theory of Sufi ethics by Imam Al-Ghazali and the semiotic approach of Roland Barthes to examine both denotative and connotative meanings in the lyrics. The findings indicate that Tombo Ati conveys profound messages about repentance, self-awareness, and surrender to God as pathways to inner peace. Furthermore, semiotic analysis reveals that the lyrics operate not only at a literal level but also at a symbolic level, representing a spiritual journey. The song serves as a reflective medium that encourages listeners to internalize Sufi values in daily life.
Makna Lagu '33x' Karya Perunggu dalam Perspektif Teologis Habibullah Habibullah; Dadan Firdaus; Tazkiyah Marwah Arina; Cita Afiyah Nursanti
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/vjg2a195

Abstract

Indonesian popular music, particularly within the indie genre, increasingly demonstrates thematic depth that transcends mere entertainment. This study examines the theological meanings embedded in the lyrics of "33X," a song by Perunggu, an Indonesian indie band whose work is rich with spiritual and existential resonance. Employing a qualitative method with a descriptive-analytical approach, this research integrates three analytical frameworks: the hermeneutics of Paul Ricœur and Hans-Georg Gadamer, Charles Sanders Peirce's triadic semiotics, and contextual Islamic theology. The analysis reveals that the lyrics of "33X" contain three layers of meaning — denotative, connotative, and mythological — collectively reflecting a narrative of the modern human spiritual journey amid existential turmoil. Semiotically, the number 33 in the title functions as a symbol of Islamic dhikr, specifically the ritual practice of reciting tasbih, tahmid, and takbir thirty-three times after obligatory prayer. From the perspective of Islamic theology, the song demonstrably embodies values of aqeedah (tauhid rububiyyah), sharia (dhikr as worship), and Sufi ethics (tawakkul, patience, muhasabah, gratitude, istiqamah, and inabah). This study affirms that popular music can serve as an effective medium for conveying spiritual values implicitly.
Co-Authors Ahmad Ahadiat Alexi Sapta Aqil Rudya Alam Arina Vionarsih Cita Afiyah Nursanti Denti Listiana Fadia Raihan Aqrandista Fauzaan Taufiqurrahma Habibullah Habibullah Nady Chiquitta Rafli Ardiansyah Rayza Aulya Nahari Rifki Rahman Ferdian Sheilita Saputri Tasya Nur Fadhilah Tazkiyah Marwah Arina Zahra Mawaddah