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A Rhetorical Study of Indonesian Football Supporters’ interaction on Social Media Annisa Nurul Jannah; Eko Setyo Humaniika; Septi Riana Dewi
JELLT (Journal of English Language and Language Teaching) Vol 10 No 1 (2026)
Publisher : Universitas Sarjanawiyata Tamansiswa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36597/jellt.v10i1.21669

Abstract

Social media has become a central space for football supporters to express support, criticism, and collective identity through diverse linguistic and rhetorical strategies. This study examines the linguistic characteristics, rhetorical elements, and gender-based rhetorical patterns in Indonesian football fans’ social media posts on Instagram and TikTok. Using a descriptive qualitative approach, data were collected through non-participant observation and analyzed through content analysis based on linguistic theory and Aristotle’s classical rhetoric, including stages of data reduction, tabulation, and conclusion drawing. The findings show that out of 60 analyzed posts, 24 display distinctive linguistic characteristics such as slang, figurative language, hashtags, and multimodality, while 29 posts employ rhetorical elements of ethos, pathos, and logos to convey support or criticism toward teams and players. In addition, 7 posts reveal gender-based differences in rhetorical patterns, with male supporters tending to use direct, evaluative, and analytical communication styles, whereas female supporters favor more emotionally expressive, supportive, and collaborative language. Overall, the study demonstrates that digital rhetoric within football supporter communities’ functions not only as a communication tool but also as a means of constructing collective identity, fostering emotional solidarity, and shaping persuasion in the digital public sphere.
Examining Code-Switching in the Cindy Kaza and Mongol Stress Episode of Diary Misteri Sara Rafika Zehar; Eko Setyo Humaniika; Septi Riana Dewi; Yohanes Radjaban; Gordan Matas
Jurnal Internasional Bisnis, Humaniora, Pendidikan dan Ilmu Sosial Vol 7 No 2 (2025): International Journal of Business, Humanities, Education and Social Sciences
Publisher : Universitas Teknologi Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46923/ijbhes.v7i2.593

Abstract

This study aims to analyze code-switching in an episode of Diary Misteri Sara, a program featured on Sara Wijayanto’s YouTube channel, specifically the episode involving Cindy Kaza and Mongol Stress. The primary objective is to identify the types and functions of code-switching present in the interactions between the Diary Misteri Sara team and their collaborators. Employing a qualitative approach, the analysis draws on Stockwell’s classification of code-switching types and Gumperz’s framework for its functions. A total of 218 instances of code-switching were identified, comprising tag switching (24 instances, 10.55%), inter-sentential switching (41 instances, 18.81%), and intra-sentential switching (154 instances, 70.64%). In terms of function, six categories were found: quotation (2 instances, 0.92%), addressee specification (32 instances, 14.68%), interjection (23 instances, 10.55%), reiteration (22 instances, 10.09%), message qualification (26 instances, 11.93%), and personalization versus objectification (113 instances, 51.83%). The results indicate that intra-sentential switching is the most frequently used type, while personalization versus objectification is the most dominant function. These findings contribute to a deeper understanding of the patterns and communicative roles of code-switching in multilingual interactions within digital media contexts.
Speech acts in Chris Rock’s Stand-Up Comedy Show "Selective outrage" Akbar Arif Rizki; Eko Setyo Humaniika; Septi Riana Dewi; Gordan Matas; Yohanes Radjaban
Journal of English Language and Pedagogy Vol 8 No 2 (2025)
Publisher : Universitas Sarjanawiyata Tamansiswa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36597/jelp.v8i2.20412

Abstract

This qualitative study applies J.L. Austin's Speech Act Theory to analyze Chris Rock’s stand-up comedy show Selective Outrage. It focuses on identifying types of speech acts (locutionary, illocutionary, perlocutionary) and determining which illocutionary acts are most dominant. Data were collected through observation and note-taking, then analyzed using three stages: data reduction, data presentation, and conclusion. The results show that representative speech acts are the most dominant (44%), followed by expressive (35%), declarative (12%), directive (7%), and commissive (2%). This study offers insights into the use of speech acts in stand-up comedy and provides a deeper understanding of Chris Rock’s comedic style and communication strategies.