Article Per Year (5 Year)
p-Index From 2021 - 2026
0.702
P-Index
This Author published in this journals
All Journal calaccitra: jurnal film dan televisi Abdi Widya: Jurnal Pengabdian Masyarakat
I Made Denny Chrisna Putra
Institut Seni Indonesia Bali
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Education Health Professions Law, Crime, Criminology & Criminal Justice Public Health Other

Published : 4 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 4 Documents
Search

 1 
PENERAPAN GAYA SINEMATOGRAFI SLOW BURN DALAM FILM KALA MENTARI BERLALU I Putu Suyandana; I Made Denny Chrisna Putra; Gangga Lawranta
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 6 No. 1 (2026): Jurnal Calaccitra Juli 2026
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The short film Kala Mentari Berlalu addresses the issue of the sale of rice field land in Bali through a child’s perspective, employing a slow-burn cinematographic approach. This research/creative project aims to analyze the role of the Director of Photography in shaping visual rhythm, emotional resonance, and the transformation of visual style from realism to surrealism. The method applied is practice-based research, encompassing stages of conceptualization, visual design, production, and evaluation. The results indicate that the slow-burn approach is effective in gradually building the audience’s emotional engagement through long shot durations, minimalist camera movement, and subtle lighting. This film is expected to contribute to the development of fictional film cinematography practices with a reflective approach.
PERANCANGAN BAHASA VISUAL DALAM PENCIPTAAN KARYA FILM PENDEK DARA DALAM BELENGGU Thoriq Sihabudin; I Made Denny Chrisna Putra; I Nyoman Payuyasa
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 6 No. 1 (2026): Jurnal Calaccitra Juli 2026
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Film is an audio-visual medium that possesses the power to convey meaning through moving images; however, strictly relying on verbal dialogue or verbalism remains a common issue in practice. The creation of the short fiction film Dara dalam Belenggu addresses the psychological issue of body anxiety in adolescents, demanding a specific visual approach to depict internal conflict without explicit verbal explanation. This article discusses the application of Cinematic Language by the cinematographer as a narrative solution to visualize the isolation and mental pressure experienced by the protagonist, Anari. The creation method focuses on Shot Design utilizing Negative Space and the application of lighting with a Progressive Contrast Ratio. The results demonstrate that the use of tight, restrictive framing (claustrophobic) and the shift in light contrast ratio from flat to high contrast successfully represent the emotional escalation and the character's feeling of being "shackled" symbolically. Through this approach, visual elements effectively function as the primary storyteller, building the atmosphere and character emotion..
SINEMATOGRAFI DALAM PENYAMPAIAN EMOSI NON-VERBAL PADA FILM TAK KEMBALI LAGI I Gusti Agung Deta Nanda Nugraha; I Made Denny Chrisna Putra; I Wayan Agus Mahardika
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 6 No. 1 (2026): Jurnal Calaccitra Juli 2026
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The short film Tak Kembali Lagi is a fictional drama-romance work that explores the dynamics of a relationship breakdown through a non-verbal emotional approach. This work is based on the idea that conflicts in relationships do not always emerge through explicit verbal confrontation, but rather develop gradually through silence, emotional distance, and routines that lose their meaning. Therefore, cinematography is positioned as the primary visual language in conveying the characters’ inner states and relational dynamics. This article examines the creative process of Tak Kembali Lagi with a focus on the role of the Director of Photography (DOP) in designing and implementing visual aesthetics that support emotional storytelling. A realist approach is employed as the aesthetic foundation through the application of cinematographic techniques such as long takes, natural lighting, negative space composition, and frame-in-frame. The creation method consists of concept exploration, pre-production, production, and post-production stages. The results indicate that cinematography plays a significant role in communicating non-verbal emotions and enhancing the audience’s emotional experience without reliance on dialogue.
Pengabdian Masyarakat di Desa Gadungan, Tabanan, Bali: Pembuatan Film Dokumenter Perjuangan Rakyat dengan Judul “Baliwerti – Bara di Tanah Gadungan” I Made Denny Chrisna Putra; Gede Pasek Putra Adnyana Yasa; Arya Pageh Wibawa; Epriliana Fitri Ayu Pamungkas
Abdi Widya: Jurnal Pengabdian Masyarakat Vol 5 No 1 (2026): Abdi Widya: Jurnal Pengabdian Masyarakat
Publisher : Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/awjpm.v5i1.5943

Abstract

Desa Gadungan di Kabupaten Tabanan, Bali, memiliki nilai historis yang kuat terkait perjuangan masyarakat dalam mempertahankan kemerdekaan. Namun, pengetahuan sejarah tersebut sebagian besar masih bersifat lisan dan berpotensi hilang akibat minimnya dokumentasi serta terbatasnya transmisi antargenerasi. Kegiatan pengabdian ini bertujuan untuk mendokumentasikan dan mentransmisikan kembali memori kolektif masyarakat melalui produksi film dokumenter berjudul “Baliwerti: Bara di Tanah Gadungan”. Metode yang digunakan meliputi tahapan pra-produksi, produksi, dan pasca-produksi, yang dipadukan dengan pendekatan partisipatif dan etnografi visual. Tahap produksi dilakukan dengan metode perekaman memori melalui keterlibatan langsung narasumber di lokasi historis. Hasil menunjukkan bahwa film dokumenter berperan tidak hanya sebagai media dokumentasi, tetapi juga sebagai sarana rekonstruksi memori sosial, jembatan antar generasi, dan penguatan identitas budaya masyarakat. Selain itu, film ini memiliki potensi sebagai media edukasi dan promosi desa berbasis sejarah. Secara akademik, kegiatan ini berkontribusi pada pengembangan film dokumenter sebagai metode pengabdian berbasis budaya dan partisipasi masyarakat.
Co-Authors Arya Pageh Wibawa Epriliana Fitri Ayu Pamungkas Gangga Lawranta Gede Pasek Putra Adnyana Yasa I Gusti Agung Deta Nanda Nugraha I Nyoman Payuyasa I Putu Suyandana I Wayan Agus Mahardika Thoriq Sihabudin