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All Journal Grenek: Jurnal Seni Musik
Rizki Mona Dwi Putra
Institut Seni Budaya Indonesia Aceh, Indonesia
Arts Humanities Computer Science & IT Education Social Sciences

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Analisis Musik Tangis Dilo sebagai Media Pelestarian Tradisi Meratap Suku Alas di Aceh Tenggara Rizki Mona Dwi Putra; Elmi Novita; Abdul Rozak
Grenek: Jurnal Seni Musik Vol. 14 No. 2 (2025): Grenek: Jurnal Seni Musik (December)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v14i2.69162

Abstract

Tangis Dilo is one of the musical traditions of the Alas community in Kutacane, Southeast Aceh, which is presented in the form of lullabies with simple melodies and expressive lyrics. Tangis Dilo serves as a medium for conveying moral messages, prayers, and parents' hopes for their children, as well as a means of passing on life values. However, the tide of globalization has resulted in this tradition being practiced less and less frequently, threatening its disappearance from community life. Therefore, preservation efforts are needed to ensure its relevance amid changing times. The purpose of this study is to analyze and describe the presentation of Tangis Dilo music in an effort to preserve it as the intangible cultural heritage of the Alas community. The research uses a qualitative method with data collection techniques in the form of literature studies, direct observation, interviews with practitioners, and audio-visual documentation. The results of the study show that Tangis Dilo has distinctive musical characteristics, with a monophonic form, simple melodies with repetitive patterns, and a free rhythm that adapts to the lyrics and emotions of the singer. Its musical structure is flexible, depending on the message to be conveyed, making each performance unique. Therefore, preservation must be carried out through documentation, education, and the use of digital media to ensure that Tangis Dilo remains as the intangible cultural heritage of the Alas community.
Reinterpretasi Pertunjukan Tradisional Rapai Bubee: Pewarisan Kesenian Tradisional Kabupaten Pidie Jaya ke dalam Dokumentasi Audio Digital Tria Ocktarizka; Rizki Mona Dwi Putra
Grenek: Jurnal Seni Musik Vol. 14 No. 2 (2025): Grenek: Jurnal Seni Musik (December)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v14i2.69174

Abstract

Rapa'i Bubee is a traditional art form that originated and developed in the Meureudu area of ​​Pidie Jaya. Rapai Bubee, a ritualistic art form featuring musical and movement attractions, has been recognized as an Intangible Cultural Heritage of Humanity. However, its existence has faded, necessitating innovation in the form of digital audio documentation research and art and cultural preservation. Generally, research on the Rapa'i Bubee art form is limited to movement; musical research is rare. This study offers an innovative approach to Rapa'i Bubee music, exploring the local wisdom of the Pidie Jaya Regency community by digitally documenting Rapa'i Bubee in the modern era. This research uses the Artistic Research Method with a reinterpretation approach. This research provides a reinterpretation of the form of the rapai bubee performance in the form of taboh tapoh musical expression through the creative process of digital audio recording. This research has three stages, namely: a. Formulation of Rapa'i Bubee Musical Syair and Rhythm of Rapa'i Bubee Beats, b. determining the design of the Record/Record, c. development of musical innovation by utilizing digital audio technology. In this research, the researcher focuses on the musical aspects of the Rapai Bubee art, which includes the playing of rapa'i instruments and the sung poetry. Researchers are leveraging the latest technological advances in cultural preservation efforts, specifically through digital audio recording. Taboh tapoh is a term derived from the Acehnese language, where taboh means percussion and tapoh means blow. Taboh tapoh represents the Rapai Bubee performance, featuring a variety of rapai beats, ranging in speed from slow to fast.
Co-Authors Abdul Rozak Elmi Novita Tria Ocktarizka