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All Journal Jejak digital: Jurnal Ilmiah Multidisiplin Jurnal Teologi Islam
Zahra Mawaddah
Universitas Islam Negeri Sunan Gunung Djati
Religion Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences Other

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Takziyah Al-nafs dalam Lagu “Tombo Ati” Karya Opick Fauzaan Taufiqurrahma; Rayza Aulya Nahari; Sheilita Saputri; Zahra Mawaddah; Dadan Firdaus
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/a278zq39

Abstract

The song Tombo Ati by Opick is a religious musical work that functions not only as entertainment but also as a medium for spiritual reflection. From a Sufi perspective, the song represents values of spiritual healing (tazkiyah), self-surrender (tawakkul), and purification of the heart from negative traits. This study aims to analyze how the lyrics of Tombo Ati reflect the core concepts of Sufi ethics, particularly in relation to inner healing and spiritual tranquility. The study applies the theory of Sufi ethics by Imam Al-Ghazali and the semiotic approach of Roland Barthes to examine both denotative and connotative meanings in the lyrics. The findings indicate that Tombo Ati conveys profound messages about repentance, self-awareness, and surrender to God as pathways to inner peace. Furthermore, semiotic analysis reveals that the lyrics operate not only at a literal level but also at a symbolic level, representing a spiritual journey. The song serves as a reflective medium that encourages listeners to internalize Sufi values in daily life.
Resepsi Estetik Jauss terhadap Ayat-Ayat Jilbab: Studi Komparatif Sastra Tafsir Kemenag VS. Narasi Hijab Fashion di TikTok Davin Zachary Yasa; Siti Hanifah Amaliah; Zahira Sufyan; Zahra Mawaddah; Tenny Sudjatnika
Jurnal Teologi Islam Vol. 2 No. 1 (2026): DESEMBER 2025 - MEI 2026
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/jy8de722

Abstract

The hijab phenomenon in Indonesia has undergone a radical transformation from a static theological signifier to a dynamic visual commodity in the digital era. This research aims to analyze the shift in religious authority and the interpretation of hijab verses (Surah Al-Ahzab: 59 and Surah An-Nur: 31) by comparing the official narrative of the Ministry of Religious Affairs (Kemenag) and the hijab fashion narratives on TikTok. Using Hans Robert Jauss’s Aesthetic of Reception theory, specifically the concepts of "horizon of expectation" and "aesthetic distance," the study employs a comparative analysis on diachronic and synchronic axes. The findings reveal a sharp divergence in reception: Kemenag builds a normative-institutional horizon focusing on legal compliance and moral protection, whereas TikTok constructs an aesthetic-digital horizon driven by algorithmic logic, visibility, and consumerism. This shift demonstrates a radical decentralization of religious authority, where digital influencers act as new interpreters prioritizing "visual orthopraxy" over traditional orthodoxy. Consequently, aesthetics has become a new regime of truth for the younger generation. This study concludes that religious institutions must adopt visual literacy and new interpretive approaches to remain relevant within modern visual culture.
Co-Authors Dadan Firdaus Davin Zachary Yasa Fauzaan Taufiqurrahma Rayza Aulya Nahari Sheilita Saputri Siti Hanifah Amaliah Tenny Sudjatnika Zahira Sufyan