Mukhsin Patriansah
Program Studi Desain Komunikasi Visual, Fakultas Ilmu Pemerintahan dan Budaya, Universitas Indo Global Mandiri

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Representation of Muara Takus Temple in the Stage Design of the 31st Srivijaya Festival 2023 Didiek Prasetya; Mukhsin Patriansah; Husni Mubarat; Iqbal Maulana Yazid; M. Ridwan
Sanggitarupa Vol. 6 No. 1 (2026): Sanggitarupa
Publisher : Institut Seni Indonesia Surakarta

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Abstract

The 31st Srivijaya Festival 2023 was a cultural arts event that highlighted historical values and regional cultural identity. The festival involved participants from 17 regencies and municipalities across South Sumatra. One of the key elements in the event was the stage design, which adapted the visual form of Muaro Takus Temple. The selection of Muaro Takus Temple was based on its historical significance related to the glory of the Srivijaya Kingdom and its distinctive architectural features, particularly its stupa form and red-brick construction. This study aims to examine and analyze the process of cultural transformation and representation from the temple’s architectural form into the stage design. The research employed a descriptive qualitative method with an interpretative approach. Data were collected through observation, interviews, and documentation as primary sources, while literature studies from internet sources, social media, scientific articles, and relevant books served as secondary data. The validity of the data was established through data triangulation, which included documentation of the architectural form of Muaro Takus Temple, verification of relevant literature, and interpretative analysis using Stuart Hall's representation theory. The data were analyzed through data reduction, data presentation, and conclusion drawing. The findings reveal that the representation of Muaro Takus Temple was manifested through the application of visual elements, including form, line, color, texture, and space, which were derived from the temple’s architectural characteristics such as its tiered structure, red-brick material, and stupa shape. These elements were transformed into the main stage property, functioning not only as a performance backdrop but also as a symbol of the grandeur of Srivijaya as a maritime kingdom and a center for the dissemination of Buddhism in the Indonesian archipelago. Therefore, the stage design of the 31st Srivijaya Festival 2023 serves as a visual, aesthetic, and communicative representation of the cultural and historical values embodied in Muaro Takus Temple
Penerapan Media Promosi Visual Kue Srikaya Kepada Generasi Muda Dalam Upaya Pelestarian Kuliner Tradisional Palembang Alif Pasya; Hestia Rachmat Nunciata Lubis; Mukhsin Patriansah
Besaung : Jurnal Seni Desain dan Budaya Vol. 10 No. 3 (2025): Besaung: Agustus-November
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v10i3.5878

Abstract

Srikaya cake is one of Palembang's culinary heritage with a sweet taste, followed with a soft texture made of coconut milk, eggs, sugar, and pandan. Despite having a historical value along with a strong culture, Srikaya cake's popularity among the younger generation has actually declined due to a shift in consumption patterns that's heading towards modern culinary trends, such as dessert boxes, bubble tea, and international pastries. In addition to that, the limitations of innovating the marketing, branding, and visual identity has made Srikaya cake less competitive compared to other modern culinary products that are more aggressively promoted on digital platforms. This research solves this problem by designing a visual promotional media that targets the younger generation with the main media in the form of Product Display Panel (PDP), Mini PDP, and packaging variants developed in three tiers consisting of standard, premium, and super premium. The design method applied in this research is Design Thinking, which involves the stages of emphaty towards users, focused problem definition, creative ideas, prototyping, and a testing to receive feedbacks from the target audience. The objectives of the design are to enhance the visual appeal and the perceived value of Srikaya cake, building the brand identity that is relevant to the young generation, and also to expand the promotional reach through both offline and online channels. The expected results are to increase the buying interest, better aesthetic acceptance, and to contribute in preserving the Palembang's traditional culinary heritage through marketing solutions that are adaptive towards the modern market dynamics