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All Journal al-Afkar, Journal For Islamic Studies ZAD Al-Mufassirin
Wildan Taufiq
UIN Sunan Gunung Djati Bandung, Indonesia
Religion Education Languange, Linguistic, Communication & Media Social Sciences Other

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Aesthetic Transformation in Poetic Style Translations of The Qur’an Wildan Taufiq; Edi Komarudin
ZAD Al-Mufassirin Vol. 8 No. 1 (2026): ZAD Al-Mufassirin June 2026 [In Progress]
Publisher : Sekolah Tinggi Ilmu Al-Qur'an (STIQ) ZAD

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55759/zam.v8i1.421

Abstract

The shift in aesthetic values within Quranic poetry is investigated in this paper. Specifically, it analyzes two distinct works,  Muhamad Dipenogoro’s “Perkabaran” and H.B. Jassin’s “Bacaan Mulia”. The main issue addressed is the potential loss of Arabic literary value (balāghah) in prose translations of Qur’an into Indonesian. Using a comparative stylistic approach, this study analyzed Sūrat al-Fātiḥah and several chapters from the 30th juz of the Qur’an in “Bacaan Mulia” by H.B. Jassin and “Perkabaran” by Muhamad Dipenogoro. The analysis revealed that poetic translations partially preserved rhyme, rhythm, and diction. Another finding indicated that, in certain chapters, the translators successfully maintained the Arabic literary values (balāghah) equivalently in their translations, while in other parts, these values were not preserved to the same extent. However, they creatively produced aesthetically rich translations in sections where such literary aesthetics were not explicitly present in the original verses. Another important finding demonstrated that these poetic translations are not merely condensed renderings that convey meanings parallel to the original verses, but also communicate deeper interpretations and function as tafsīr-based translations. Thus, poetic translation represents a form of aesthetic interpretation of the Qur’an, which was originally revealed with a high degree of literary excellence.
Analysis of Methods and Sources of Interpretation of the Book of Tafsir Al Kasyif in Surah Al Fatihah Verses 1-7 Edi; Sigit Abdulloh; Eni Zulaiha; Wildan Taufiq
al-Afkar, Journal For Islamic Studies Vol. 9 No. 1 (2026)
Publisher : Perkumpulan Dosen Fakultas Agama Islam Indramayu

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31943/afkarjournal.v9i1.1939

Abstract

Interpretation as a result or product of the dialectic between the reasoning of an interpreter and the text, and the context that surrounds it, requires continuous dynamics, interpretation has no stopping point. That is why the product of interpretation needs to be studied. This writing aims to analyze the methods and sources of interpretation used in the book Tafsir al Kasyif by Muhammad Jawwad Mugniyah, especially in surah al Fatihah verses 1-7. The author uses a qualitative method through literature study with various reference sources, both primary and secondary based on books, journals, and others that support this research. The special methods presented by Tafsir al Kasyif include: presenting a special discussion on Isti'adzah and Basmallah; mentioning the name of the surah; writing one surah as a whole; presenting various opinions about where it was revealed; explaining the naming of surah al Fatihah first; Interpreting the Qur'an verse by verse; explaining the rules of language; explaining the meaning and prioritizing the opinion of Ali Zainal Abidin; Explaining vocabulary; explaining the differences in readings (qiraat). Muhammad Jawwad uses a general method: Tahlili, in presenting his tafsir work, along with a special method that tends towards linguistic rules to examine each meaning, and is accompanied by a variety of opinions that prioritize opinions oriented towards the fanaticism of his sect's ideology. If there are differences in readings or qiraat, he presents these differences, but does not explain them in depth and includes strong sources, only as informative.
Co-Authors Edi Edi Komarudin Eni Zulaiha Sigit Abdulloh