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Teknik Ikat dan Teks Filosofis: Analisis Etnografi Seni Ikat Rotan Totemik dalam Konstruksi Rumah Kun Suku Armati Kelana Vhisnu Nugroho; Tindia Febriyati
Jurnal Multidisiplin Indonesia Vol. 5 No. 4 (2026): (2026): Jurnal Multidisiplin Indonesia
Publisher : Riviera Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58344/jmi.v5i4.2688

Abstract

This study examines the ethnographic relationship between rattan binding techniques and philosophical meanings in the construction of the Kun House of the Armati Tribe in Sarmi, Papua. Vernacular architecture in this region reflects complex adaptations to environmental and cultural contexts, where the Kun House functions not as a residence but as a sacred ceremonial structure. The objective of this research is to analyze how rattan bindings operate simultaneously as structural technology and as a medium of material semiotics that encodes cosmological, social, and totemic meanings. The research employs an architectural anthropology approach with qualitative ethnographic methods, including interpretation of spatial structures, symbolic elements, and construction techniques. The findings reveal that rattan bindings possess dual functions: technically, they provide flexibility and resilience against environmental pressures; philosophically, they represent a symbolic system reflecting the three-world cosmology, social hierarchy, and ritual practices. Specific binding patterns such as Turatim, Maksurs, and Martemak encode meanings related to social solidarity, liminality, and natural cycles. The study concludes that rattan binding is not merely a construction method but a cultural text that integrates technical knowledge with symbolic meaning. Preservation efforts should therefore focus on safeguarding intangible knowledge systems alongside physical structures.
Layar Tumbuh Papua: Community Exhibition Networks and Audience Formation beyond Commercial Cinemas in Jayapura Tindia Febriyati; Muhammad Ilham Mustain Murda
IMAJI Vol. 17 No. 2 (2026): Pemasaran dan Eksibisi Film
Publisher : Fakultas Film dan Televisi - Institut Kesenian Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52290/imaji.v17i2.448

Abstract

Artikel ini mengkaji Layar Tumbuh Papua sebagai praktik community exhibition network dan audience formation di luar bioskop komersial di Kota Jayapura. Dengan berfokus pada program antikorupsi “Papua Tra Boleh Korupsi,” penelitian ini melihat bagaimana pemutaran film, diskusi publik, games, pelatihan audiovisual, dan pertunjukan seni bekerja sebagai bentuk cultural mediation dalam ruang-ruang nonkomersial. Penelitian ini menggunakan metode studi kasus kualitatif berbasis observasi, dokumentasi, dan wawancara semi-terstruktur yang dilakukan selama kegiatan di SMA Negeri 4 Jayapura, KedIAMan Indonesia Art Movement, dan Asrama Nayak II. Hasil penelitian menunjukkan bahwa Layar Tumbuh Papua tidak hanya memperluas akses menonton film di luar bioskop komersial, tetapi juga membentuk pengalaman menonton yang partisipatif melalui diskusi reflektif, games berbasis Quizizz, rap battle, tari, stand-up comedy, dan pelatihan audiovisual. Setiap lokasi memiliki fungsi yang berbeda: sekolah menjadi simpul edukasi, KedIAMan bekerja sebagai pusat ekosistem seni dan film komunitas, sedangkan Asrama Nayak II menjadi ruang literasi audiovisual dan refleksi generasi muda. Artikel ini berargumen bahwa eksibisi film komunitas di Papua dapat dipahami sebagai cultural infrastructure yang memungkinkan sirkulasi film, produksi makna lokal, dan pembentukan audiens melalui relasi antara film, ruang, fasilitator, dan partisipasi komunitas.
Co-Authors Kelana Vhisnu Nugroho Muhammad Ilham Mustain Murda