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IMPLIKATUR DAN PELANGGARAN MAKSIM PADA KASUS PELECEHAN ANAK DIMEDIA SOSIAL: KAJIAN PRAGMATIK TUTURAN DALAM VIDEO TIKTOK VENA., S.H Sefi Diah Arianti; Dwi Wahyu Puspita; Dyah Ayu Fauzyah; Laura Mirpana Rohmah; Nur Lailiyah
Jurnal PENEROKA Vol. 6 No. 2 (2026): Juli 2026
Publisher : Institut Agama Islam Darussalam Blokagung Banyuwangi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30739/peneroka.v6i2.5300

Abstract

This study aims to describe the implicatures and politeness maxim violations found in the comment section of TikTok videos uploaded by the account Vena N., S.H., which discuss an alleged case of child sexual abuse. The study is motivated by the free and expressive use of language on social media, which allows users to convey criticism and judgment toward the parties involved in a case. This research uses a descriptive qualitative method with data consisting of utterances containing implicatures and violations of Grice's cooperative principle and Leech's politeness principle. Data were collected through observation and note-taking techniques, then analyzed through reduction, transcription, classification, interpretation, and data presentation. The findings show 20 instances of politeness maxim violations covering the maxims of approbation, sympathy, tact, agreement, and modesty, with the most frequent violations found in the maxims of approbation and modesty. The comments also contain implicatures used to convey criticism, disappointment, and distrust toward law enforcement performance. The most dominant illocutionary function is expressive, followed by representative and directive functions. These findings indicate that although social media provides space for public criticism of legal issues, such criticism is largely expressed through politeness maxim violations and implicatures, suggesting that digital communication tends to prioritize emotional expression over linguistic politeness.
Representasi Hobi Pecinta Burung dalam Lagu “Kicau Mania”: Kajian Semiotika Ingghar Ghupti Nadia Kusmiaji; Talitha Afifah; Aris Fatunnisa; Intan Agustina Likabella Putri; Putri Naza Anggun; Laura Mirpana Rohmah
Kartika: Jurnal Studi Keislaman Vol. 6 No. 3 (2026): Kartika: Jurnal Studi Keislaman (August)
Publisher : Lembaga Pendidikan Tinggi Nahdlatul Ulama (LPT NU) PCNU Kabupaten Nganjuk

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59240/kjsk.v6i3.1214

Abstract

This study aims to describe the representation of bird lovers' hobbies in the lyrics of the song "Kicau Mania" popularized by Ndarboy Genk together with Banditoz Yaow 86 through the semiotic analysis of Ferdinand de Saussure. The study employs a descriptive qualitative approach with data sources in the form of song lyrics analyzed using the concepts of signifier and signified. Data collection techniques were carried out through listening and note-taking techniques, while data analysis was conducted by identifying semiotic signs in the song lyrics and then interpreting the denotative and connotative meanings contained within them. The results show that the song represents bird lovers' activities as a form of affection and responsibility toward pet birds, inner peace and harmony of life, community solidarity and collective identity, sportsmanship and moral values, as well as achievement and self-esteem. Furthermore, the song describes the kicau mania culture as a social phenomenon that strengthens relationships among people through shared hobbies that transcend geographical and social boundaries. Thus, song lyrics not only function as a medium of entertainment but also as a representation of culture and social life that reflects universal human values. This research contributes to the development of semiotic studies, cultural linguistics, and popular media analysis based on local communities in Indonesia