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All Journal Jurnal Ikadbudi : Jurnal Ilmiah Bahasa, Sastra, dan Budaya Daerah Wiyata Budaya
Siti Nuraini Indriasih
universitas Lampung
Religion Arts Humanities Languange, Linguistic, Communication & Media Social Sciences Other

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Motivasi di Balik Bubandung Ingek Pek Mulang: Kajian Karya Efendi Sanusi Bila Fitri Pratama; Siti Nuraini Indriasih; Rahmat Prayogi; Bambang Riyadi
Jurnal IKADBUDI Vol. 14 No. 3 (2025): Jurnal Ikadbudi : Jurnal Ilmiah Bahasa, Sastra, dan Budaya Daerah
Publisher : Fakultas Bahasa Seni dan Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ikadbudi.v14i3.79836

Abstract

This research is entitled "The Motivational Meaning Behind Bubandung Ingek Pek Mulang: A Study of Efendi Sanusi's Work". The purpose of this research is to find out the meaning of Bubandung Ingek Pek Mulang. This research uses qualitative literature study. In Effendi Sanusi's book "Remember Where to Return", he shows how linguistic and cultural signs shape motivational meaning. The author creates a symbolic relationship between the signifier and the signified, using markers such as poetry verses that tell the story of the Big Dipper's journey to Lampung Bay and the moral message it conveys. Here, religious and moral messages are the focus. The use of these signs is intended to convey a religious message about how important it is to remember Allah at all times in life, emphasizing moral principles such as obedience, devotion, and responsibility.Penelitian ini berjudul "Makna Motivasi Di Balik Bubandung Ingek Pek Mulang: Kajian Karya Efendi Sanusi". Tujuan dari penelitian ini adalah untuk mengetahui makna dari Bubandung Ingek Pek Mulang. Penelitian ini menggunakan studi pustaka kualitatif. Dalam buku Effendi Sanusi "Ingat Tempat Kembali", dia menunjukkan bagaimana tanda-tanda linguistik dan kultural membentuk makna motivasi. Penulis menciptakan hubungan simbolis antara penanda dan petanda, menggunakan penanda seperti bait-bait puisi yang menceritakan perjalanan biduk ke Teluk Lampung dan pesan moral yang disampaikan. Di sini, pesan agama dan moral menjadi fokus. Penggunaan tanda-tanda ini dimaksudkan untuk menyampaikan pesan keagamaan tentang betapa pentingnya mengingat Allah setiap saat dalam hidup, menekankan prinsip-prinsip moral seperti kepatuhan, pengabdian, dan tanggung jawab.
THE STYLISTIC STRATEGIES OF FIGURATIVE LANGUAGE AND IMAGERY IN CONSTRUCTING THE MEANING OF LONGING IN HALINU NA MERIDU NARI DI TUNDUNMU BY GUSTI PRIDA GUMALA Siti Nuraini Indriasih; Heru Prasetyo; Yinda Dwi Gustira
Wiyata Budaya: Jurnal Pendidikan Dalam Konteks Humaniora Vol. 3 No. 1 (2026): Wiyata Budaya
Publisher : FKIP Universitas Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23960/wiyatabudaya.v3i1.2129

Abstract

Poetry is a literary genre that employs linguistic elements to construct aesthetic value while expressing the poet's inner experiences. Although stylistic studies on poetry have been widely conducted, research examining the relationship between figurative language and imagery as fundamental elements in constructing meaning and aesthetic effects in Lampung poetry remains limited. Therefore, this study aims to describe the use of figurative language and imagery in Halinu Na Meridu Nari di Tundunmu by Gusti Prida Gumala through a stylistic approach. This study employed a qualitative descriptive method using a stylistic approach. The data consisted of the verses of Halinu Na Meridu Nari di Tundunmu by Gusti Prida Gumala. Data were collected through close reading and note-taking techniques and analyzed by identifying, classifying, interpreting, and describing stylistic elements, particularly figurative language and imagery. The findings reveal that the poem employs three types of figurative language—metaphor, personification, and hyperbole—and five types of imagery, namely visual, auditory, olfactory, kinesthetic, and tactile imagery. Metaphors are used to express longing and memories imaginatively, personification animates abstract entities to evoke emotional nuances, while hyperbole intensifies the lyrical speaker's emotions. Furthermore, the various forms of imagery create vivid sensory experiences, enabling readers to visualize, hear, smell, feel, and emotionally experience the events portrayed in the poem. The study demonstrates that the integration of figurative language and imagery not only enhances the poem's aesthetic quality but also functions as a stylistic strategy for constructing meaning, reinforcing the expression of longing, and creating profound aesthetic experiences for readers.
Co-Authors Bambang Riyadi Bila Fitri Pratama Heru Prasetyo Rahmat Prayogi, Rahmat Yinda Dwi Gustira