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Pandangan Wahbah Al-Zuḥaylī terhadap Musik dalam Surah Luqman Ayat 6: Analisis al-Tafsīr al-Munīr fī al-ʻAqīdah wa asy-Syarīʻah wa al-Manhaj Muhammad Surya; Amroeni Drajat; Husnel Anwar Matondang
Nizamiyah: Jurnal Sains, Sosial dan Multidisiplin Vol. 2 No. 1 (2026): Nizamiyah: Jurnal Sains, Sosial dan Multidisiplin
Publisher : Yayasan Albahriah Jamiah Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.64691/8nadjf18

Abstract

The debate regarding the meaning of lahw al-Ḥadīth in Surah Luqman verse 6 continues to be a crucial point in the discourse on music law in Islam, especially due to the differences in classical and contemporary interpretations involving linguistic, normative, and sociocultural dimensions. This paper aims to analytically examine the construction of the meaning of lahw al-Ḥadīth, the normative position of music, and the methodological character of Wahbah al-Zuḥaylī’s interpretation in al-Tafsīr al-Munīr fī al-ʻAqīdah wa ash-Sharīʻah wa al-Manhaj. The approach used is a qualitative one based on a literature study with content analysis methods and a thematic interpretation approach to trace the argumentation patterns and epistemological framework used. The results show that al-Zuḥaylī does not simplistically identify lahw al-Ḥadīth as music, but rather understands it as any form of speech or practice that leads astray from the path of truth, including but not limited to singing containing negative elements. Within his normative framework, music is not positioned as an inherently forbidden entity, but rather depends on its content, purpose, and impact on individual and societal morality. Methodologically, al-Zuḥaylī’s interpretation demonstrates a systematic integration between the bi al-Maʻthūr and bi al-Raʻyi tafsir approaches with a moderate fiqh orientation, resulting in a contextual and proportionate legal formulation. The theoretical implication lies in strengthening the integrative tafsir paradigm that can bridge normative texts with contemporary realities in Islamic legal studies.
Hadith Criticism of Rain-Shaman Practices in Muslim Community Wedding Traditions Anggun Fadila; Husnel Anwar Matondang
International Journal of Multidisciplinary Research of Higher Education Vol 9 No 3 (2026): July (Theme Education, Religion Studies, Social Sciences, STEM and Economic Devel
Publisher : Islamic Studies and Development Center in Collaboration With Students' Research Center Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ijmurhica.v9i4.597

Abstract

Rain-shaman practices remain embedded in certain Muslim community wedding traditions in Indonesia. These practices warrant scholarly examination as they reflect the intersection of local cultural traditions, communal religious understanding, and the principle of tawhid in Islamic teachings. This study aims to analyze the forms of rain-shaman practices within wedding ceremonies and to evaluate their conformity with Islamic hadith through the methodological framework of sanad and matan criticism. Employing a qualitative field research design, data were collected through observation, in-depth interviews, and documentation involving rain-shamans, religious leaders, cultural figures, and community members. Data analysis followed the Miles and Huberman model, encompassing data reduction, presentation, and conclusion drawing, reinforced by hadith criticism. Findings reveal diverse practices: some involve supplications directed to Allah, which may be interpreted as religious efforts (ikhtiar), while others employ symbolic media such as chili, salt, nails, and offerings, accompanied by beliefs in the shaman’s special powers elements lacking strong hadith foundations and potentially conflicting with the principle of tawhid. The study concludes that hadith criticism provides a normative framework for proportionally evaluating local religious practices, balancing cultural heritage with Islamic orthodoxy.