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All Journal Kartala Visual Studies Locus
Febriyanti Pratiwi
Institut Seni Indonesia Yogyakarta
Arts Humanities Languange, Linguistic, Communication & Media

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Film Biopik Sebagai Produksi Citra Dan Seni Yang Politis: Film Soekarno (2013) Dan Terkait Dugaan Desoekarnoisasi Febriyanti Pratiwi
Kartala Virtual Studies Vol 5 No 1 (2026): Januari 2026
Publisher : Universitas Budi Luhur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36080/kvs.v5i1.264

Abstract

This paper elaborates on the production of Ir. Soekarno's image in the film Soekarno (2013) by Hanung Bramantyo. The figure of Soekarno in the context of Indonesian cinema always presents its polemic about how the proclaimer is presented. Allegations of desokarnoization were rapidly directed at the film Soekarno (2013). This research aims to examine the capacity of the film apparatus in producing Soekarno through the actor's body, visuals, and historical selection. The film Soekarno (2013) cannot be separated from the stereotype of biopic films full of political decisions about how historical figures are presented in 'new versions'. The Aura of The Original Soekarno cannot appear completely in a film format with limited duration and visuals. The allegation of Desoekarnoization is weak to be aimed at the film Soekarno (2013) which was produced selectively and specifically in choosing the story of Soekarno's life. Keywords : Biopic film, Soekarno, Image production, Desoekarnoization.
A Public Service Advertisement Response to Parental Phubbing: A Gramscian Hegemony and Good Eye Photography Approach Fransisca Sherly Taju; Febriyanti Pratiwi; Febi Arifianto
Journal of Local Culture Study Vol. 2 No. 01: June, 2024
Publisher : Research And Social Study Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33292/locus.v2i01.13

Abstract

Parental phubbing — a parent’s neglect of direct interaction with a child caused by absorption in a smartphone — has become a form of child neglect that has grown alongside the widening penetration of mobile devices over the past decade. A substantial psychological literature now documents its developmental consequences, yet the visual strategies through which public awareness campaigns represent and contest it remain largely unexamined. This article examines, visually and ideologically, how a photography-based public service campaign addresses parental phubbing. The corpus is the public awareness material of the “Talk to Me, Play with Me, Carry Me” campaign initiated by the Langley Infant Mental Health Collaborative in British Columbia, Canada, examined together with an earlier Indonesian campaign on child neglect arising from transferred caregiving. The design is descriptive qualitative: content, colour, and spatial organisation are analysed within Gillian Rose’s good eye framework, the result is read ideologically through Antonio Gramsci’s distinction between common sense and good sense, and the two campaigns are then compared. The analysis finds that documentary photography builds a realist impression critiquing the habit through the contrast between physical closeness and attentional distance, and that parental authority is eroded here not by an identifiable adversary but by a diffusely naturalised habit that a non-judgmental campaign works to make visible. The article contributes a visual-communication account of a phenomenon studied so far mainly in psychology, and specifies the evidentiary and reflexive limits within which such an account can be made.
Co-Authors Febi Arifianto Fransisca Sherly Taju