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All Journal Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang calaccitra: jurnal film dan televisi
Gangga Lawranta
Institut Seni Indonesia Bali
Arts Humanities

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PENERAPAN GAYA SINEMATOGRAFI SLOW BURN DALAM FILM KALA MENTARI BERLALU I Putu Suyandana; I Made Denny Chrisna Putra; Gangga Lawranta
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 6 No. 1 (2026): Jurnal Calaccitra Juli 2026
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

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Abstract

The short film Kala Mentari Berlalu addresses the issue of the sale of rice field land in Bali through a child’s perspective, employing a slow-burn cinematographic approach. This research/creative project aims to analyze the role of the Director of Photography in shaping visual rhythm, emotional resonance, and the transformation of visual style from realism to surrealism. The method applied is practice-based research, encompassing stages of conceptualization, visual design, production, and evaluation. The results indicate that the slow-burn approach is effective in gradually building the audience’s emotional engagement through long shot durations, minimalist camera movement, and subtle lighting. This film is expected to contribute to the development of fictional film cinematography practices with a reflective approach.
Gerak Mimesis Pada Penciptaan Tari Baruak Di Laban Kabupaten Pesisir Selatan Provinsi Sumatera Barat Mentari Varianda; Gangga Lawranta
Dance and Theatre Review Vol 9, No 1: May 2026
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/dtr.v9i1.19522

Abstract

Mimesis Movement in the Baruak Dance of Laban, West Sumatera: A Manifestation Study. Baruak Dance is a traditional dance that lives and develops in Kampung Laban, Pesisir Selatan Regency, West Sumatra Province. This dance is inspired by the behavior of the Baruak (long-tailed macaque), which has a close relationship with the coastal community, particularly in daily life and economic activities. The emergence of Baruak Dance originates from the artist’s observation of the movements and behavior of the Baruak, which are subsequently processed and developed into a dance performance. This study aims to discuss Baruak Dance as a manifestation of mimetic movement, with particular emphasis on dance form and dancers’ expression. The research employs a descriptiveanalytical method with a qualitative approach, conducted through observations of movement patterns, performance structure, musical accompaniment, and dancers’ expressions. The results show that the movements in Baruak Dance represent imitations of Baruak behavior that have undergone processes of stylization and artistic transformation. The mimetic movements, characterized by their comical and communicative nature, constitute the main elements shaping the dance’s character and reflect the relationship between humans, nature, and the cultural values of the Pesisir Selatan community.Keywords: Baruak Dance, mimesis, traditional dance, Minangkabau
Co-Authors I Made Denny Chrisna Putra I Putu Suyandana Mentari Varianda