Dhimas Aryo Vipha Ananda
Universitas Muhammadiyah Yogyakarta

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Pornografi Iklan Obat Pembesar Alat Vital di Media Sosial dalam Tinjauan Etika Pariwara Indonesia Anisa Ambar Jati; Raisa Fatihah; Yuyun Sulistyowati; Dhimas Aryo Vipha Ananda
ANALOGI Jurnal Ilmu Sosial dan Humaniora Vol 3 No 1 (2025)
Publisher : Universitas Muhammadiyah Klaten

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61902/analogi.v3i1.1465

Abstract

This study examines violations of the Indonesian Advertising Ethics in advertisements for male enhancement products on social media, specifically on Platform X). These advertisements feature exaggerated claims about sexual performance enhancement and visuals containing elements of sexual exploitation. A qualitative descriptive method was employed to analyze the advertisement content and identify ethical breaches based on the Indonesian Advertising Ethics guidelines, the Electronic Information and Transactions Law, and regulations from the Food and Drug Administration. The findings reveal that these advertisements utilize hyperbolic language, unsubstantiated claims, and inappropriate visualizations to attract consumers. Such practices violate the Indonesian Advertising Ethics provisions regarding the use of language and visuals in advertisements. This study underscores the importance of adherence to advertising regulations to protect consumers from misleading information while maintaining ethics and credibility in marketing practices.
Production Management in the Short Film Menunggu Dijemput: Collaboration Between BM Production and Phylosopicture Syahida Fatma Afifi; Filosa Gita Sukmono; Dhimas Aryo Vipha Ananda
Jogjakarta Communication Conference (JCC) Vol. 4 No. 1 (2026): The 7th Jogjakarta Communication Conference (JCC)
Publisher : Jogjakarta Communication Conference (JCC)

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Abstract

Production management is an important aspect in the making of short films, which requires efficiency in terms of time, resources, and structured work coordination. Cross-production house collaboration also requires effective work management so that the production process can run optimally. This study analyzes the application of production management in the collaborative work process across production houses in the short film Menunggu Dijemput by BM Production and Phylosopicture. The method used is qualitative with a descriptive approach through case studies. Data collection was conducted through in-depth interviews with producers and directors as well as documentation studies related to the film production process. The analysis focused on the pre-production, production, and post-production stages using a production management framework and POAC theory (Planning, Organizing, Actuating, and Controlling). The results of the study indicate that the application of production management in cross-production house collaboration plays a role in regulating work coordination, task distribution, and resource management during the short film production process, while also requiring flexibility in addressing challenges such as differences in team locations, communication systems, and limited resources.