I Nyoman Mariyana
Institut Seni Indonesia Bali

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Analysis of Content, Meaning, and Cultural Values in Balinese Lontar Manuscripts: A Case Study of Gending Gambang at Gambang Kwanji Sempidi Gek Diah Desi Sentana; I Nyoman Mariyana
Alinea: Jurnal Bahasa, Sastra dan Pengajaran Vol. 6 No. 2 (2026): Alinea: Jurnal Bahasa, Sastra, dan Pengajaran
Publisher : Bale Literasi: Lembaga Riset, Pelatihan & Edukasi, Sosial, Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58218/alinea.v6i2.3441

Abstract

This study examines the content, meaning, and cultural values embedded in a specific corpus of Balinese lontar manuscripts used in the Gending Gambang tradition at Gambang Kwanji Sempidi, Bali. Unlike previous studies that treat lontar manuscripts in a general or catalog-based perspective, this research focuses on an intrinsic case study of a living manuscript tradition that is actively integrated into musical and ritual practice. The main research gap addressed in this study lies in the limited interpretive analysis of lontar manuscripts as contextual cultural texts, particularly in relation to their role in sustaining embodied artistic knowledge in contemporary Balinese society. This research employs a qualitative intrinsic case study design supported by hermeneutic, semiotic, and philological perspectives. Hermeneutics is used to interpret meaning within cultural and historical contexts, semiotics is applied to analyze symbolic structures in the manuscript notation system, while philology supports textual reading and interpretation of the lontar content. Data were collected through interviews, participant observation, documentation, and textual analysis, then analyzed using the interactive model of Miles, Huberman, and Saldaña. The findings reveal that the lontar manuscripts of Gending Gambang function not only as textual artifacts but also as epistemic instruments that transmit musical knowledge, cultural memory, and ritual authority. The meanings embedded in the manuscripts are constructed through symbolic notation systems that require interpretive reading within communal practice. Furthermore, the cultural values identified include religiosity, artistic discipline, social cohesion, and intergenerational knowledge transmission. The novelty of this study lies in its integration of hermeneutic-semiotic interpretation with philological reading within a single intrinsic ethnocultural case study, demonstrating that lontar manuscripts operate as living cultural texts rather than static literary relics. The study contributes to the development of classical literature studies by positioning lontar manuscripts within contextual cultural literacy, ethnopedagogical practice, and community-based heritage preservation. This reinforces the relevance of lontar manuscripts as dynamic knowledge systems that continue to function within contemporary cultural ecosystems.
Kecak sebagai Seni Pertunjukan Monumental dan Representasi Identitas Budaya Bali I Nyoman Mariyana; Gek Diah Desi Sentana
CITRAKARA Vol. 7 No. 4 (2025): DESEMBER 2025
Publisher : Universitas Dian Nuswantoro

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Abstract

Kecak is a Balinese performing art that holds a monumental position in the Indonesian cultural landscape. Rooted in the sacred Sanghyang ritual, Kecak has undergone a transformation into a communal, aesthetic, and communicative performing art without losing its symbolic meaning. This article aims to examine Kecak as a monumental performing art as well as a representation of Balinese cultural identity. A qualitative approach is used through literature studies, performance observations, interviews, documentation and conceptual analysis of performing arts and cultural identity theory. The results of the study indicate that Kecak's monumentality lies in the dimension of the method used in this writing using qualitative descriptive research. Kecak has become the strongest representation (sign) of Balinese cultural identity and has given birth to various forms of art such as; Body Tjcak, "Kobagi", "Elektrik Kecak", "Perkusi Kecak", Cak Air, as well as symbolic power that represents the spiritual, social, and cosmological values ​​of Balinese society. Kecak not only functions as an aesthetic spectacle, but also as a medium for the articulation of Balinese cultural identity that continues to be negotiated amidst the dynamics of tourism and globalization. Thus, Kecak can be understood as a performing art that plays an important role in preserving, representing, and strengthening Balinese cultural identity both locally and globally.