Ruwiyah Zamzam
Universitas Islam Negeri Sultan Syarif Kasim, Indonesia

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KALIGRAFI DAN PENERAPANNYA DALAM SENI DESIGN INTERIROR MASJID QUBA MADINAH Ruwiyah Zamzam; Balqis Ufairo
Jurnal Ekshis Vol 2 No 1 (2024): Jurnal Ekonomi, Syariah dan Studi Islam (November-April)
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/je.v2i1.131

Abstract

The journal describes the types of calligraphy strokes and the application of calligraphy art in the field of interior design. Calligraphy is an art that contains aesthetic and spiritual values ​​in it, while interior design is a series of planning processes for a space facility in accordance with the needs of its users physically and psychologically in order to give the feel of a comfortable space for its users. This study uses a qualitative method of content analysis as the main approach with a descriptive approach as an additional approach. This study aims to describe what is sulus calligraphy and how to apply it in the interior design of the Cuban mosque in the city of Medina, the result is that the interior design space using sulus type Arabic calligraphy when combined with the spiritual dimension in the overall composition of the interior design is able to perfect the meaning and aesthetic value of the art of calligraphy
JENIS-JENIS KALIGRAFI PADA DINDING-DINDING MASJID Ruwiyah Zamzam; As Sauti Wahid
Jurnal Ekshis Vol 2 No 2 (2024): Jurnal Ekonomi, Syariah dan Studi Islam (Mei-Oktober)
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/je.v2i2.273

Abstract

Calligraphy is an art in writing that produces beautiful writings. Calligraphy is nothing new especially in Islam. Calligraphy in Islam is used to write verses of the Quran in Arabic. In Arabic, calligraphy is known as Khat. Calligraphy consists of eight types, namely Tsulus, Naskhi, Farisi (Ta'liq), Diwani, Diwani Jali, Riq'ah, Ijazah, and Kufi. The purpose of this study was to find out which type of khat is used on the walls of mosques as decoration. This research uses the Library Research method or literature study. The data obtained is then analyzed by descriptive analysis. Of the eight types of khat, there are two types that are often used as mosque wall decorations, namely Naskhi and Kufi styles. The use of these two types of khat is due to their beautiful and simple shapes compared to other types of khat. Often used as mosque wall decorations, namely Naskhi and Kufi styles. The use of these two types of khat is due to their beautiful and simple shapes compared to other types of khat.often used as mosque wall decorations, namely Naskhi and Kufi styles. The use of these two types of khat is due to their beautiful and simple shapes compared to other types of khat.    
WARISAN SENI ISLAM DALAM KAJIAN ILMU KALIGRAFI ARAB Adila Umniati Ulfa; Lely Triastuti; Ruwiyah Zamzam
Jurnal Ekshis Vol 3 No 1 (2025): Jurnal Ekonomi, Syariah dan Studi Islam (November-April)
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/je.v3i1.359

Abstract

Calligraphy education is an effective means of preserving and strengthening the identity of Islamic art. In conclusion, calligraphy education has a very important role in maintaining the heritage of Islamic art. Through calligraphy education, the art of Islamic calligraphy can continue to live and develop, understanding of Arabic script and Arabic language can be enriched, and the social and economic impact of the art of calligraphy can be utilized. Thus, calligraphy education is key to ensuring that this valuable Islamic artistic legacy remains alive and is passed on to future generations. The method used is based on collecting and analyzing data sourced from literature, books, journal articles, scientific publications and other relevant sources. Calligraphy education in maintaining the heritage of Islamic art is very important, because calligraphy, as the art of beautiful writing using Arabic script, has been an integral part of Islamic culture and identity for centuries. The art of calligraphy not only has high aesthetic value, but also has deep spiritual and symbolic meaning in the Islamic religion. Keywords: Calligraphy, Islamic Artistic Heritage
A COMPARATIVE STUDY OF CALLIGRAPHY LEARNING IN MODERN AND TRADITIONAL BOARDING SCHOOLS Putriani Dalimunthe; Tengku Sinar Mawanda; Ruwiyah Zamzam
Jurnal Eduslamic Vol 2 No 1 (2024): Eduslamic: Jurnal Pendidikan Islam dan Keagamaan (Maret-Agustus)
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/jed.v2i1.260

Abstract

Calligraphy is a work of art that is currently being studied, especially in Islamic boarding schools, both at modern Islamic boarding schools and traditional Islamic boarding schools. This research is to find out the comparison of learning Calligraphy at Modern and Traditional Islamic Boarding Schools. The difference between learning Calligraphy Science this time The researcher took one of the huts as a comparison, namely the Modern Darussalam Gontor Islamic Boarding School and the Sabilul Mukminin Traditional Islamic Boarding School. This time the research method used for researchers is a descriptive approach through a qualitative approach and researchers also use literature reviews or collect data from various sources. This study also uses an interview approach, where researchers can collect various data from respondents. The results obtained from this study are that modern Islamic boarding schools prioritize learning calligraphy compared to traditional Islamic boarding schools.